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El. knyga: Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 21-Sep-2021
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030695552
  • Formatas: EPUB+DRM
  • Išleidimo metai: 21-Sep-2021
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030695552

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The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuality and race continue to flourish in systems of knowledge, faith and power which are relevant to a new generation of queer and trans feminist performers today.

The guiding question for the Handbook is: How do queer and trans feminist theories enhance our understanding of developments in feminist performance today, and will this discussion give rise to new ways of theorizing contemporary performance? As such, the volume will survey a new generation of performers and theorists, as well as senior scholars, who engage and redefine the limits of performance. The chapters will demonstrate how intersectional, queer and trans feminist theoretical tools support new analyses of performance with a global focus.
 
The primary audience will be students of theatre/ performance studies as well as queer /gender studies. The volume’s contents suggest close links between the formation of queer feminist identities alongside recent key political developments with transnational resonances. Furthermore, the emergence of new queer and trans feminist epistemologies prompts a reorientation regarding performance and identities in a 21st-century context.  

1 Introduction: Queer and Trans Feminist Performance
1(26)
Sandra D'Urso
Tiina Rosenberg
Anna Renee Winget
Part I Subversive Performance: Breaking Through Codes of (Un)Intelhgibility
2 Butch Woman: A Meditation
27(14)
Sue-Ellen Case
3 The Butch Monologues: Performance as a Bridge from "Border Wars" to "Playground"
41(22)
Alyson Campbell
4 On Translation: "Homo Incorporated: The Triangle and the Farting Unicorn"
63(16)
Sandra D'Urso
5 The Undisciplined Body: Phia Menard and Her Experience of Organic Performance
79(20)
Stefania Lodi Rizzini
6 Performing Improper Desires: The Unintelligibility of Convert Black Muslim Women
99(14)
Jan-Therese Mendes
7 Im/Possible Un/Veilings: Asifa Lahore and British-Asian Muslim Drag Performance
113(20)
Claire Pamment
8 Alienated Flesh at the Place of Trauma and Death: Unearthing the Black (Queered) In-Human in Suzan-Lori Parks' One-Character Short Play Pickling
133(28)
Jaye Austin Williams
Part II Whose Queer Currency? Ex/Changing CIS White Fragility
9 You Can't Hold My Baby: An Open Letter to Predominant White Institutions of Theatre Arts
161(6)
Leelee Jackson
10 Activating Cis-White Fragility: The Oppositional Gaze in Travis Alabanza's Left Outside Alone
167(24)
Beck Tadman
11 Between Mess and Method: Performance Art Economix/tures
191(12)
Esther Neff
12 Whose Pride Is This Anyway? The Quare Performance ofthe#BlackPride4
203(20)
Zane McNeill
Kyra Smith
13 It Happened to #Metoo: Queer Feminist Critique of Cisgender White Feminism
223(20)
Tiina Rosenberg
14 Lip-Syncing for Our Lives: Queering Dissent in Queer & Now a Lip-Sync Spectacular
243(22)
Finn Lefevre
Part III Queer Crossings and Transformations
15 The Case of Deborah de Robertis's Performance Art, Nudity, and Institutional Reprisal
265(18)
Sandra D'Urso
16 Deviants, Queers, or Scissoring Sisters of Men?: Translating and Locating Queer and Trans Feminisms in the Contemporary Arabic-Speaking World
283(20)
Joel W. Abdelmoez
17 (Trans-)Forming Gender Ideologies Through Performance in Russia: Cyberfeminist Somatexts of the Maailmanloppu Theatre
303(22)
Tatiana Klepikova
18 I am Nepantla: The Bodies that Matter in Chicana/o and Mexican Art
325(22)
Amarilis Perez Vera
19 Queerings and Crossings: The Post Natyam Collective's "The Sins of Such Wonderful Flesh"
347(22)
Sandra Chatterjee
Cynthia Ling Lee
Shyamala Moorty
20 Performing the `Pleasure in the Poetic'
369(12)
Sandra D'Urso
21 Towards a Queer Laboratory
381(18)
Ben Spatz
Part IV Healing and Revolution: Activism as/in Healing
22 Healing Chaos in Motion
399(6)
Sydney Flynn Rogers
Miss Barbie-Q
23 Adrian Piper's Psychedelic Drag
405(14)
Deni(se) Li
24 Narcissism and Healing in Queer Feminist Cabaret in Australia
419(10)
Sarah Ward
Sarah French
25 Discursive Contortion and Healing Inhabiting Yoga Bodies Queerly
429(18)
Camilla Damkjaer
26 Witnessing Rawness: Community & Healing
447(8)
Anna Renee Winget
27 Cuir Sudak Transpossessions and Other Magical Mutations (or, About the Practice of Healing the-Selves Otherwise)
455(14)
Krizia Puig
28 Decolonizing the University with Dark Matter's Healing of/in Failure
469(30)
Anna Renee Winget
29 Healing Through Art and Activism
499(6)
Alok Vaid-Menon
Anna Renee Winget
Part V Conclusion
30 Conclusion: Towards Queer and Trans Feminist Solidarity
505(14)
Sandra D'Urso
Tiina Rosenberg
Anna Renee Winget
Index 519
Sandra DUrso (she/her) is an Australia-based performance and theatre studies researcher and critic, who has published on feminist performance art and performance art under legal states of exception. She has also published work on Australian theatrical modernism and contemporary Australian poetry. Her co-authored monograph with Denise Varney, Australian Theatre, Modernism and Patrick White: Governing Culture was published in 2018. Tiina Rosenberg (she/her) is Professor of Performance Studies at Stockholm University, Sweden, and has previously been Professor of Gender Studies at Stockholm University and at Lund University, Sweden. Rosenberg has written extensively on performing arts, feminism, and queer theory. Her most recent books include Dont Be Quiet, Start a Riot. Essays on Feminism and Performance (2016), Mästerregissören: När Ludvig Josephson tog Europa till Sverige (The Master Director: Bringing Europe to Sweden, 2017),and HBTQ Spelar Roll Mellan Garderob Och Kanon (LGBTQ Plays a Role Between the Canon and the Closet, 2018). Anna Renée Winget (they/them) is currently a guest lecturer at Stockholm University, Sweden, and a mental health project manager at RFSL, Swedens national organization for LGBTQI rights. They hold a doctorate in drama and theatre from the Universities of California at Irvine (UCI), USA, and at San Diego (UCSD), USA, where they completed their dissertation, Performing Possibilities: Trans-Healing in Activist Performance. They received their MFA in Playwriting from Boston University, USA. Their newest play, Grand Canyon Pussy, presented by Sorority Productions, was performed in Los Angeles in 2018.