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El. knyga: Oxford Handbook of Philosophy in Music Education [Oxford Handbooks Online E-books]

Edited by (Professor, University CAECE in Buenos Aires, Buenos Aires (Argentina), Argentina), Edited by (Professor of Music and Music Education and Chair of Music Education, Brandon University in Manitoba, Canada, Brandon, Manitoba (Canda), Canada, USA)
  • Formatas: 544 pages
  • Serija: Oxford Handbooks
  • Išleidimo metai: 14-Jun-2012
  • Leidėjas: Oxford University Press Inc
  • ISBN-13: 9780199968893
  • Oxford Handbooks Online E-books
  • Kaina nežinoma
  • Formatas: 544 pages
  • Serija: Oxford Handbooks
  • Išleidimo metai: 14-Jun-2012
  • Leidėjas: Oxford University Press Inc
  • ISBN-13: 9780199968893
Music education thrives on philosophical inquiry, the systematic and critical examination of beliefs and assumptions. Yet philosophy, often considered abstract and irrelevant, is often absent from the daily life of music instructors. In The Oxford Handbook of Philosophy in Music Education, editors Wayne D. Bowman and Ana Lucia Frega have drawn together a variety of philosophical perspectives from the profession's most exciting scholars. Rather than relegating philosophical inquiry to moot questions and abstract situations, the contributors to this volume address everyday concerns faced by music educators everywhere, demonstrating that philosophy offers a way of navigating the daily professional life of music education and proving that critical inquiry improves, enriches, and transforms instructional practice for the better. Questioning every musical practice, instructional aim, assumption, and conviction in music education, The Oxford Handbook of Philosophy in Music Education presents new and provocative approaches to the practice of teaching music.

Bowman and Frega go deeper than mere advocacy or a single point of view, but rather conceive of philosophy as a dynamic process of debate and reflection that must constantly evolve to meet the shifting landscapes of music education. In place of the definitive answers often associated with philosophical work, Bowman and Frega offer a fascinating cross-section of often-contradictory approaches and viewpoints. By bringing together essays by both established and up-and-coming scholars from six continents, Bowman and Frega go beyond the Western monopoly of philosophical practice and acknowledge the diversity of cultures, instructors, and students who take part in music education. This range of perspectives invites broader participation in music instruction, and presents alternative answers to many of the fields most pressing questions and issues. By acknowledging the inherent plurality of music educational practices, the Handbook opens up the field in new and important ways. Emphasizing clarity, fairness, rigour, and utility above all, The Oxford Handbook of Philosophy in Music Educationwill challenge music educators all over the world to make their own decisions and ultimately contribute to the conversation themselves.
Contributors ix
1 Introduction
3(14)
Wayne Bowman
Ana Lucia Frega
SECTION I THE NATURE AND VALUE OF PHILOSOPHICAL INQUIRY IN MUSIC EDUCATION
2 What Should the Music Education Profession Expect of Philosophy?
17(20)
Wayne Bowman
Ana Lucia Frega
3 Rethinking Philosophy, Re-Viewing Musical-Emotional Experiences
37(26)
David J. Elliott
Marissa Silverman
4 Voicing imbas: Performing a Philosophy of Music Education
63(23)
Helen Phelan
5 Philosophy of Music Education as Art of Life: A Deweyan View
86(25)
Lauri Vakeva
6 Uncomfortable with Immanence: The Nature and Value of Music and Music Education as Singular or Supplemental
111(20)
Bennett Reimer
SECTION II THE NATURE AND VALUES OF MUSIC
7 Learning to Live Music: Musical Education as the Cultivation of a Relationship between Self and Sound
131(16)
Randall Pabich
8 The Grain of the Music: Does Music Education "Mean" Something in Japan?
147(16)
Tadahiko Imada
9 Musical Education: From Identity to Becoming
163(17)
Michael Szekely
10 Teaching Practices in Persian Art Music
180(12)
Erum Naqvi
11 Understanding Music's Therapeutic Efficacy: Implications for Music Education
192(21)
Diane Thram
SECTION III THE AIMS OF EDUCATION
12 The Impossible Profession
213(18)
Chris Higgins
13 Education in Latin American Music Schools: A Philosophical Perspective
231(18)
Luis Alfonso Estrada Rodriguez
14 Must Music Education Have an Aim?
249(14)
V. A. Howard
15 Cultivating Virtuous Character: The Chinese Traditional Perspective of Music Education
263(21)
Yuhwen Wang
16 Ethical Dimensions of School-Based Music Education
284(23)
Thomas A. Regelski
SECTION IV PHILOSOPHICAL INQUIRY DIRECTED TO CURRICULAR AND INSTRUCTIONAL CONCERNS
17 Engaging Student Ownership of Musical Ideas
307(21)
Harold Fiske
18 Understanding Music as the Philosophical Focus of Music Education
328(18)
Keith Swanwick
19 Musical Heuristics: Contributions to the Understanding of Musical Creative Processes
346(21)
Ricardo Mandolini
20 Nurturing the Songcatchers: Philosophical Issues in the Teaching of Music Composition
367(19)
John Kratus
21 Avoiding the Dangers of Postmodern Nihilist Curricula in Music Education
386(23)
Robert Walker
SECTION V CHALLENGES TO PHILOSOPHICAL PRACTICE IN MUSIC EDUCATION
22 Good for What, Good for Whom?: Decolonizing Music Education Philosophies
409(25)
Deborah Bradley
23 Place, Music Education, and the Practice and Pedagogy of Philosophy
434(19)
Sandra Stauffer
24 On Informalities in Music Education
453(19)
Estelle R. Jorgensen
25 Music Education for "All My Relations"
472(23)
Charlene A. Morton
SECTION VI AFTERWORD
26 But Is It Philosophy?
495(14)
Wayne Bowman
Ana Lucia Frega
Index 509
Wayne Bowman is Professor of Music and Music Education and Chair of Music Education at Brandon University in Manitoba, Canada; author of Philosophical Perspectives on Music (Oxford University Press, 1998). Ana Lucia Fruga is Professor at University CAECE in Buenos Aires and author of All for Music, Music for All (University of Pretoria, South Africa, 1998) and Mśsica para maestros, a well known reference throughout Spanish speaking countries.