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New Light on Tony Harrison [Kietas viršelis]

Edited by (Department of Classics and Ancient History, University of Durham (United Kingdom))
  • Formatas: Hardback, 256 pages, aukštis x plotis x storis: 243x165x23 mm, weight: 586 g, 9 black and white illustrations
  • Serija: Miscellaneous British Academy Publications
  • Išleidimo metai: 03-Jan-2019
  • Leidėjas: Oxford University Press
  • ISBN-10: 0197266517
  • ISBN-13: 9780197266519
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 256 pages, aukštis x plotis x storis: 243x165x23 mm, weight: 586 g, 9 black and white illustrations
  • Serija: Miscellaneous British Academy Publications
  • Išleidimo metai: 03-Jan-2019
  • Leidėjas: Oxford University Press
  • ISBN-10: 0197266517
  • ISBN-13: 9780197266519
Kitos knygos pagal šią temą:
New Light on Tony Harrison was developed from a conference marking the 80th birthday of the prizewinning British poet Tony Harrison. Contributors include practising poets, playwrights, specialists in classics, theatre, translation studies, English and world literature, and professionals in media where Harrison's extensive work has been least researched. The aim of the volume is to explore new approaches to the understanding of the work of one of our most important poets. The volume examines four main areas: Tony Harrison's more recent poems; the continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980-1990 decade, alongside his evolving dramatic relationship with Euripides and with French authors (Hugo, Moliere, Racine); Harrison's profound contribution during his periods of residence abroad in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation; his extensive body of poems written specifically for television andradio. This is a must for fans of Tony Harrison's work and for those with an interest in, or studying English literature, classical mythology, theatre studies, and film courses.

New Light on Tony Harrison was developed from a conference marking the 80th birthday of the prizewinning British poet Tony Harrison. Contributors include practising poets, playwrights, specialists in Classics, Theatre, Translation Studies, English and World Literature, and professionals in media where Harrison's extensive work has been least researched. The aim of the volume is to explore new approaches to the understanding of the work of one of our most important poets.

The volume examines four main areas:

- Tony Harrison's more recent poems
- The continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980-1990 decade, alongside his evolving dramatic relationship with Euripides and with French authors (Hugo, Moliere, Racine)
- Harrison's profound contribution during his periods of residence abroad in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation;
- His extensive body of poems written specifically for television and radio.

This is a must for fans of Tony Harrison's work and for those with an interest in, or studying English Literature, Classical Mythology, Theatre Studies, and Film courses.

Recenzijos

Their essays combine to form a remarkable celebration of the integrity, depth, learning, intelligence and politics of Britain's most important living poet: the bard of Leeds. * Sean Sheehan, Scottish Left Review * Edith Hall has skilfully edited this disparate collection into an affectionate tribute and an appreciative overview of his poetry. The volume makes a good introduction to the poet and his work, while celebrating TH at 80. * Alan Beale, Classics for all *

Notes on Contributors vii
List of Illustrations
xii
Acknowledgements xiii
Editors Introduction xiv
Part I Harrison's Example
1 Harrison as Elegist
3(10)
Blake Morrison
2 Close Encounters of the Verse Kind: On Meeting Tony Harrison
13(8)
Simon Armitage
3 The Man Who Came to Read the Metre
21(8)
Lee Hall
4 Lost in the Original: Tony Harrison as a Classicist Poet
29(12)
Josephine Balmer
Part II Harrison's Poems
5 Tony Harrison and the Guardian
41(12)
Claire Armitstead
6 Metre and Memory (and Mvnpoauvn)
53(18)
Sandie Byrne
7 Tony Harrison's Polygonal Ode to Delphi
71(10)
Oliver Taplin
Part III Harrison's Theatre
8 Tony Harrison: Nigeria, Masque and Masks
81(10)
Rachel Bower
9 The Early Years at the National Theatre: Harrison's moliere and racine
91(10)
Hallie Marshall
10 Harrison as Scholar-Poet of the Theatre
101(10)
Fiona Macintosh
11 Verbal and Visual Witnessing: Tony Harrison's Euripides
111(28)
Edith Hall
Part IV Harrison's France and Italy
12 `v.' Revisited: Harrison, Rimbaud and the French Radical Tradition
139(16)
Christine Regan
13 The Translation and Reception of Harrison's Poetry in France
155(8)
Cecile Marshall
14 Wine and Poetry: Translating Tony Harrison in Italy
163(14)
Giovanni Greco
Part V Harrison's Film Poetry
15 A Poet behind the Camera
177(8)
Peter Symes
16 Modernism and the `Double Consciousness' of Myth in Tony Harrison's Poems and Metamorpheus
185(20)
Antony Rowland
17 The Only Tone for Terror: Tony Harrison and the Gorgon's Gaze
205(16)
Henry Stead
Afterword: `For Tony at 80': A Poem by Sir Richard Eyre 221(4)
Richard Eyre
Consolidated Bibliography 225(16)
Index 241
After holding posts at the universities of Reading, Cambridge, Oxford, Durham, and Royal Holloway, Edith Hall took up a Chair in Classics at King's College London in 2012. She has published more than twenty-five books on ancient Greek and Roman culture and their continuing role in culture since the Renaissance. She is Co-Founder of the Archive of Performances of Greek & Roman Drama at Oxford and Chair of the Gilbert Murray Trust. She was awarded the Erasmus Prize in 2016 and an Honorary Doctorate from Athens University in 2017.