Introduction |
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1 | (8) |
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`Behind the Scenes' of Script Development |
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The Feedback Phenomenon: Dealing with Multiple Voices in the Development of Original Screenplays |
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9 | (24) |
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Script Readers as Gatekeepers: Demystifying Processes of Script Coverage |
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33 | (14) |
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A Creative Pilgrimage: Negotiating Authenticity, Creativity and Budget in the Medieval Web Series Tales of Bacon |
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47 | (12) |
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Creating the Low-Budget Feature Film Script: Development as Emergence |
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59 | (12) |
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Script Development on Unscripted Television: Grand Designs and the Spectacle of the Reveal |
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71 | (16) |
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Saying What Must Not Be Said: Exploring Communication in the Script Development Process |
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87 | (16) |
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Scripting the Experimental Documentary Film: Developing the "Script" for Not Reconciled |
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103 | (18) |
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Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian Showrunner |
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121 | (14) |
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Constructing Criticism Without Crushing Confidence: Cultures of Feedback in Television Script Development |
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135 | (12) |
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The Business of Script Development: Insights from Industry Practitioners |
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147 | (16) |
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Script Development in Time and Place |
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Doctoring La Cacerta, Las Ninas De Alto Hospicio: Issues in Cross-Cultural Script Consulting |
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163 | (12) |
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Script Development as a Collective Enterprise: The Writing of the Indigenous Feature Film Warn |
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175 | (12) |
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Independent, Short and Controversial: The Script Development of San Sabba |
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187 | (14) |
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How Angelica Became The Strange Case of Angelica: From the Idea to the Script to the Book to the Film |
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201 | (16) |
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Scripting for the Masses: Notes on the Political Economy of Bollywood |
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217 | (12) |
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The Relational Language of First Nations Cultural Sensibilities, Principles and Storytelling Ethics as an Intercultural Approach to Script Development |
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229 | (22) |
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Writers' Room and Showrunner: Discourses and Practices in the German Television Industry |
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251 | (16) |
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The ASEAN ROK SCREENPLAY LAB: Voices Across Asia--Stories About Rice |
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267 | (12) |
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Textual Manifestations of Collaborative Screen Idea and Story Development: A Danish Case Study |
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279 | (16) |
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Scottish Modernism Goes to New Hollywood: Tracing the Script Development of Alan Sharp's Night Moves |
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295 | (14) |
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Creating Kaleidoscopic Characters: Working with Performance to Develop Character Stories Prior to Screen Story |
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309 | (18) |
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Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love |
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327 | (14) |
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Pedagogy-Led Practice and Practice-Led Pedagogy: A Feedback Loop of Teaching and Screenwriting |
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341 | (18) |
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A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: Researching the Script Development Process |
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359 | (16) |
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Scripting and the Multimodal Screenplay Within the Script Development Process |
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375 | (16) |
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Don't Eat My Baby: Collisions, Development and Indigenous Consultation in the Australian Family Feature Film Screenplay, Dingo |
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391 | (16) |
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The Application of an `Eternal Dance' Methodology in the Development of an Original Screenplay |
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407 | (18) |
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A Collaborative Reflection Between Writer, Director and Actors: Table Read as Scriptwriting `Intervention' |
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425 | (12) |
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Hitting the Road: Performing the Journey as a Development Strategy in Paris, Texas and Goodbye Pork Pie |
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437 | (14) |
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Development Across the Intercultural Divide: Scripting Stories with `Other' Groups |
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451 | (18) |
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Unique Contexts of Script Development |
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Productive Interventions: Collaborative Script Development for Stories About Mental Health Issues and Suicide |
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469 | (16) |
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Place, Presence and Play: A Listening, Co-Active Approach to Story Development |
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485 | (18) |
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Crafting Immersive Experiences: A Case Study of the Development of Three Short Narrative Cinematic Virtual Reality (CVR) Projects |
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503 | (14) |
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The Screenplay as a Means of Communication: The Case of Notorious |
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517 | (14) |
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Between Video Games and Television Shows, Towards Meta Script Development Practices? |
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531 | (14) |
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Developing Texts for Animated Opera: A Unique Case Study |
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545 | (12) |
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From Comedy to Drama: The Curious Case Study of Queenpin |
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557 | (12) |
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`You Never Know Who is in Control': German Transmedia Content Development |
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569 | (16) |
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Violet City: Script Development from Novel to Green Screen Fantasy Feature |
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585 | (14) |
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Checking The Black List Twice: The Ambiguous Industry Role of Script Development Services |
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599 | (12) |
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Index |
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611 | |