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Next Level Screenwriting: Insights, Ideas and Inspiration for the Intermediate Screenwriter [Kietas viršelis]

(University of Texas Rio Grande Valley, USA), (Fairleigh Dickinson University, USA)
  • Formatas: Hardback, 152 pages, aukštis x plotis: 234x156 mm, weight: 362 g
  • Išleidimo metai: 08-May-2019
  • Leidėjas: Routledge
  • ISBN-10: 0367151510
  • ISBN-13: 9780367151515
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 152 pages, aukštis x plotis: 234x156 mm, weight: 362 g
  • Išleidimo metai: 08-May-2019
  • Leidėjas: Routledge
  • ISBN-10: 0367151510
  • ISBN-13: 9780367151515
Kitos knygos pagal šią temą:

Next Level Screenwriting is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two and want to bring their writing and stories to the next level.

Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and theme, and then provides the reader with ideas, tips and inspiration to apply to their own writing. Rather than being another "how to" book, this volume features a variety of case studies and challenging exercises throughout – derived from a broad selection of successful feature films and TV shows from the 1940s to the present day – to help spark the imagination of the writer as they work through different styles and approaches of screenwriting.

An absolute must-read for any screenwriter wanting to improve their writing and storytelling skills.

Recenzijos

Whether youre writing your first script or your twentieth, this book will help you take your screenplay to the next level. An absorbing read great examples and explanations from well-known films and television shows, all with practical applications to your own work!

Anna Weinstein, Series Editor, PERFORM: Succeeding as a Creative Professional, and Screenwriting Instructor, Auburn University

"David Landau and David Bennett Carren are two professionals who complement the craft of screenwriting with practical experience from the industry trenches. This new book bridges the gap for emerging writers who often find themselves energized to learn beyond formatting basics and struggling to produce quality scripts that hold readers interest. This intermediate level books is ideal for faculty aiming for students to write their first feature length scripts while continuing to develop more imaginative storytelling skills."

- Joseph Giomboni, ABD Screenwriter, Assistant Professor of Communications, Keystone College

"Next Level Screenwriting, by David Landau and David Bennet Carren, is not simply a useful, insightful book. It goes into none of the tropes common to most academic screenwriting works the three-act structure, the Heros Journey, the Rule of Three, how to format though these are all important points to master, to be sure. But this book doesnt bother with all that. This book is a Users Manual.

The focus of this How-To is in the nuts and bolts of crafting a narrative script and getting it into the marketplace. This is done through examples of well-known films and TV shows, analysis of what worked and what didnt, and why; as well as entertaining anecdotes from the writers own careers in the Industry trenches.

The authors cover a dozen areas useful for a journeyman screenwriter to wrestle with ways to think about a script, ways to deepen it. Right from the start it embraces the notion of genre, the benefits of choosing a good match for the story being told, in order to take advantage of the genres established rules and then how to break those rules when the occasion calls for it.

Theres a chapter on how to be conscious of the masks that the characters wear, and how to reveal whats beneath them; a chapter on making good use of the voiceover narrative; a chapter on set-ups, payoffs, and twists. This is all part of the craft and skillset of scriptwriting, as opposed to the "idea" of scriptwriting.

It ends with a few issues often not covered. First, how to write within a budget which will inevitably require a rewrite if the writer is lucky enough to get a script produced. This leads to the important lesson of rewriting the numerous drafts most scripts should go through, to really cut away the dross and end up with the best possible screenplay. Rewriting is a critical skill, and the authors do a great service to address it.

And finally, the book looks at how to turn a script into a movie: what the marketplace is all about, how to break into it, or how to avoid it, if thats what you want.

This is an engaging, enlightening book both personable and professional and I cant recommend it highly enough for anyone who wants to throw their hat in the ring of fire that is film and television production. Five Stars and those are Hollywood Stars."

James Kahn - Award-winning feature film producer (The Bet), Emmy-nominated television writer-producer (All My Children, Star Trek: Voyager, Melrose Place), and New York Times #1 Bestselling author (Return of the Jedi). Whether youre writing your first script or your twentieth, this book will help you take your screenplay to the next level. An absorbing read great examples and explanations from well-known films and television shows, all with practical applications to your own work!

Anna Weinstein, Series Editor, PERFORM: Succeeding as a Creative Professional, and Screenwriting Instructor, Auburn University

"David Landau and David Bennett Carren are two professionals who complement the craft of screenwriting with practical experience from the industry trenches. This new book bridges the gap for emerging writers who often find themselves energized to learn beyond formatting basics and struggling to produce quality scripts that hold readers interest. This intermediate level books is ideal for faculty aiming for students to write their first feature length scripts while continuing to develop more imaginative storytelling skills."

- Joseph Giomboni, ABD Screenwriter, Assistant Professor of Communications, Keystone College

"Next Level Screenwriting, by David Landau and David Bennet Carren, is not simply a useful, insightful book. It goes into none of the tropes common to most academic screenwriting works the three-act structure, the Heros Journey, the Rule of Three, how to format though these are all important points to master, to be sure. But this book doesnt bother with all that. This book is a Users Manual.

The focus of this How-To is in the nuts and bolts of crafting a narrative script and getting it into the marketplace. This is done through examples of well-known films and TV shows, analysis of what worked and what didnt, and why; as well as entertaining anecdotes from the writers own careers in the Industry trenches.

The authors cover a dozen areas useful for a journeyman screenwriter to wrestle with ways to think about a script, ways to deepen it. Right from the start it embraces the notion of genre, the benefits of choosing a good match for the story being told, in order to take advantage of the genres established rules and then how to break those rules when the occasion calls for it.

Theres a chapter on how to be conscious of the masks that the characters wear, and how to reveal whats beneath them; a chapter on making good use of the voiceover narrative; a chapter on set-ups, payoffs, and twists. This is all part of the craft and skillset of scriptwriting, as opposed to the "idea" of scriptwriting.

It ends with a few issues often not covered. First, how to write within a budget which will inevitably require a rewrite if the writer is lucky enough to get a script produced. This leads to the important lesson of rewriting the numerous drafts most scripts should go through, to really cut away the dross and end up with the best possible screenplay. Rewriting is a critical skill, and the authors do a great service to address it.

And finally, the book looks at how to turn a script into a movie: what the marketplace is all about, how to break into it, or how to avoid it, if thats what you want.

This is an engaging, enlightening book both personable and professional and I cant recommend it highly enough for anyone who wants to throw their hat in the ring of fire that is film and television production. Five Stars and those are Hollywood Stars."

James Kahn - Award-winning feature film producer (The Bet), Emmy-nominated television writer-producer (All My Children, Star Trek: Voyager, Melrose Place), and New York Times #1 Bestselling author (Return of the Jedi).

Introduction xi
1 Don't be afraid of genre
1(10)
Enjoying the genre
1(1)
Crossing genres
2(2)
Horror comedy
4(2)
Genre expectations and bending them
6(3)
A final note
9(1)
What did we learn?
9(1)
Exercise
9(2)
2 The write approach
11(7)
Motivated style
12(1)
The internal approach
13(1)
Maintaining an established style
14(2)
Style that fits the genre
16(1)
What did we learn?
16(1)
Exercise
16(2)
3 Character depth
18(13)
Motivating your characters
18(3)
Unmasking your characters
21(2)
Humor is character
23(1)
The other character change
24(3)
Television characters
27(2)
What did we learn?
29(1)
Exercise
30(1)
4 Dialogue that does more than further the plot
31(18)
A distinct voice
32(3)
Attitude dialogue
35(2)
Period dialogue
37(2)
Dialogue that reveals character
39(2)
Poetic dialogue
41(2)
Contemporary dialogue
43(3)
When talk is action
46(2)
What did we leant?
48(1)
Exercise
48(1)
5 Poetic description
49(8)
Choosing your words
49(2)
Describing for the mind's eye
51(1)
Writing for the reader
52(2)
Humorously said
54(1)
What did we learn?
55(1)
Exercise
56(1)
6 Finding the theme
57(9)
Popular movies have themes
57(2)
Shared themes of westerns and horror
59(1)
We have met the enemy and they are us
59(1)
The stronger the theme, the stronger the story
60(1)
Even comedy has a theme
61(1)
The naked theme
62(2)
What did we leant?
64(1)
Exercise
65(1)
7 First-person narrative screenwriting
66(12)
Nanation that isn't a crutch
66(3)
Hard-boiled witty nanation
69(2)
Found footage as first person
71(2)
Mockumentary
73(4)
What did we learn?
77(1)
Exercise
77(1)
8 Managing multiple-protagonist syndrome or ensembles
78(19)
Ensemble vs. episodic
78(1)
Linking stories
79(1)
Playing with time
80(1)
Ensemble characters
81(1)
Recurring locations
82(1)
The ensemble anchor
83(1)
Ensemble in the park
84(1)
The trouble with ensemble
85(2)
Ensemble in television
87(4)
A note on television dialogue
91(4)
What did we leant?
95(1)
Exercise
95(2)
9 Based on true events and research
97(13)
Adapting history
97(2)
Free yourself from the truth
99(3)
Find a special event in history
102(1)
Find a special place in history
103(3)
Research that works for you
106(2)
This all applies to television
108(1)
This all applies to everything you write
108(1)
What did we learn?
109(1)
Exercise
109(1)
10 Set-up, pay-off and the twist
110(9)
The Twilight Zone set-up/pay-off
111(1)
Twist ending set-up/pay-offs
112(1)
Character, character, character
112(3)
Twists in TV
115(1)
Comedy set-up/pay-off
116(1)
The Aristotle connection
116(1)
What did we leant?
117(1)
Exercise
117(1)
Bonus exercise
118(1)
11 Writing for a budget
119(7)
Micro-budget feature
119(2)
Independent low budget
121(2)
Hollywood low budget
123(1)
Limited-budget TV
124(1)
What did we leant?
124(1)
Exercise
125(1)
12 Rewriting: The pain and the gain
126(10)
Working in backstory
128(1)
The development rewrite
129(2)
The production rewrite
131(2)
The post-production rewrite
133(1)
A note on taking notes
133(1)
Three tricks to taking notes
134(1)
What did we learn?
135(1)
Exercise
135(1)
13 Wrote the script, now what?
136(15)
Copyright
137(1)
Feedback
137(2)
Contests
139(1)
Producers and agents
140(2)
They call it Hollywood
142(1)
Pitching
143(1)
How hard is pitching?
144(1)
Goodbye Hollywood
144(1)
Make it yourself
145(1)
Low-budget independents
146(1)
How and how much?
146(1)
Show me the money --- in the movies
146(1)
Show me the money --- in television
147(1)
Don't undo your sale
148(1)
What did we learn?
148(1)
Exercise
149(2)
Index 151
David Landau is an award-winning screenwriter and playwright with seven plays published and is the author of the books Lighting for Cinematography and Film Noir Production in addition to numerous articles on screenwriting for such magazines as Script, Screenwriters Monthly, Student Filmmakers Magazine and HD ProGuide. His feature screenwriting credits include Murder at Café Noir and Dark Tarot. David earned his MFA in Screenwriting from Goddard College and is a full Professor at Fairleigh Dickinson University. He is also a member of the Dramatists Guild and the University Film & Video Association.

David Bennett Carren is an award-winning screenwriter whose work includes numerous episodes for such television shows as Star Trek: The Next Generation, Stargate SG1, Martial Law, Dennis the Menace, and Teenage Mutant Ninja Turtles among others. His feature films include Mr. Hell and Waiting for Sandoval, and he was the writer/director on the feature film The Red Queen. A member of the Writers Guild of America and the University Film & Video Association, David earned his MFA in Screenwriting from Spalding University and is an Associate Professor at the University of Texas Rio Grande Valley where he is the Interim Chair of the Department of Theatre.