Atnaujinkite slapukų nuostatas

El. knyga: Oxford Handbook of Comic Book Studies

Edited by (Professor, The Ohio State University)
  • Formatas: 704 pages
  • Serija: Oxford Handbooks
  • Išleidimo metai: 01-Apr-2020
  • Leidėjas: Oxford University Press Inc
  • Kalba: eng
  • ISBN-13: 9780190917968
  • Formatas: 704 pages
  • Serija: Oxford Handbooks
  • Išleidimo metai: 01-Apr-2020
  • Leidėjas: Oxford University Press Inc
  • Kalba: eng
  • ISBN-13: 9780190917968

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing.

The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective. This includes a discussion of how comic books are built out of shared aesthetic systems such as literature, painting, drawing, photography, and film. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds. In particular, it explores how the term "global comics" has been defined, as well the major movements and trends that will drive the field in the years to come. Each essay will help readers understand comic books as a storytelling form grown within specific communities, and will also show how these forms exist within what can be considered a world system of comics.

Recenzijos

With Oxford's publication of this groundbreaking tome, the world of comics studies felt the quake of tectonic plates radically shift. Aldama's expertly curated volume travels us across and into all variety of the planet's soils that have grown wondrous stories in all genres, that touch on all themes, and that express all our resplendent identities and experiences. I've been in this game as a scholar and practitioner of comics most of my life. I've been waiting for such a definitive corpus of scholarly and scholar-practitioner work as this to shout resoundingly and definitively shout from rooftops: Comics are worldly! Comics are global! Comics are our future! * John Jennings, multi-Eisner Award winning scholar and creator as well as Professor of Media and Cultural Studies at the University of California, Riverside *

Contributors ix
Our World Republic of Comics: An Introduction xi
Frederick Luis Aldama
PART I WHAT IS A COMIC?
1 What Kind of Studies is Comics Studies?
3(13)
Benjamin Woo
2 Why There Is No "Language of Comics"
16(20)
Frank Bramlett
3 In Box: Rethinking Text in the Digital Age
36(17)
Shiamin Kwa
4 What Else is a Comic? Between Bayeux and Beano
53(22)
Evan Thomas
5 Reading Spaces: The Politics of Page Layout
75(19)
Katherine Kelp-Stebbins
6 Comics as Art
94(21)
David M. Ball
7 The Cartoon on the Comics Page: A Phenomenology
115(17)
Christopher Pizzino
8 All By Myself: Single-Panel Comics and the Question of Genre
132(16)
Michelle Ann Abate
9 Drawing, Redrawing, and Undrawing
148(17)
Benoit Crucifix
PART II COMICS AS SOCIAL COMMENTARY AND RESPONSE TO SOCIOPOLITICAL REALITIES
10 Bakhtinian Laughter and Recent Political Editorial Cartoons
165(25)
Michael A. Chaney
Sara B. Chaney
11 Columbia and the Editorial Cartoon
190(13)
Nhora Lucia Serrano
12 Efficacy of Social Commentary through Cartooning
203(13)
Ally Shwed
13 Radical Graphics: Australian Second-Phase Comics
216(22)
Kevin Patrick
14 Self-Regulation and Self-Censorship: Comics Creators in Czechoslovakia and Communist Eastern Bloc
238(18)
Pavel Korinek
15 This is Who I Am: Hybridity and Materiality in Comics Memoir
256(12)
John Logan Schell
16 Auto/biographics and Graphic Histories Made for the Classroom: Logicomix and Abina and the Important Men
268(25)
Sidonie Smith
Julia Watson
17 Ambiguity in Parallel: Visualizing History in Boxers and Saints
293(18)
Lan Dong
PART III KEY ISSUES IN COMICS
18 Irony, Ethics, and Lyric Narrative in Miriam Engelbergs Cancer Made Me a Shallower Person
311(15)
James Phelan
19 Animals in Graphic Narrative
326(9)
Jose Alaniz
20 The Diversionary Art of Zeina Abirached in Le Piano Oriental
335(23)
Mark McKinney
21 Disco, Derby, and Drag: The Queer Politics of Marvel's Dazzler
358(29)
Nicholas E. Miller
22 The Replacements: Ethnicity, Gender, and Legacy Heroes in Marvel Comics
387(15)
Jeffrey A. Brown
23 Hammer in Hand: Feminist Community Building in Jason Aaron's Thor
402(17)
Susan Kirtley
24 When Feminism Went to Market: Issues in Feminist Anthology Comics of the 1980s and '90s
419(18)
Rachel R. Miller
25 Children in Comics: Between Education and Entertainment, Conformity and Agency
437(18)
Maaheen Ahmed
26 I'm Not a kid. I'm a shark!: Identity Fluidity in Noelle Stevenson's Young-Adult Graphic Novels
455(18)
James J. Donahue
PART IV COMIC BOOK TRANSCREATIONS
27 Forgetting at the Intersection of Comics and the Multimodal Novel: James Sie's Still Life Las Vegas
473(17)
Torsa Ghosal
28 My Favorite Thing is Monsters: The Socially Engaged Graphic Novel as a Platform for Intersectional Feminism
490(20)
Dan Hassler-Forest
29 Paper or Plastic? Mapping the Transmedial Intersections of Comics and Action Figures
510(24)
Daniel F. Yezbick
Jonathan Alexandratos
30 Transformative Architectures in Postcolonial Hong Kong Comics
534(19)
Kin Wai Chu
31 Adaptation and Racial Representation in Dell/Gold Key TV Tie-ins
553(20)
Andrew J. Kunka
32 Candy and Drugs for Dinner: Rat Queens, Genre, and Our Aesthetic Categories
573(16)
Sean Guynes
33 Non-Compliants, Brimpers, and She-Romps: Bitch Planet, Sex Criminals, and Their Publics
589(22)
Henry Jenkins
34 Literary Adaptations in Comics and Graphic Novels
611(20)
Jan Baetens
PART V COMIC BOOK STUDIES YESTERDAY, TODAY & TOMORROW
35 Comics Studies in America: The Making of a Field of Scholarship?
631(11)
Ian Gordon
36 Next Issue: Anticipation and Promise in Comics Studies
642(14)
Randy Duncan
Matthew J. Smith
37 Comics Studies as Interdiscipline
656(15)
Dale Jacobs
38 Comics Studies as Practitioner-Scholar
671(16)
Damian Duffy
Index 687
Frederick Luis Aldama is award winning author, scholar, teacher and Distinguished University Professor at The Ohio State University. He is author, co-author, and editor of 48 books, including his recently published children's book The Adventures of Chupacabra Charlie. In 2018, Latinx Superheroes in Mainstream Comics won the the Eisner Award for Best Scholarly Work and the International Latino Book Award. He is editor and coeditor of 8 academic press book series as well as editor of Latinographix, a trade-press series that publishes Latinx graphic fiction and nonfiction. He is creator of the first documentary on the history of Latinx superheroes in comics (Amazon Prime) and director of SÕL-CON: Brown, Black, & Indigenous Comics Expo in Columbus, Ohio.