Contributors |
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ix | |
Our World Republic of Comics: An Introduction |
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xi | |
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1 What Kind of Studies is Comics Studies? |
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3 | (13) |
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2 Why There Is No "Language of Comics" |
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16 | (20) |
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3 In Box: Rethinking Text in the Digital Age |
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36 | (17) |
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4 What Else is a Comic? Between Bayeux and Beano |
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53 | (22) |
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5 Reading Spaces: The Politics of Page Layout |
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75 | (19) |
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94 | (21) |
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7 The Cartoon on the Comics Page: A Phenomenology |
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115 | (17) |
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8 All By Myself: Single-Panel Comics and the Question of Genre |
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132 | (16) |
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9 Drawing, Redrawing, and Undrawing |
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148 | (17) |
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PART II COMICS AS SOCIAL COMMENTARY AND RESPONSE TO SOCIOPOLITICAL REALITIES |
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10 Bakhtinian Laughter and Recent Political Editorial Cartoons |
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165 | (25) |
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11 Columbia and the Editorial Cartoon |
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190 | (13) |
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12 Efficacy of Social Commentary through Cartooning |
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203 | (13) |
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13 Radical Graphics: Australian Second-Phase Comics |
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216 | (22) |
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14 Self-Regulation and Self-Censorship: Comics Creators in Czechoslovakia and Communist Eastern Bloc |
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238 | (18) |
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15 This is Who I Am: Hybridity and Materiality in Comics Memoir |
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256 | (12) |
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16 Auto/biographics and Graphic Histories Made for the Classroom: Logicomix and Abina and the Important Men |
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268 | (25) |
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17 Ambiguity in Parallel: Visualizing History in Boxers and Saints |
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293 | (18) |
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PART III KEY ISSUES IN COMICS |
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18 Irony, Ethics, and Lyric Narrative in Miriam Engelbergs Cancer Made Me a Shallower Person |
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311 | (15) |
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19 Animals in Graphic Narrative |
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326 | (9) |
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20 The Diversionary Art of Zeina Abirached in Le Piano Oriental |
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335 | (23) |
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21 Disco, Derby, and Drag: The Queer Politics of Marvel's Dazzler |
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358 | (29) |
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22 The Replacements: Ethnicity, Gender, and Legacy Heroes in Marvel Comics |
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387 | (15) |
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23 Hammer in Hand: Feminist Community Building in Jason Aaron's Thor |
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402 | (17) |
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24 When Feminism Went to Market: Issues in Feminist Anthology Comics of the 1980s and '90s |
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419 | (18) |
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25 Children in Comics: Between Education and Entertainment, Conformity and Agency |
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437 | (18) |
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26 I'm Not a kid. I'm a shark!: Identity Fluidity in Noelle Stevenson's Young-Adult Graphic Novels |
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455 | (18) |
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PART IV COMIC BOOK TRANSCREATIONS |
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27 Forgetting at the Intersection of Comics and the Multimodal Novel: James Sie's Still Life Las Vegas |
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473 | (17) |
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28 My Favorite Thing is Monsters: The Socially Engaged Graphic Novel as a Platform for Intersectional Feminism |
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490 | (20) |
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29 Paper or Plastic? Mapping the Transmedial Intersections of Comics and Action Figures |
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510 | (24) |
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30 Transformative Architectures in Postcolonial Hong Kong Comics |
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534 | (19) |
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31 Adaptation and Racial Representation in Dell/Gold Key TV Tie-ins |
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553 | (20) |
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32 Candy and Drugs for Dinner: Rat Queens, Genre, and Our Aesthetic Categories |
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573 | (16) |
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33 Non-Compliants, Brimpers, and She-Romps: Bitch Planet, Sex Criminals, and Their Publics |
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589 | (22) |
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34 Literary Adaptations in Comics and Graphic Novels |
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611 | (20) |
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PART V COMIC BOOK STUDIES YESTERDAY, TODAY & TOMORROW |
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35 Comics Studies in America: The Making of a Field of Scholarship? |
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631 | (11) |
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36 Next Issue: Anticipation and Promise in Comics Studies |
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642 | (14) |
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37 Comics Studies as Interdiscipline |
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656 | (15) |
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38 Comics Studies as Practitioner-Scholar |
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671 | (16) |
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Index |
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687 | |