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New Wave, New Hollywood: Reassessment, Recovery, and Legacy [Minkštas viršelis]

Edited by (Bangor University, UK), Edited by (University of Nottingham, UK)
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 236x150x18 mm, weight: 400 g, 15 bw illus
  • Išleidimo metai: 20-Apr-2023
  • Leidėjas: Bloomsbury Academic USA
  • ISBN-10: 1501372726
  • ISBN-13: 9781501372728
Kitos knygos pagal šią temą:
New Wave, New Hollywood: Reassessment, Recovery, and LegacyDidesnis paveikslėlis
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 236x150x18 mm, weight: 400 g, 15 bw illus
  • Išleidimo metai: 20-Apr-2023
  • Leidėjas: Bloomsbury Academic USA
  • ISBN-10: 1501372726
  • ISBN-13: 9781501372728
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781501372728.html
Raktažodžiai:

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over.

It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Recenzijos

NewWave, New Hollywood is an engaging and fresh approach to the preexisting scholarship that opens a myriad of critical potential. Its emphasis on diversity and the questioning of the parameters of how we define the New Wave will hopefully generate new conversations that look first to the more neglected film artists. * Film Matters * A fascinating array of essays aimed at revising our understanding of the Hollywood New Wave of the 60s and 70s. * Robert P. Kolker, Emeritus Professor of English, University of Maryland, USA * A wide-ranging re-appraisal of the 'New Wave', which both underlines and questions its enduring significance for American film scholarship, and serves to reshape its parameters in important and timely ways. Essential reading for anyone wanting to understand this era and its vexed legacy. * James Lyons, Associate Professor in Screen Studies, University of Exeter, UK *

Daugiau informacijos

New Wave, New Hollywood offers new perspectives on a key time in American film history.
List of Illustrations
vii
Acknowledgments viii
1 Introduction
1(20)
Nathan Abrams
Gregory Frame
2 The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism of the American New Wave
21(18)
Fjoralba Miraka
3 Formal Radicalism versus Radical Representation: Reassessing The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)
39(20)
Cary Edwards
4 A Wave of Their Own: How Jewish Filmmakers Invented the New Hollywood
59(20)
Vincent Brook
5 New Hollywood's "Zany Godards": A "Shirley" Serious Assessment of Zucker-Abrahams-Zucker
79(22)
Emilio Audissino
6 Design as Authorship: Polly Piatt's New Hollywood Aesthetic
101(20)
Aaron Hunter
7 "The Ultimate Fusion of Commerce and Art": Waldo Salt and Screenwriting in the 1970s
121(20)
Oliver Gruner
8 Expanding the Past: Julie Dash and Zora Neale Hurston, African American Women Filmmakers of New Hollywood and Early Cinema
141(20)
Aimee Dixon Anthony
9 Lost in the Landscape: The Legacy of Barbara Loden's Wanda (1970) on the Contemporary American Independent Female Road Movie
161(18)
Aimee Mollaghan
10 The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and Trumpian Politics
179(22)
Karen A. Ritzenhoff
Hannah D'Orso
11 Indie Courtship: Pursuing the American New Wave
201(20)
Kim Wilkins
12 Afterword: New Wave, New Hollywood, New Research
221(22)
Peter Kramer
List of Contributors 243(6)
Index 249
Nathan Abrams is Professor in Film at Bangor University in Wales. He is founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, Stanley Kubrick: New York Jewish Intellectual, Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (with Robert Kolker) and The Bloomsbury Companion to Stanley Kubrick (with IQ Hunter).

Gregory Frame is Teaching Associate in Film and Television Studies at the University of Nottingham. He is the author of The American President in Film and Television: Myth, Politics and Representation (2014). He has published articles about the politics of American film and television in Journal of American Studies, New Review of Film and Television Studies, and Journal of Popular Film and Television.