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El. knyga: New Dramaturgies of Contemporary Opera: The Practitioners' Perspectives

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  • Formatas: 130 pages
  • Serija: Focus on Dramaturgy
  • Išleidimo metai: 16-Sep-2024
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781040203835
Kitos knygos pagal šią temą:
  • Formatas: 130 pages
  • Serija: Focus on Dramaturgy
  • Išleidimo metai: 16-Sep-2024
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781040203835
Kitos knygos pagal šią temą:

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This book is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners who provide valuable first-hand insight into the coming into being of an opera today.



New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, administrators) who provide valuable first-hand insight into the coming into being of an opera today.

The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that goes into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera and finally Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.

With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera as well as practicing dramaturgs in this field.

Recenzijos

Opera is a living art that has undergone constant transformation over the course of over four centuries of history. Those transformations encompass shifts in modes of composition, adaptation, staging, performance, and patronage that have been well documented by music historians. Far less attention, however, has been paid to the emergent practices that are revitalizing the operatic stage today, particularly from the standpoint of practitioners. New Dramaturgies of Contemporary Opera brilliantly steps into the breach by bringing together some of the worlds most innovative librettists, composers, directors, producers, and dramaturgs to reflect critically and creatively on their work.

Jeffrey Schnapp, founder and director, metaLAB (at) Harvard

As opera ponders new forms of address and explores non-traditional venues it also becomes a borderland between performers and their audiences but also a meeting place for the ever more porous areas of theory and practice. New Dramaturgies of Contemporary Opera chronicles this rapprochement all the while redefining contemporary opera as a cross-cultural genre.

Giorgio Biancorosso, editor of Sound Stage Screen

If two decades ago opera was unsettled and programmatically unsettling, in Zhangs ingenious collection opera is an expanded field of cultural politics, unavoidably enmeshed with decolonial interventions and public spaces, with the imaginary politics of hypermobility, with the all-pervading sense of civic responsibility of any creative effort. Dramaturgy then serves as a device that mobilizes a deeply felt engagement with the politics of creative practices, and with the necessary hybridizations and recontextualizations of the bodies of opera, in their overdetermined historicity. The essays collected here testify to the wealth of critical labours entailed by the creative process of 21th-century composers and producers, librettists, dramaturgs, and scholars of their intense engagement with operas institutionality and cultural politics.

Alessandra Campana, Tufts University

About the Contributors

Acknowledgments

Introduction: Contemporary Opera and New Dramaturgies

JINGYI ZHANG

PART I: New Dramaturgical Considerations

1. Washington National Operas American Opera Initiative: The First Ten
Years

KELLEY ROURKE

2. Interview with Beth Morrison

BETH MORRISON AND JINGYI ZHANG

3. Seeking the Philosophers Stone: On the Alchemy of Time in Creative
Dramaturgy

DAVID T. LITTLE

PART II: Representing Non-Western Cultures and Perspectives

4. Musicalizing the World: Dramaturgical Considerations of Non-European
Culture in Contemporary Opera

KAMALA SANKARAM

5. Investigating Operatic Decolonization in the Hypermobility Turn: The
Industry's Sweet Land (2020)

JINGYI ZHANG

6. Interview with Du Yun

DU YUN AND JINGYI ZHANG

PART III: Site-Specific Dramaturgies

7. Landscape Dramaturgy and (Post)Opera: Singing after Perspective

JELENA NOVAK

8. Pastoral Paradox: Staging Ted Hearnes Farming (2023) and Kate Sopers The
Hunt (2023)

ASHLEY KELLY TATA

9. Interview with Pamela Z

PAMELA Z AND JINGYI ZHANG

PART IV: Creative Possibilities of Transmedia Dramaturgy

10. Tradition, Transmedia, and Music in Contemporary Japanese Performing
Arts

KRISZTINA ROSNER

11. Biometrics, AI, Embodiment, Performative Practices, and the New
Dramaturgy

ELLEN PEARLMAN

12. Interview with Noa Frenkel

NOA FRENKEL AND JINGYI ZHANG
Jingyi Zhang is a Ph.D. candidate in musicology at Harvard University. As a music and cultural historian, her research interests center on themes of racial identity, mobility, media technology, and decolonial thinking in 19th to 21st century songs, opera, and theater.