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New Beethoven: Evolution, Analysis, Interpretation [Kietas viršelis]

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  • Formatas: Hardback, 572 pages, aukštis x plotis: 229x152 mm, weight: 796 g, 94 b/w, 104 line illus.
  • Serija: Eastman Studies in Music
  • Išleidimo metai: 01-Sep-2020
  • Leidėjas: University of Rochester Press
  • ISBN-10: 1580469930
  • ISBN-13: 9781580469937
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 572 pages, aukštis x plotis: 229x152 mm, weight: 796 g, 94 b/w, 104 line illus.
  • Serija: Eastman Studies in Music
  • Išleidimo metai: 01-Sep-2020
  • Leidėjas: University of Rochester Press
  • ISBN-10: 1580469930
  • ISBN-13: 9781580469937
Kitos knygos pagal šią temą:
Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world.

Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.

JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Preface xi
Chronological Bibliography of Books, Articles, Book
Chapters, and Musical Editions by Lewis Lockwood
xv
Acknowledgments xxi
Introduction 1(8)
Jeremy Yudkin
Part One A Creative Life
1 Of Deserters and Orphans: Beethoven's Early Exposure to the Operas-Comiques of Monsigny
9(28)
Steven M. Whiting
2 "A Really Excellent and Capable Man": Beethoven and Johann Traeg
37(13)
David Wyn Jones
3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song "Ruf vom Berge," WoO 147
50(28)
Michael Ladenburger
4 "Where Thought Touches the Blood": Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process
78(11)
Bruce Adolphe
5 The Sanctification of Beethoven in 1827--28
89(34)
Christopher Reynolds
Part Two Prometheus / Eroica
6 The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities
123(25)
Alan Gosman
7 Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity
148(13)
William Kinderman
8 "Mit Verstarkung des Orchesters": The Orchestra Personnel at the First Public Performance of Beethoven's Eroica
161(44)
Theodore Albrecht
Part Three Masses
9 "Aber lieber Beethoven, was haben Sie denn wieder da gemacht?" Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Opus 86
205(23)
Jeremiah W. McGrann
10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis
228(16)
Mark Evan Bonds
11 God and the Voice of Beethoven
244(17)
Scott Burnham
Part Four Quartets
12 "So Here I Am, in the Middle Way": The Autograph of the "Harp" Quartet and the Expressive Domain of Beethoven's Second Maturity
261(13)
M. Lucy Turner
13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127
274(58)
Nicholas Kitchen
14 The Autograph Score of the Slow Movement of Beethoven's Last Quartet, Opus 135
332(23)
Barry Cooper
15 Early German-Language Reviews of Beethoven's Late String Quartets
355(34)
Robin Wallace
Part Five Explorations
16 Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas
389(16)
Erica Buurman
17 Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-Minor Works
405(32)
Barbara Barry
18 Schooling the Quintjager
437(11)
David B. Levy
19 Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101
448(18)
Federica Rovelli
20 Another Little Buck Out of Its Stable
466(17)
Richard Kramer
21 Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription
483(46)
Elaine Sisman
List of Contributors 529(4)
Index of Works by Beethoven 533(6)
General Index 539
JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University. JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University. THEODORE ALBRECHT, Professor Emeritus of Music at Kent State University, Ohio, is an award-winning Beethoven scholar. He has authored many important articles on the composer and is the editor of Letters to Beethoven and Other Correspondence (1996) as well as translator and editor of Beethoven's Conversation Books (Boydell Press).