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El. knyga: Palgrave Handbook of Contemporary Irish Theatre and Performance

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  • Formatas: PDF+DRM
  • Išleidimo metai: 18-Sep-2018
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9781137585882
Kitos knygos pagal šią temą:
Palgrave Handbook of Contemporary Irish Theatre and PerformanceDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Išleidimo metai: 18-Sep-2018
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9781137585882
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This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Introductions/Orientations 1(28)
Eamonn Jordan
Eric Weitz
Part I: Histories 29(240)
The Mainstream: Problematising and Theorising
31(14)
Shaun Richards
The Theatre Royal: Dublin
45(6)
Conor Doyle
The Politics of Performance: Theatre in and about Northern Ireland
51(18)
Lisa Fitzpatrick
The Literary Tradition in the History of Modern Irish Drama
69(16)
Christopher Murray
#WakingTheFeminists
85(8)
Carole Quigley
Live Art in Ireland
93(20)
Una Mannion
Gestures of Resistance: Dance in 1990s Ireland
113(22)
Finola Cronin
Contemporary Theatre in the Irish Language
135(16)
Mairtin Coilfeir
Theatre for Young Audiences in Ireland
151(14)
Tom Maguire
Performance in the Community: Amateur Drama and Community Theatre
165(16)
Elizabeth Howard
Performing Politics: Queer Theatre in Ireland, 1968-2017
181(20)
J. Paul Halferty
Long Flame in the Hideous Gale: The Politics of Irish Popular Performance 1950-2000
201(20)
Susanne Colleary
Other Theatres
221(12)
Christopher Collins
Independent Theatre and New Work
233(6)
Gavin Kostick
Funding, Sponsorship and Touring: Causing a Co-Motion
239(16)
Shelley Troupe
New Century Theatre Companies: From Dramatist to Collective
255(14)
Cormac O'Brien
Part II: Closeups 269(194)
The Joyful Mysteries of Comedy
271(16)
Bernard Farrell
The Lambert Theatre and Puppetry Redefined
287(6)
John McCormick
Scenic Transitions: From Drama to Experimental Practices in Irish Theatre
293(16)
Noelia Ruiz
Key Moments and Relationships: Working with Pat Kinevane
309(6)
Jim Culleton
Irish Cinema and Theatre: Adapting to Change
315(16)
Ruth Barton
Actor Training in Ireland Since 1965
331(10)
Rhona Trench
Irish Theatre: A Designer's Theatre
341(20)
Siobhan O'Gorman
Props to the Abbey Prop Man
361(14)
Eimer Murphy
Irish Theatre: An Actor's Theatre
375(18)
Bernadette Sweeney
The Figurative Artist & UNA'N'ANU
393(6)
Una Kavanagh
Irish Theatre: A Director's Theatre
399(16)
Ian R. Walsh
In the Wake of Olwen Fouere's riverrun
415(6)
Kellie Hughes
Irish Theatre: A Writer's Theatre
421(14)
Nicholas Grene
The Making of Mainstream
435(8)
Rosaleen McDonagh
Participatory Performance: Spaces of Creative Negotiation
443(20)
Kate McCarthy
Una Kealy
Part III: Interfaces 463(202)
Other Spaces (Non-theatre Spaces)
465(22)
Charlotte Mclvor
Irish Plays in Other Places: Royal Court, RSC, Washington and Berlin
487(14)
Kevin Wallace
Ripping Up the Original?: Fictional Adaptations in Contemporary Irish Theatre
501(16)
Anne Fogarty
Circuitous Pathways: Marina Carr's Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards
517(10)
Melissa Sihra
Being Intercultural in Irish Theatre and Performance
527(20)
Cathy Leeney
Once Upon a Time in the Life of Arambe: A Personal Reflection
547(8)
Bisi Adigun
Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama
555(20)
Eva Urban
Dramaturgical Complicity: Representing Trauma in Brokentalkers' The Blue Boy
575(6)
Kate Donoghue
Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre
581(18)
Brian Devaney
Verse in Twenty-First Century Irish Theatre
599(16)
Kasia Lech
The Gate Theatre on the Road: O'Casey, Pinter and Friel
615(16)
Maria Kurdi
Festivals and Curation: What Is a Festival For?
631(6)
Willie White
Interart Relations and Self-Reflexivity in Contemporary Irish Drama
637(20)
Csilla Bertha
"Contempt of Flesh": Adventures in the Uncanny Valley-Stacey Gregg's Override
657(8)
Ashley Taggart
Part IV: Reflections 665(182)
The Dance of Affect in Contemporary Irish Dance Theatre
667(16)
Aoife McGrath
Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company, a Case Study
683(16)
Richard Hayes
Una Kealy
Cultural Materialism and a Class Consciousness?
699(12)
Erika Meyers
The Utilization of Domestic Space in the Reflection of Social and Economic Struggles of Modern Living in Conor McPherson's New Translation of The Nest
711(6)
Maha Alatawi
Audiences: Immersive and Participatory
717(20)
Ciara L. Murphy
Sounding Affect in Pan Pan Theatre's Adaptation of All That Fall
737(6)
Angela Butler
Music in Irish Theatre: The Sound of the People
743(16)
Ciara Fleming
Sightings of Comic Dexterity
759(4)
Eric Weitz
Theatre as Memory: Acts of Remembering in Irish Theatre
763(14)
Emilie Pine
Staging a Response: No Escape and the Rise of Documentary Theatre in Ireland
777(6)
Luke Lamont
Children of the Revolution: 1916 in 2016
783(16)
James Moran
Postfeminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays by Women
799(20)
Maria Kurdi
Reflections on Bernard Shaw and the Twenty-First Century Dublin Stage
819(8)
Audrey McNamara
"Endless Art": The Contemporary Archive of Performance
827(20)
Barry Houlihan
Index 847
Eamonn Jordan is Associate Professor in Drama Studies at the School of English, Drama and Film, University College Dublin, Ireland. His published works include Theatre Stuff: Critical Essays on Contemporary Irish Theatre (2000) and Dissident Dramaturgies: Contemporary Irish Theatre (2010), and he has co-edited The Theatre of Martin McDonagh: A World of Savage Stories (2006) and The Theatre of Conor McPherson: 'Right beside the Beyond' (2012) with Lilian Chambers.



Eric Weitz is Associate Professor in Drama and Theatre Studies at Trinity College Dublin, Ireland. His publications include The Cambridge Introduction to Comedy (2009) and Theatre & Laughter (2016), as well as edited collections and single-author essays and articles. He sits on the boards of two socially-engaged theatre companies  Smashing Times (Dublin) and Collective Encounters (Liverpool) and he is President of theIrish Society for Theatre and Performance Research.
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