Atnaujinkite slapukų nuostatas

El. knyga: Optimizing Pianism: Evidence-Based Perspectives

  • Formatas: EPUB+DRM
  • Išleidimo metai: 11-Mar-2025
  • Leidėjas: Rowman & Littlefield Publishers
  • Kalba: eng
  • ISBN-13: 9798881807801
  • Formatas: EPUB+DRM
  • Išleidimo metai: 11-Mar-2025
  • Leidėjas: Rowman & Littlefield Publishers
  • Kalba: eng
  • ISBN-13: 9798881807801

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

"Drawing on his expertise as a medical professional and active pianist, Cameron Roberts provides an understanding of how virtuosic piano playing works from an evidence-based, scientific perspective. Using accessible language, this wealth of information will help readers steer away from uncertainty, suboptimal performance, and injury"--

Drawing on his expertise as a medical professional and active pianist, Cameron Roberts provides an understanding of how virtuosic piano playing works from an evidence-based, scientific perspective. Using accessible language, this wealth of information will help readers steer away from uncertainty, suboptimal performance, and injury.



Drawing on his wide expertise as a medical professional and active pianist, Cameron Roberts provides an understanding of how virtuosic piano playing works from an evidence-based, scientific perspective. Optimizing Pianism recognizes the diverse range of opinions about how technique can be taught while seeking to clarify, through evidence, how to differentiate fact from fiction, and more importantly, how to put into practice what is useful and not what is not.

The book addresses a central problem of misunderstanding in piano pedagogy: how the pianist’s touch affects the piano tone. From a position of better understanding and objectification of how the touch-tone interaction works—based on physics, physiology, and psychology—the book describes a pathway and provides a framework to optimizing pianism through improved touch mechanics, more effective mental skills, and a more creative use of available musical elements. While an individual’s belief about what is important in pianism influences what gets put into practice, it is the combination of the mechanical, mental, and musical realities that determine its overall performance. Improving these areas using evidence-based perspectives promotes playing that is effective and less prone to injury.

Daugiau informacijos

Drawing on his expertise as a medical professional and active pianist, Cameron Roberts provides an understanding of how virtuosic piano playing works from an evidence-based, scientific perspective. Using accessible language, this wealth of information will help readers steer away from uncertainty, suboptimal performance, and injury.
Cameron Roberts (MBBS, FRCA) is a concert pianist who performs with many of the worlds finest instrumentalists. He studied both music and medicine at the University of Melbourne, Australia. He also studied music at the National Academy of Music, Australia and internationally. Further, he holds a specialist degree in anaesthetics (Royal College of Anaesthetists, UK). For many years, he taught at the Reina Sofia School of Music, Madrid and, later, completed a PhD on the physical, perceptual and pedagogical aspects of the touch-tone relationship (University of New England, Australia).