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El. knyga: Orpheus in the Academy: Monteverdi's First Opera and the Accademia degli Invaghiti [Taylor & Francis e-book]

(Boston Conservatory at Berklee, USA)
  • Formatas: 242 pages, 24 Line drawings, black and white; 52 Halftones, black and white; 76 Illustrations, black and white
  • Serija: Routledge Research in Music
  • Išleidimo metai: 03-Sep-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781003029816
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 242 pages, 24 Line drawings, black and white; 52 Halftones, black and white; 76 Illustrations, black and white
  • Serija: Routledge Research in Music
  • Išleidimo metai: 03-Sep-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781003029816

This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged.



This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.

List of examples
x
List of figures
xii
List of tables
xiii
Acknowledgments xiv
Introduction: "The Invaghiti Orfed" 1(8)
1 The world of the Italian academies
9(32)
2 The Invaghiti's literary theater
41(42)
3 Musical virtuosity and the Orphic ideal
83(25)
4 Oratory and noble virtu
108(28)
5 Ideals of gender, patriarchal guidance, and educational privilege
136(36)
6 The mystical architecture of Orfeo
172(42)
Envoi: Orpheus's exit from the academy 214(7)
Bibliography 221(14)
Index 235
Joel Schwindt is Assistant Professor of Core Studies (Music History), Boston Conservatory at Berklee. He holds a PhD in Musicology from Brandeis University.