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El. knyga: Never Use Futura

4.14/5 (777 ratings by Goodreads)
  • Formatas: EPUB+DRM
  • Išleidimo metai: 31-Oct-2017
  • Leidėjas: Princeton Architectural Press
  • Kalba: eng
  • ISBN-13: 9781616896669
Kitos knygos pagal šią temą:
  • Formatas: EPUB+DRM
  • Išleidimo metai: 31-Oct-2017
  • Leidėjas: Princeton Architectural Press
  • Kalba: eng
  • ISBN-13: 9781616896669
Kitos knygos pagal šią temą:

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"Conceived around the directive commonly given to students, Never Use Futura is the first major English-language book to concentrate on Futura, using the foundational typeface to open up an alternate history of modern graphic design"--

"It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today--the typeface of modern design--more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own"--

It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.
Foreword, Futura! Foreword 12(6)
Ellen Lupton
Back To The Futura: Introduction 18(6)
1 My Other Modernism Is In Futura
How Futura helped pioneer the advance of modernism
24(22)
2 Spartan Geometry
Why you've never truly used Futura unless your name is Erik Spiekermann
46(18)
3 Degenerate Typography
The politics of Futura, from Communists to Conservatives and everyone in between
64(22)
4 Over The Moon For Futura
From post offices to the Mercury program, Futura was the official typeface of the American Century
86(18)
5 Futura In The Wild
Why David Carson was wrong and Massimo Vignelli was right (again)
104(26)
6 Show Me The Money
$10,000 handbags and high-end design
130(16)
7 Past, Present, Futura
On nostalgia and the zeitgeist of contemporary typography
146(16)
8 Futura by Any other Name
Tailored typeface and corporate storytelling
162(14)
NEVER USE FUTURA?
Epilogue
176(7)
Acknowledgments 183(4)
Notes 187(12)
Image Credits 199(2)
Index 201
Douglas Thomas is a graphic designer and type historian. He holds a Masters of Art in History from the University of Chicago. He has taught graphic design at Brigham Young University and the Maryland Institute College of Art. He is the author of Recasting Franklin as Printer in Benjamin Franklins Intellectual World, published by Fairleigh Dickinson University Press (2012). His design work has been featured in Communication Arts, Print, and Graphis. He lives in Baltimore, Maryland. Ellen Lupton is a writer, graphic designer, and director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) and of the Center for Design Thinking. As curator of contemporary design at Cooper-Hewitt, National Design Museum since 1992, she has produced numerous exhibitions and books, and she has published several books with PAPress, including Design Culture Now; Inside Design Now; Graphic Design: The New Basics; Thinking with Type; Type on Screen; D.I.Y.: Design It Yourself; and D.I.Y. Kids.