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Ornamented Lives [Kietas viršelis]

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"Ornamented Lives" synthesizes cultural psychology, aesthetics, and philosophy, extending the theory of Semiotic Dynamics to ornaments. It explores the role of visual ornaments in guiding human emotions, focusing on the tension between linear and curvilinear forms in art and architecture, linking the aesthetic, sublime, and mundane.



Ornamented Lives is a theoretical synthesis of cultural psychology, aesthetics, and philosophy of meaning construction. It is an extension of the author’s theory of Semiotic Dynamics (Culture in Minds and Societies, 2007) to the field of ornaments. Ornaments are not merely “decorations” but play the important role of guiding the affective depths of the human minds. This is done by capturing the whole fields of perceivable peripheral spaces and filling them with highly recursive forms. The book concentrates on the visual ornaments of various kinds, indicating in them the tensions between basic forms—linear and curvilinear. This tension is present in human construction of environments—natural growth involves curvilinear forms while human constructions introduce linearity. The basic tension between linear and curvilinear infinities is expressed in the use of spiral forms in art and architecture. The book builds a theoretical account of human beings constantly creating sublime life occasions that give them affective charge for dramatizations of ordinary living. Episodically the sublime acquires new quality—becomes aesthetic. The coverage in this book links the aesthetic, the sublime, and the mundane into one theoretical scheme within cultural psychology.

Preface ix
PART I Roots of Beauty
1(78)
1 Philosophies of the Sublime, and of the Beautiful
7(26)
The Feeling Tone of Sensation
8(2)
Apperception---Feeling Forward From Perception
10(1)
Aesthetic Philosophy in the Making
10(2)
Alexander Gottlieb Baumgarten and Aesthetica
12(2)
The Key Figure in Understanding the Sublime: Edmund Burke
14(4)
Striving for the Philosophy of the Beautiful: Immanuel Kant
18(1)
Erhabene (The Sublime): The Awe-Inspiring Experience
19(3)
From Categorization to Emergence
22(6)
On the Border of the Sublime and the Beautiful: Ornaments As Catalysts
28(1)
Notes
29(4)
2 From Point and Line to Spiral: Dialogues Within Wholes
33(24)
Basis for Ornaments: Lines in Externally Suggested Dialogue
36(2)
The Starting Point: Move From a Point to a Line
38(1)
The Elementary Implications of Forms: Theodor Lipps' Grammar of Forms
39(2)
The Artistic Extension of the Point: Overcoming of Chaos
41(4)
Graphic Tension of Nature and Culture: Curved Versus Straight Lines
45(5)
Two Infinities: Open and Closed
50(2)
Symbolic Framing of Thresholds
52(1)
The Make-Up for the Home, and of the Home-Maker: South Indian Kolam
53(1)
Conclusions: The Adventures of a Point in Ornamenting Lines
54(1)
Notes
55(2)
3 Flowers in Frames: Directionality in the Field
57(22)
Classifications of Ornaments
58(7)
Border That Transcends Itself: Dynamic Abstraction Suggestions
65(7)
General Views and Controversies Around Ornaments
72(3)
Conclusion: Ornaments and Social Control Efforts
75(1)
Notes
76(3)
PART II Looking Far to See Near: Windows Into Ourselves
79(82)
4 Landscapes: The Feeling of Awe
81(20)
Nature Triggering Explosion of Sign-Making (SWIB)
84(1)
Totality of Panoramic Experience: Passing Through Mountain Ranges
85(9)
Perceiving Time Through Space: Making Meanings Out of Decay
94(3)
Conclusion: Nature as Experienced in Creating the Interiors of the Psyche
97(1)
Notes
98(3)
5 Iconic Fields: Plurifunctionality of the Image
101(28)
Iconic Fields: Functions of Depicted Scenes
102(2)
Emergence of Landscape Painting
104(1)
Cultural Histories of Landscape Painting
105(12)
Time in a Timeless Image: Painting Ruins
117(8)
Conclusion: Capturing the Feeling Through the Field
125(1)
Notes
126(3)
6 Architectural Forms: Silent Guidance for Human Feeling
129(32)
Architecture Speaks Without Words
130(1)
Feeling Into Our Environments: Creating the Subjective Functional Sub-Part
131(1)
Psychology of Architecture: Feeling Into Forms
132(6)
Theodor Lipps' Phenomenological Program
138(10)
To Summarize: Dialogicality of the Ends
148(1)
Psychology of Columns
149(6)
Columns That Are Given Human Form: Caryatides
155(2)
Conclusion: The Periphery That---Functionally---Is the Center
157(1)
Notes
158(3)
PART III Embodiment of Affective Fields
161(98)
7 Schematization and Pleromatization
163(24)
Dynamic Relations Between the Schematization and Pleromatization Processes
166(7)
The Internal Structure of Pleromatic Signs
173(4)
Guided Internalization and Externalization Processes
177(3)
Socializing Constructive Internalization/Externalization
180(3)
Conclusion: Internalizing Sign Complexes as Roots for Redundancy
183(1)
Notes
184(3)
8 Beyond the Fall: The Psyche on the Body
187(28)
The Naked and the Nude: Semiosis of the Whole Body
188(9)
The Semiotic Skin Theory
197(3)
Building the Semiotic Skin: Ornaments on the Body
200(4)
Clothing as Ornament
204(7)
Conclusions: Cultural Construction of the Presented Body
211(2)
Notes
213(2)
9 A Glimpse Into the Interior of the Psyche
215(20)
The Ornamentation of Our Subjective Interiors
216(2)
Coordination of Outer and Inner Ornaments
218(4)
The Psyche in Its Own Affective Garden
222(1)
What Is the Form of the Internal Affective Ornament?
223(8)
Conclusion: Getting Along in One's Own Culturally Reconstructed Paradise
231(2)
Notes
233(2)
10 Genera] Conclusions: Affective Forms in Human Lives
235(24)
Summary of Basic Results of the Book
237(4)
Note
241(2)
References
243(16)
About the Author 259