The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectivessurvivor writing, second and third generationand genresmemoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Recenzijos
Victoria Aarons and Phyllis Lassner expertly demonstrate in their comprehensive and thought-provoking Palgrave Handbook of Holocaust Literature and Culture, this is even truer when the event is the Holocaust, the texts are literary and cultural, and those reassembling them today are already the third generation born since the event. Along with the accolades for this remarkable handbook, one can only hope that such a volume will be written in the not-too-distant future. (Judith Tydor Baumel-Schwartz, Journal of Modern Jewish Studies, April 29, 2022)
The Palgrave Handbook of Holocaust Literature and Culture will no doubt become an invaluable contribution to future Holocaust research. This collection is a fine example of interdisciplinarity that will support learning and reference for researchers of all interests and abilities. The Palgrave Handbook of Holocaust Literature and Culture will prove itself to be a vital asset to any learner, expressing the sheer potentiality of the field to resonate with an abundance of cultural discussions. (Kieran J. H. Shackleton, Textual Practice, January 13, 2021)
1. Introduction: Approaching the Holocaust in the 21st Century, Victoria
Aarons and Phyllis Lassner.-
2. Elie Wiesels Quarrel with God, Alan L.
Berger.-
3. Primo Levis Last Lesson: A Reading of The Drowned and the Saved,
Anthony C. Wexler.-
4. What We Learn, At Last: Recounting Sexuality in
Womens Deferred Autobiographies and Testimonies, Sara R. Horowitz.-
5.
Ghetto in Flames: The Warsaw Ghetto Uprising in Early Postwar Jewish Fiction,
Avinoam Patt.-
6. The Nazi Beast at the Warsaw Zoo: Animal Studies, the
Holocaust, The Zookeepers Wife, and See Under: Love, Naomi Sokoloff.-
7.
When Facts Become Figures: Figurative Dynamics in Youth Holocaust Literature,
Joanna Krongold.-
8. Jewish Boys on the Run: The Revision of Boyhood in
Holocaust Fiction and Film, Phyllis Lassner.-
9. I sometimes thought I was
listening to myself: Identity-Deliberation after the Holocaust in Chaim
Grades My Quarrelwith Hersh Rasseyner, Megan V. Reynolds.-
10. The
Relatedness of the Unrelatable: The Holocaust as Trope in Caryl Phillipss
The Nature of Blood, Paule Lévy.-
11. The Holocaust in Works by Two Yiddish
Writers in Argentina: Simja Sneh and Israel Aszendorf, Alan Astro.-
12. Edgar
Hilsenraths Novels: Der Nazi & der Friseur and Berlin Endstation, Till
Kinzel.-
13. Transit and Transfer: Between Germany and Israel in the
Granddaughters Generation, Ashley Passmore.-14. Holocaust Memories and
Polish Catholic Identity: Cultural Transmutations of Warsaw Ghetto Uprising,
Rachel F. Brenner.-
15. Post-Soviet Migrant Memory of the Holocaust, Karolina
Krasuska.-
16. Vasily Grossman and Anatoly Rybakov: Soviet Sources of
Historical Memory of the Holocaust, Alexis Pogorelskin.-17. Refractions of
Holocaust Memory in Stanisaw Lems Science Fiction, Richard
Middleton-Kaplan.-
18. Poetry of Witness andPoetry of Commentary: Responses
to the Holocaust in Russian Verse, Marat Grinberg.-
19. At Last to a
Condition of Dignity: Anthony Hechts Holocaust Poetry, David Caplan.-
20.
Wound Marks in the Air and the Shadows Within: A Poetic Examination of Dan
Pagis, Paul Celan, and Nelly Sachs, Shellie McCullough.-
21. The Dark Side of
Holocaust Era Poetry: Nazi Poetry Promoting Antisemitism and Genocide, Cary
Nelson.-
22. Holocaust Drama Imagined and Re-Imagined: The Case of Charlotte
Delbos Who Will Carry the Word?, Holli Levitsky.-
23. Wresting Memory as We
Wrestle with Holocaust Representation: Reading Lįszló Nemes Son of Saul,
Gila Safran Naveh.-
24. Troubled Aesthetics: Jewish Bodies in Post-Holocaust
Film, Jessica Lang.-
25. Screen Memories: Trauma, Repetition, and Survival in
Sidney Lumets The Pawnbroker, Sandor Goodhart.-
26. Haunted Dreams: The
Legacy of the Holocaust in And Europe Will Be Stunned, Melissa Weininger.-
27. Master Race: Graphic Storytelling in the Aftermath of the Holocaust,
Victoria Aarons.-
28. The Challenges of Translating Art Spiegelmans Maus,
Martķn Urdiales-Shaw.-
29. We Are a Long Way Past Maus: Responsible and
Irresponsible Holocaust Representations in Graphic Comics and Sitcom
Cartoons, Jeffrey Scott Demsky.-
30. Claustrophobic in the Gaps of Others:
Affective Investments from the Queer Margins, Golan Moskowitz.-
31.
Recrafting the Past: Graphic Novels, the Third Generation and Twenty-First
Century Representations of the Holocaust, Claire Gorrara.-
32. X-Men at
Auschwitz? Superheroes, Nazis, and the Holocaust, Edward B. Westermann.-
33. An Iconic Image through the Lens of Ka-tzetnik: The Murder of the Mother
and the Essence of Auschwitz, David Patterson.-
34. Photographing Survival:
Survivor Photographs of, and at, Auschwitz, Tim Cole.- 35. A Reconsideration
ofSexual Violence in German Colonial and Nazi Ideology and its Representation
in Holocaust Texts, Elizabeth R. Baer.-
36. The Place of Holocaust Survivor
Videotestimony: Navigating the Landmarks of First-Person Audio-Visual
Representation, Oren Baruch Stier.-
37. Becketts Holocaust, Ira Nadel.-
38.
The Auschwitz Womens Camp: An Overview and Reconsideration, Sarah Cushman.-
39. Aryan Feminity: Identity in the Third Reich, Wendy Adele-Marie.-
40.
Reconsidering Jewish Rage after the Holocaust, Margarete Myers Feinstein.-
41. Impossible Holocaust Metaphors: Shoes, Matter, Memory, Sharon B. Oster.-
42. From Holocaust Studies to Trauma Studies and Back Again, Hilene Flanzbaum.
Victoria Aarons is O.R. and Eva Mitchell Distinguished Professor of Literature at Trinity University, USA. She is the author or editor of 11 books, including The New Diaspora: The Changing Landscape of American Jewish Fiction (2015); The Cambridge Companion to Saul Bellow (2016); Third-Generation Holocaust Narratives: Memory in Memoir and Fiction (2016); Third-Generation Holocaust Representation: Trauma, History, and Memory (co-authored with Alan Berger) (2017), The New Jewish American Literary Studies (2019), and Holocaust Graphic Narratives: Generation, Trauma, and Memory (2019).
Phyllis Lassner is Professor Emerita in The Crown Center for Jewish and Israel Studies and The Gender Studies Program at Northwestern University, USA. Her publications include British Women Writers of World War II (1998), Colonial Strangers: Women Writing the End of the British Empire, and Anglo-Jewish Women Writing the Holocaust (1998). She co-edited the volumes Antisemitism and Philosemitism in the Twentieth and Twenty-first Centuries: Representing Jews, Jewishness, and Modern Culture (2008) and Rumer Godden: International and Intermodern Storyteller (2010). Her most recent book is Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film (2017).
