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El. knyga: New Monologues for Men

5.00/5 (1 ratings by Goodreads)
Edited by (Central School of Speech and Drama, UK)
  • Formatas: 112 pages
  • Serija: Audition Speeches
  • Išleidimo metai: 30-Jun-2016
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781472573506
Kitos knygos pagal šią temą:
New Monologues for MenDidesnis paveikslėlis
  • Formatas: 112 pages
  • Serija: Audition Speeches
  • Išleidimo metai: 30-Jun-2016
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781472573506
Kitos knygos pagal šią temą:

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This collection captures the best contemporary monologues for men, as well as celebrates the monologue as a piece for performance, with accompanying commentary engaging with real dramatic challenges and issues that the performer will face.



New Monologues for Men: Volume 1 features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their suitability and relevance to drama school students and recent graduates entering the profession.

Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging , performance decisions, points of significance in the text, and drawing on decisions made in professional production/s.

This collection is the go-to resource for auditioning actors with an insatiable appetite for new, original and excellent material.

Recenzijos

This is a strong proposal and I feel that there is a solid market for this collection. It is important that young actors are aware of new writing and that they use new monologue material for their audition pieces. This will prove that they are up-to-date with new plays, emerging writers and trends. The readership will be young actors auditioning for drama schools, professional work and even television or film work. It will be also of interest to playwrights, directors and producers looking for new plays. This collection might also increase the sales of the plays themselves. It has been known that a director may choose a play, simply because the trigger was the main monologue of that work. So, the readership is not limited or focused on the acting profession. * Dr George Rodosthenous, University of Leeds *

Daugiau informacijos

This collection captures the best contemporary monologues for men, as well as celebrates the monologue as a piece for performance, with accompanying commentary engaging with real dramatic challenges and issues that the performer will face.
Performing Rights vii
Introduction xi
MONOLOGUES
Actor's Lament by Steven Berkoff -- John
3(3)
Birthday by Joe Penhall -- Ed
6(3)
Black Jesus by Anders Lustgarten -- Gabriel Chibamu
9(2)
Blackout by Davey Anderson -- James
11(1)
Blackout by Davey Anderson -- James
12(3)
Blackta by Nathaniel Martello-White -- Brown
15(1)
Blackta by Nathaniel Martello-White -- Brown
16(2)
Bullet Catch by Rob Drummond -- Wonder
18(4)
Can't Forget About You by David Ireland -- Stevie
22(3)
Candide by Mark Ravenhill -- Mike
25(1)
Candide by Mark Ravenhill -- Voltaire
26(3)
Casualties by Ross Ericson -- Peter
29(3)
City Love by Simon Vinnicombe -- Jim
32(2)
City Love by Simon Vinnicombe -- Jim
34(3)
The Cow Play by Ed Harris -- Owen
37(4)
The Effect by Lucy Prebble -- Dr Toby Sealey
41(3)
Even Stillness Breathes Softly Against a Brick Wall by Brad Birch -- Him
44(3)
The Grand Gesture by Deborah McAndrew -- Simeon
47(3)
Hidden in the Sand by James Phillips -- Jonathan
50(1)
Hidden in the Sand by James Phillips -- Jonathan
51(3)
A History of Falling Things by James Graham -- Robin
54(1)
A History of Falling Things by James Graham -- Robin
55(3)
If You Don't Let Us Dream, We Won't Let You Sleep by Anders Lustgarten -- Tom
58(1)
If You Don't Let Us Dream, We Won't Let You Sleep by Anders Lustgarten --- Ray
59(3)
Joe Guy by Roy Williams -- Joe
62(2)
The Kindness of Strangers by Curious Directive -- Ben
64(3)
Land of Our Fathers by Christ Urch -- Curly
67(3)
A Life of Galileo by Bertolt Brecht, adapted by Mark Ravenhill -- Galileo
70(3)
Playing With Grown-ups by Hannah Patterson -- Jake
73(2)
Red Velvet by Lolita Chakrabarti -- Pierre
75(2)
Red Velvet by Lolita Chakrabarti -- Ira
77(3)
The Resistible Rise of Arturo Ui by Bertolt Brecht, translated by George Tabori and revised by Alistair Beaton -- Ui
80(2)
The Resistible Rise of Arturo Ui by Bertolt Brecht translated by George Tabori and revised by Alistair Beaton -- Roma
82(2)
Skin Tight by Gary Henderson -- Tom
84(3)
Sucker Punch by Roy Williams -- Leon
87(1)
Sucker Punch by Roy Williams -- Leon
88(2)
True Brits by Vinay Patel -- Rahul
90(4)
Wasted by Kate Tempest -- Ted
94(1)
Wasted by Kate Tempest -- Danny
95(2)
The Whisky Taster by James Graham -- Malcolm
97
Geoffrey Colman works as a professional acting coach in Theatre, Film and TV, having been Professor/Head of Acting at The Royal Central School of Speech and Drama for many years. http://www.geoffcolman.com
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