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North Korean Graphic Novels: Seduction of the Innocent? [Kietas viršelis]

  • Formatas: Hardback, 306 pages, aukštis x plotis: 234x156 mm, weight: 602 g, 25 Tables, black and white; 80 Halftones, black and white; 80 Illustrations, black and white
  • Serija: Media, Culture and Social Change in Asia
  • Išleidimo metai: 14-Aug-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138046930
  • ISBN-13: 9781138046931
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 306 pages, aukštis x plotis: 234x156 mm, weight: 602 g, 25 Tables, black and white; 80 Halftones, black and white; 80 Illustrations, black and white
  • Serija: Media, Culture and Social Change in Asia
  • Išleidimo metai: 14-Aug-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138046930
  • ISBN-13: 9781138046931
Kitos knygos pagal šią temą:
Graphic novels (kurimchaek) are a major art form in North Korea, produced by agents of the regime to set out its vision in a range of important areas. This book provides an analysis of North Korean graphic novels, discussing the ideals they promote and the tensions within those ideals, and examining the reception of graphic novels in North Korea and by North Korean refugees in South Korea. Particular themes considered include the ideal family and how the regime promotes this; patriotism, and its conflict with class identities; and the portrayal of the Korean War "The Fatherland Liberation War", as it is known in North Korea and the subsequent, continuing stand-off. Overall, the book demonstrates the importance of graphic novels in North Korea as a tool for bringing up children and for promoting North Korean ideals. In addition, however, the book also shows that although the regime sees the imaginative power of graphic novels as a necessity for effective communication, graphic novels are also viewed with caution in that they exist in everyday social life in ways that the regime may be aware of, and seeks to control, but cannot dominate completely.
List of figures
vii
List of tables
x
Acknowledgments xii
Introduction: seduction of the innocent? Kurimchaek as entertainment, education, harmful media, political propaganda and beyond 1(24)
PART I History, media and regime
25(92)
1 A short history of North Korea and kurimchaek
27(35)
2 Post-1998 North Korean graphic novels
62(28)
3 Father, mother and son: one family, one nation, one medium
90(27)
PART II Seduction of the reader
117(132)
4 A society in crisis? From The Arduous March to a new deal
119(32)
5 The downfall of a model citizen? Family background as plot tension and policy discord
151(41)
6 Sleepless in the DPRK: graphic negotiations of `family' in The True Identity of `Pear Blossom'
192(28)
7 Patriots behind enemy lines: hyperreality and excess in graphic novels about war
220(29)
PART III Reading for the reader
249(52)
8 Reading for the North Korean reader I: media framing of comics consumption in contemporary DPRK
251(25)
9 Reading for the North Korean reader II: comics in children's literature and refugee reminiscences
276(25)
Final panel: seduction of the innocent? 301(2)
Index 303
Martin Petersen is a Senior Researcher at the National Museum of Denmark