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Oxford Handbook of Social Justice in Music Education [Minkštas viršelis]

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  • Formatas: Paperback / softback, 738 pages, aukštis x plotis x storis: 165x244x38 mm, weight: 1179 g, 15 illustrations
  • Serija: Oxford Handbooks
  • Išleidimo metai: 07-Jun-2018
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0190886633
  • ISBN-13: 9780190886639
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 738 pages, aukštis x plotis x storis: 165x244x38 mm, weight: 1179 g, 15 illustrations
  • Serija: Oxford Handbooks
  • Išleidimo metai: 07-Jun-2018
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0190886633
  • ISBN-13: 9780190886639
Kitos knygos pagal šią temą:
Music education has historically had a tense relationship with social justice. One the one hand, educators concerned with music practices have long preoccupied themselves with ideas of open participation and the potentially transformative capacity that musical interaction fosters. On the other hand, they have often done so while promoting and privileging a particular set of musical practices, traditions, and forms of musical knowledge, which has in turn alienated and even excluded many children from music education opportunities. The Oxford Handbook of Social Justice in Music Education provides a comprehensive overview and scholarly analyses of the major themes and issues relating to social justice in musical and educational practice worldwide.

The first section of the handbook conceptualizes social justice while framing its pursuit within broader contexts and concerns. Authors in the succeeding sections of the handbook fill out what social justice entails for music teaching and learning in the home, school, university, and wider community as they grapple with cycles of injustice that might be perpetuated by music pedagogy. The concluding section of the handbook offers specific practical examples of social justice in action through a variety of educational and social projects and pedagogical practices that will inspire and guide those wishing to confront and attempt to ameliorate musical or other inequity and injustice. Consisting of 42 chapters by authors from across the globe, the handbook will be of interest to anyone who wishes to better understand what social justice is and why its pursuit in and through music education matters.
Preface: Why Social Justice and Music Education? xi
Contributors xvii
Section I Understanding Social Justice In Music Education Conceptually, Historically, And Politically Introduction-from Pioneers To New Frameworks 3(116)
Paul Woodford, Section Editor
1 Intersecting Social Justices And Music Education
7(22)
Estelle R. Jorgensen
2 Understanding Social Justice From The Perspective Of Music Education History
29(18)
Marie McCarthy
3 The Ethics Of Policy: Why A Social Justice Vision Of Music Education Requires A Commitment To Policy Thought
47(15)
Patrick Schmidt
4 Facing The Music: Pursuing Social Justice Through Music Education In A Neoliberal World
62(16)
Stephanie Horsley
5 Educational Policy Reforms And The Politics Of Music Teacher Education
78(13)
Gabriel Rusinek
Jose Luis Arostegui
6 The Promotion Of Multiple Citizenships In China's Music Education
91(16)
Wai-Chung Ho
Wing-Wah Law
7 What Did You Learn In School Today? Music Education, Democracy, And Social Justice
107(12)
Joel Westheimer
Section II Reclaiming Difference In Music Education Introduction-beyond Toleration: Facing The Other 119(134)
Cathy Benedict, Section Editor
8 Disjunctured Feminisms: Emerging Feminisms In Music Education
122(18)
Roberta Lamb
Niyati Dhokai
9 A Jazz Funeral In Music Education
140(16)
Elizabeth Gould
10 The Space Between Worlds: Music Education And Latino Children
156(17)
Jacqueline Kelly-McHale
Carlos R. Abril
11 Music, Social Justice, And Social Inclusion: The Role Of Collaborative Music Activities In Supporting Young Refugees And Newly Arrived Immigrants In Australia
173(17)
Kathryn Marsh
12 Hidden In Plain Sight: Race And Racism In Music Education
190(14)
Deborah Bradley
13 Ableism And Social Justice: Rethinking Disability In Music Education
204(17)
Alice-Ann Darrow
14 Gender And Sexual Diversity Challenges (For Socially Just) Music Education
221(17)
Louis S. Bergonzi
15 Beyond Toleration-facing The Other
238(15)
Richard Matthews
Section III Epistemological Shifts And Just Practices Introduction-socializing The Value Of Equity 253(170)
Patrick Schmidt, Section Editor
16 What Do We Think We Know?
257(15)
Cathy Benedict
17 Multiculturalism And Social Justice: Complementary Movements For Education In And Through Music
272(15)
J. Christopher Roberts
Patricia Shehan Campbell
18 Music Education, Social Justice, And The "Student Voice": Addressing Student Alienation Through A Dialogical Conception Of Music Education
287(15)
Gary Spruce
19 Informal Learning As A Catalyst For Social Justice In Music Education
302(16)
Flavia M. Narita
Lucy Green
20 Musical Creativity And "The Police": Troubling Core Music Education Certainties
318(22)
Panagiotis A. Kanellopoulos
21 Music Education And Social Reproduction: Breaking Cycles Of Injustice
340(17)
Ruth Wright
22 The Imperative Of Diverse And Distinctive Musical Creativities As Practices Of Social Justice
357(15)
Pamela Burnard
Laura Hassler
Lis Murphy
Otto De Jong
23 Music Teachers' Repertoire Choices And The Quest For Solidarity: Opening Arenas For The Art Of Living With Difference
372(16)
Sidsel Karlsen
Heidi Westerlund
24 Youth Empowerment And Transformative Music Engagement
388(18)
Susan A. O'Neill
25 You Gotta Fight The Power: The Place Of Music In Social Justice Education
406(17)
Gloria Ladson-Billings
Section IV Toward Social Justice Pedagogy: Problems And Opportunities Introduction-rethinking The Ways We Engage With Others 423(128)
Gary Spruce, Section Editor
26 Social Justice In The English Secondary Music Classroom
426(20)
Chris Philpott
Jason Kubilius
27 Hospitable Music Making: Community Music As A Site For Social Justice
446(10)
Lee Higgins
28 Social Justice And Urban Music Education
456(17)
Ruben Gaztambide-Fernandez
Leslie Stewart Rose
29 Social Justice And Music Technology In Education
473(14)
Paul Louth
30 Music First And Last: Developing A Socially Just Pedagogical Approach To Music Education With Technology
487(14)
Jonathan Savage
31 Rescuing Choral Music From The Realm Of The Elite: Models For Twenty-First-Century Music Making-two Case Illustrations
501(12)
Andre De Quadros
32 Music Education Assessment And Social Justice: Resisting Hegemony Through Formative Assessment
513(12)
Martin Fautley
33 Critical Reflection For Social Justice And Inclusion In Music Education
525(14)
Carolyn Cooke
34 Can Music Teaching Be A Powerful Tool For Social Justice?
539(12)
John Sloboda
Section V Social Justice In Practice: Examples Of Educational Projects From Beyond The Schools And Around The World Introduction-description, Questions, And Challenges For Researchers 551(118)
Paul Woodford, Section Editor
35 Behind Different Walls: Restorative Justice, Transformative Justice, And Their Relationship To Music Education
554(13)
Mary L. Cohen
Stuart Paul Duncan
36 Relationship, Rescue, And Culture: How El Sistema Might Work
567(15)
Eric Shieh
37 Negotiating Gender, Popular Culture, And Social Justice In Music Education
582(16)
Joseph Abramo
38 Music Education And The Invisible Youth: A Summary Of Research And Practices Of Music Education For Youth In Detention Centers
598(16)
Maud Hickey
39 Music: An Alternative Education In The South African Freedom Struggle
614(17)
Sheila C. Woodward
40 New Faces In Old Spaces: Mexican American Musical Expressions And Music Equity Within The Music Curriculum
631(13)
Amanda Soto
41 The Intersection Of Music Teacher Education And Social Justice: Where Are We Now?
644(14)
Julie Ballantyne
Carmen Mills
42 Striving For Justice With Determination And Hope: An Epilogue
658(11)
Janet R. Barrett
Index 669
Cathy Benedict is Assistant Professor and Assistant Director of Research of Music Education at the Don Wright Faculty of Music, Western University, Canada.

Patrick Schmidt is Associate Professor and Chair of Music Education at the Don Wright Faculty of Music, Western University, Canada.

Gary Spruce is Senior Lecturer in Music Education at The Open University, United Kingdom.

Paul Woodford is Professor of Music Education at the Don Wright Faculty of Music, Western University, Canada.