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Oxford Handbook of Music and the Brain [Minkštas viršelis]

Edited by (Professor of Music, University of Toronto), Edited by (Professor Emeritus, University of North Carolina at Greensboro)
  • Formatas: Paperback / softback, 848 pages, aukštis x plotis x storis: 245x172x38 mm, weight: 1580 g
  • Serija: Oxford Library of Psychology
  • Išleidimo metai: 04-Feb-2021
  • Leidėjas: Oxford University Press
  • ISBN-10: 0192895818
  • ISBN-13: 9780192895813
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 848 pages, aukštis x plotis x storis: 245x172x38 mm, weight: 1580 g
  • Serija: Oxford Library of Psychology
  • Išleidimo metai: 04-Feb-2021
  • Leidėjas: Oxford University Press
  • ISBN-10: 0192895818
  • ISBN-13: 9780192895813
Kitos knygos pagal šią temą:
The study of music and the brain can be traced back to the work of Gall in the 18th century, continuing with John Hughlings Jackson, August Knoblauch, Richard Wallaschek, and others. These early researchers were interested in localizing musicality in the brain and learning more about how music is processed in both healthy individuals and those with dysfunctions of various kinds. Since then, the research literature has mushroomed, especially in the latter part of the 20th and early 21st centuries.

The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries providing an essential guide to this rapidly growing field.

The major themes include Music, the Brain, and Cultural Contexts; Music Processing in The Human Brain; Neural Responses to Music; Musicianship and Brain Function; Developmental Issues in Music and the Brain; Music, the Brain, and Health; and the Future. Each chapter offers a thorough review of the current status of research literature as well as an examination of limitations of knowledge and suggestions for future advancement and research efforts.

The book is valuable for a broad readership including neuroscientists, musicians, clinicians, researchers and scholars from related fields but also readers with a general interest in the topic.

Recenzijos

The editors of The Oxford Handbook of Music and the Brain have compiled an excellent collection of chapters spanning the breadth of this field. This is a comprehensive volume that addresses both methodological and conceptual issues in the neuroscience of music. This volume would be valuable both as a resource for teaching and research, and provides relevant information for researchers with expertise in this area and those looking for a starting point into the neuroscientific study of music. * Amy M. Belfi, Perception *

List of Contributors
ix
SECTION I INTRODUCTION
1 The Neuroscientific Study of Music: A Burgeoning Discipline
3(16)
Donald A. Hodges
Michael H. Thaut
SECTION II MUSIC, THE BRAIN, AND CULTURAL CONTEXTS
2 Music Through the Lens of Cultural Neuroscience
19(23)
Donald A. Hodges
3 Cultural Distance: A Computational Approach to Exploring Cultural Influences on Music Cognition
42(24)
Steven J. Morrison
Steven M. Demorest
Marcus T. Pearce
4 When Extravagance Impresses: Recasting Esthetics in Evolutionary Terms
66(23)
Bjorn Merker
SECTION III MUSIC PROCESSING IN THE HUMAN BRAIN
5 Cerebral Organization of Music Processing
89(33)
Thenille Braun Janzen
Michael H. Thaut
6 Network Neuroscience: An Introduction to Graph Theory Network-Based Techniques for Music and Brain Imaging Research
122(23)
Robin W. Wilkins
7 Acoustic Structure and Musical Function: Musical Notes Informing Auditory Research
145(20)
Michael Schutz
8 Neural Basis of Rhythm Perception
165(22)
Christina M. Vanden Bosch der Nederlanden
J. Eric T. Taylor
Jessica A. Grahn
9 Neural Basis of Music Perception: Melody, Harmony, and Timbre
187(25)
Stefan Koelsch
10 Multisensory Processing in Music
212(25)
Frank Russo
SECTION IV NEURAL RESPONSES TO MUSIC: COGNITION, AFFECT, LANGUAGE
11 Music and Memory
237(26)
Lutz Jancke
12 Music and Attention, Executive Function, and Creativity
263(22)
Psyche Loui
Rachel E. Guetta
13 Neural Correlates of Music and Emotion
285(48)
Patrik N. Juslin
Laura S. Sakka
14 Neurochemical Responses to Music
333(31)
Yuko Koshimori
15 The Neuroaesthetics of Music: A Research Agenda Coming of Age
364(27)
Elvira Brattico
16 Music and Language
391(28)
Daniele Schon
Benjamin Morillon
SECTION V MUSICIANSHIP AND BRAIN FUNCTION
17 Musical Expertise and Brain Structure: The Causes and Consequences of Training
419(20)
Virginia B. Penhune
18 Genomics Approaches for Studying Musical Aptitude and Related Traits
439(20)
Irma Jarvela
19 Brain Research in Music Performance
459(28)
Eckart Altenmuller
Shinichi Furuya
Daniel S. Scholz
Christos I. Ioannou
20 Brain Research in Music Improvisation
487(34)
Michael G. Erkkinen
Aaron L. Berkowitz
21 Neural Mechanisms of Musical Imagery
521(25)
Timothy L. Hubbard
22 Neuroplasticity in Music Learning
546(21)
Vesa Putkinen
Mari Tervaniemi
SECTION VI DEVELOPMENTAL ISSUES IN MUSIC AND THE BRAIN
23 The Role of Musical Development in Early Language Acquisition
567(25)
Anthony Brandt
Molly Gebrian
L. Robert Slevc
24 Rhythm, Meter, and Timing: The Heartbeat of Musical Development
592(31)
Laurel J. Trainor
Susan Marsh-Rollo
25 Music and the Aging Brain
623(22)
Laura Ferreri
Aline Moussard
Emmanuel Bigand
Barbara Tillmann
26 Music Training and Cognitive Abilities: Associations, Causes, and Consequences
645(26)
Swathi Swaminathan
E. Glenn Schellenberg
27 The Neuroscience of Children on the Autism Spectrum with Exceptional Musical Abilities
671(24)
Adam Ockelford
SECTION VII MUSIC, THE BRAIN, AND HEALTH
28 Neurologic Music Therapy in Sensorimotor Rehabilitation
695(20)
Corene Thaut
Klaus Martin Stephan
29 Neurologic Music Therapy for Speech and Language Rehabilitation
715(23)
Yune S. Lee
Corene Thaut
Charlene Santoni
30 Neurologic Music Therapy Targeting Cognitive and Affective Functions
738(22)
Shantala Hegde
31 Musical Disorders
760(16)
Isabelle Royal
Sebastien Paquette
Pauline Tranchant
32 When Blue Turns to Gray: The Enigma of Musician's Dystonia
776(29)
David Peterson
Eckart Altenmuller
SECTION VIII THE FUTURE
33 New Horizons for Brain Research in Music
805(8)
Michael H. Thaut
Donald A. Hodges
Index 813
Michael H. Thaut serves as Director of the Music and Health Research Collaboratory and holds professorships in music, neuroscience, and rehabilitation science at the University of Toronto, Canada. He was awarded a TIER I CANADA RESEARCH CHAIR in 2017. He is the author of over 200 research publications and author/editor of 7 books. He is past President of the Society for Clinical Neuromusicology, Vice President of the International Society for Music and Medicine, and serves on the Management Committee of the World Federation of Neurorehabilitation. His internationally recognized pioneering research has advanced the basic and clinical neuroscience of music which also has become the scientific foundation for the development of Neurologic Music Therapy as a new treatment model in brain rehabilitation.

Donald A. Hodges served as Covington Distinguished Professor of Music Education and Director of the Music Research Institute (2003-2013) and is currently Professor Emeritus at the University of North Carolina at Greensboro. Hodges is the author of A Concise Survey of Music Philosophy (2017), co-author of Music in the Human Experience: An Introduction to Music Psychology (2011), contributing editor of the Handbook of Music Psychology and the accompanying Multimedia Companion (1980, 1996), co-editor of Oxford Handbook of Music and the Brain (2019), co-editor of Routledge International Handbook on Music Psychology in Education and the Community across the Lifecourse (forthcoming), and author of numerous papers in music psychology and music education. Recent research efforts have included a series of brain imaging studies of pianists, conductors, and singers using PET and fMRI