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El. knyga: New Monologues for Women

4.17/5 (9 ratings by Goodreads)
Edited by (Central School of Speech and Drama, UK)
  • Formatas: 120 pages
  • Serija: Audition Speeches
  • Išleidimo metai: 30-Jun-2016
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781472573544
Kitos knygos pagal šią temą:
New Monologues for WomenDidesnis paveikslėlis
  • Formatas: 120 pages
  • Serija: Audition Speeches
  • Išleidimo metai: 30-Jun-2016
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781472573544
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New Monologues for Women features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their relevance to drama school students and recent graduates entering the profession.

Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging, character interpretation, points of significance in the text, and how to draw from decisions made in professional productions.

This collection is the go-to resource for the auditioning actor with an insatiable appetite for new, original and excellent material.



This collection captures the best contemporary monologues for women, as well as celebrates the monologue as a piece for performance with accompanying commentary engaging with real dramatic challenges and issues that the performer will confront.

Recenzijos

This is a strong proposal and I feel that there is a solid market for this collection. It is important that young actors are aware of new writing and that they use new monologue material for their audition pieces. This will prove that they are up-to-date with new plays, emerging writers and trends. The readership will be young actors auditioning for drama schools, professional work and even television or film work. It will be also of interest to playwrights, directors and producers looking for new plays. This collection might also increase the sales of the plays themselves. It has been known that a director may choose a play, simply because the trigger was the main monologue of that work. So, the readership is not limited or focused on the acting profession. * Dr George Rodosthenous, University of Leeds *

Daugiau informacijos

This collection captures the best contemporary monologues for women, as well as celebrates the monologue as a piece for performance with accompanying commentary engaging with real dramatic challenges and issues that the performer will confront.
Performing Rights vii
Introduction xi
MONOLOGUES
Best Man by Carmel Winters -- Kay
3(1)
Best Man by Carmel Winters -- Kay
4(3)
Birthday by Joe Penhall -- Natasha
7(3)
Black Jesus by Anders Lustgarten -- Eunice
10(3)
Brief Encounter by Noel Coward, adapted for the stage by Emma Rice -- Laura
13(3)
Can't Forget About You by David Ireland -- Martha
16(3)
Candide by Mark Ravenhill -- Sophie
19(1)
Candide by Mark Ravenhill -- Cunegonde
20(4)
Cannibals by Rory Mullarkey -- Lizaveta
24(3)
Casualties by Ross Ericson -- Emma
27(2)
City Love by Simon Vinnicombe -- Lucy
29(1)
City Love by Simon Vinnicombe -- Lucy
30(3)
Clean by Sabrina Mahfouz -- Zainab
33(3)
The Curious Incident of the Dog in the Night Time by Mark Haddon, adapted for the stage by Simon Stephens -- Judy
36(2)
Dark Vanilla Jungle by Philip Ridley -- Andrea
38(2)
Dirty Great Love Story by Richard Marsh and Katie Bonna -- Katie
40(3)
A Doll's House by Henrik Ibsen -- Nora
43(3)
Dry Ice by Sabrina Mahfouz -- Nina
46(2)
Dry Ice by Sabrina Mahfouz -- Nina
48(3)
The Effect by Lucy Prebble -- Dr James
51(3)
Exit by Steven Berkoff -- Anne
54(2)
Free Fall by Vinay Patel -- Andrea
56(3)
Hidden in the Sand by James Phillips -- Alexandra
59(1)
Hidden in the Sand by James Phillips -- Sophia
60(2)
A History of Falling Things by James Graham -- Jacqui
62(3)
If You Don't Let Us Dream, We Won't Let You Sleep by Anders Lustgarten -- Kelly
65(3)
Josephine and I by Cush Jumbo -- Girl
68(2)
The Kindness of Strangers by Curious Directive -- Lisa
70(4)
McQueen, or Lee and Beauty by James Phillips - Dahlia
74(2)
Morning by Simon Stephens -- Stephanie
76(3)
Playing With Grown-ups by Hannah Patterson -- Stella
79(2)
Quiz Show by Rob Drummond -- Sandra
81(3)
Red Velvet by Lolita Chakrabarti -- Halina
84(3)
Skin Tight by Gary Henderson -- Elizabeth
87(3)
Underneath by Pat Kinevane -- Her
90(1)
Underneath by Pat Kinevane -- Her
91(3)
Wasted by Kate Tempest -- Charlotte
94(3)
The Wolf from the Door by Rory Mullarkey -- Catherine
97(1)
The Wolf from the Door by Rory Mullarkey -- Catherine
98(4)
You're Not Like the Other Girls Chrissy by Caroline Horton -- Chrissy
102
1. Geoffrey Colman works as a professional acting coach in Theatre, Film and TV, having been Professor/Head of Acting at The Royal Central School of Speech and Drama for many years. http://www.geoffcolman.com
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