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Palgrave Handbook of Script Development 2021 ed. [Kietas viršelis]

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  • Formatas: Hardback, 617 pages, aukštis x plotis: 235x155 mm, weight: 1130 g, 13 Illustrations, color; 22 Illustrations, black and white; XXVII, 617 p. 35 illus., 13 illus. in color., 1 Hardback
  • Išleidimo metai: 05-Jan-2022
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030822338
  • ISBN-13: 9783030822330
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 617 pages, aukštis x plotis: 235x155 mm, weight: 1130 g, 13 Illustrations, color; 22 Illustrations, black and white; XXVII, 617 p. 35 illus., 13 illus. in color., 1 Hardback
  • Išleidimo metai: 05-Jan-2022
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030822338
  • ISBN-13: 9783030822330
Kitos knygos pagal šią temą:

The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers’ room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production.


Introduction 1(8)
Stayci Taylor
Craig Batty
`Behind the Scenes' of Script Development
The Feedback Phenomenon: Dealing with Multiple Voices in the Development of Original Screenplays
9(24)
Siri Senje
Script Readers as Gatekeepers: Demystifying Processes of Script Coverage
33(14)
James Napoli
A Creative Pilgrimage: Negotiating Authenticity, Creativity and Budget in the Medieval Web Series Tales of Bacon
47(12)
Maxine Gee
Creating the Low-Budget Feature Film Script: Development as Emergence
59(12)
Simon Weaving
Script Development on Unscripted Television: Grand Designs and the Spectacle of the Reveal
71(16)
Lucy Brown
Saying What Must Not Be Said: Exploring Communication in the Script Development Process
87(16)
Wendy Bevan-Mogg
Scripting the Experimental Documentary Film: Developing the "Script" for Not Reconciled
103(18)
Jill Daniels
Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian Showrunner
121(14)
Radha O'Meara
Cath Moore
Constructing Criticism Without Crushing Confidence: Cultures of Feedback in Television Script Development
135(12)
Marie Macneill
The Business of Script Development: Insights from Industry Practitioners
147(16)
Stayci Taylor
Craig Batty
Script Development in Time and Place
Doctoring La Cacerta, Las Ninas De Alto Hospicio: Issues in Cross-Cultural Script Consulting
163(12)
Jeff Rush
Script Development as a Collective Enterprise: The Writing of the Indigenous Feature Film Warn
175(12)
Christina Milligan
Independent, Short and Controversial: The Script Development of San Sabba
187(14)
Romana Turina
How Angelica Became The Strange Case of Angelica: From the Idea to the Script to the Book to the Film
201(16)
Rita Benis
Scripting for the Masses: Notes on the Political Economy of Bollywood
217(12)
Rakesh Sengupta
The Relational Language of First Nations Cultural Sensibilities, Principles and Storytelling Ethics as an Intercultural Approach to Script Development
229(22)
Sharon Huebner
Ezzard Flowers
Writers' Room and Showrunner: Discourses and Practices in the German Television Industry
251(16)
Florian Kraufi
The ASEAN ROK SCREENPLAY LAB: Voices Across Asia--Stories About Rice
267(12)
Gabrielle Kelly
Textual Manifestations of Collaborative Screen Idea and Story Development: A Danish Case Study
279(16)
Cath Moore
Scottish Modernism Goes to New Hollywood: Tracing the Script Development of Alan Sharp's Night Moves
295(14)
River Seager
Alternative Approaches
Creating Kaleidoscopic Characters: Working with Performance to Develop Character Stories Prior to Screen Story
309(18)
Angie Black
Anna Dzenis
Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love
327(14)
Andrew Kenneth Gay
Pedagogy-Led Practice and Practice-Led Pedagogy: A Feedback Loop of Teaching and Screenwriting
341(18)
Hannah Ianniello
Marco Ianniello
A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: Researching the Script Development Process
359(16)
Clarissa Mazon Miranda
Scripting and the Multimodal Screenplay Within the Script Development Process
375(16)
David Moore
Don't Eat My Baby: Collisions, Development and Indigenous Consultation in the Australian Family Feature Film Screenplay, Dingo
391(16)
Rachel Landers
The Application of an `Eternal Dance' Methodology in the Development of an Original Screenplay
407(18)
Rose Ferrell
A Collaborative Reflection Between Writer, Director and Actors: Table Read as Scriptwriting `Intervention'
425(12)
Susan Cake
Hitting the Road: Performing the Journey as a Development Strategy in Paris, Texas and Goodbye Pork Pie
437(14)
Hester Joyce
Jade Jontef
Development Across the Intercultural Divide: Scripting Stories with `Other' Groups
451(18)
Christopher Gist
Unique Contexts of Script Development
Productive Interventions: Collaborative Script Development for Stories About Mental Health Issues and Suicide
469(16)
Fincina Hopgood
Place, Presence and Play: A Listening, Co-Active Approach to Story Development
485(18)
Marianne Strand
Christina Svens
Crafting Immersive Experiences: A Case Study of the Development of Three Short Narrative Cinematic Virtual Reality (CVR) Projects
503(14)
Kath Dooley
The Screenplay as a Means of Communication: The Case of Notorious
517(14)
Claus Tieber
Between Video Games and Television Shows, Towards Meta Script Development Practices?
531(14)
Marida Di Crosta
Developing Texts for Animated Opera: A Unique Case Study
545(12)
Olga Kolokytha
From Comedy to Drama: The Curious Case Study of Queenpin
557(12)
Rafael Leal
`You Never Know Who is in Control': German Transmedia Content Development
569(16)
Sarah Renger
Violet City: Script Development from Novel to Green Screen Fantasy Feature
585(14)
Dave Jackson
Checking The Black List Twice: The Ambiguous Industry Role of Script Development Services
599(12)
Anthony Twarog
Index 611
Stayci Taylor is a Lecturer in Media at RMIT University, Australia. She is an award-winning screenwriter and researcher, published widely on screenwriting, web series and creative writing.

Craig Batty is Dean of Research (Creative) at the University of South Australia. He is an award-winning educator and researcher in the field of screenwriting, and is also a writer, script editor and script consultant.