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viii | |
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xvii | |
Foreword: What was an image, there and then? |
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1 | (10) |
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Introduction: Ontology, rock art research, and the challenge of alterity |
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11 | (22) |
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PART I Philosophical and historical perspectives |
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33 | (82) |
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1 Rock art and the aesthetics of hyperobjects |
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35 | (14) |
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2 Rock art and the ontology of images: The ecology of images in hunter-gatherer and agrarian rock art |
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49 | (18) |
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3 Rock art, shamanism, and the ontological turn |
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67 | (24) |
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4 Ontology and human evolution: Neanderthal "art" and the method of controlled equivocation |
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91 | (24) |
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PART II Rock art and Indigenous knowledges |
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115 | (106) |
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5 A lesson in time: Yanyuwa ontologies and meaning in the Southwest Gulf of Carpentaria, Northern Australia |
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117 | (18) |
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6 Paradigm shifts and ontological turns at Cloggs Cave, GunaiKurnai Country, Australia |
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135 | (26) |
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7 Lines of becoming: Rock art, ontology, and Indigenous knowledge practices |
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161 | (17) |
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8 Art, representation, and the ontology of images: Some considerations from the Wanjina Wunggurr tradition, Kimberley, Northwest Australia |
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178 | (22) |
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9 Shifting ontologies and the use of ethnographic data in prehistoric rock art research |
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200 | (21) |
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PART III Humans, animals, and more-than-human beings |
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221 | (114) |
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10 "When elephants were people": Elephant/human images of the Olifants River, Western Cape, South Africa |
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223 | (22) |
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11 Images-in-the-making: Process and vivification in Pecos River-style rock art |
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245 | (19) |
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12 Rock art and relational ontologies in Canada |
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264 | (19) |
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13 An ontological approach to Saharan rock art |
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283 | (19) |
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14 The faceless men: Partial bodies and body parts in Scandinavian Bronze Age rock art |
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302 | (17) |
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15 Hunters and shamans, sex and death: Relational ontologies and the materiality of the Lascaux "shaft-scene" |
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319 | (16) |
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PART IV Syncretism, contact, and contemporary rock art |
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335 | (96) |
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16 Communities of discourse: Contemporary graffiti at an abandoned Cold War radar station in Newfoundland |
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337 | (19) |
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17 More than one world? Rock art that is Catholic and Indigenous in colonial New Mexico |
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356 | (18) |
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18 Kwipek, Mi'kma'ki: Pemiaq Aqq Pilua'sik Ta'n Tel Amalilitu'n Kuntewiktuk/Continuity and change in Mi'kmaw petroglyphs at Bedford, Nova Scotia, Canada |
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374 | (21) |
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19 Indigenous ontologies and the contact rock art of far west Texas |
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395 | (17) |
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20 When the virtual becomes actual: Indigenous ontologies within immersive reality environments |
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412 | (19) |
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Index |
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431 | |