Chapter 1: Introduction |
|
5 | |
|
Objects beyond a utilitarian context |
|
|
|
Authenticity and new identities |
|
|
Chapter 2: Multiple Motivations of Collectors |
|
13 | |
|
Reductionist tendencies in psychological analyses |
|
|
|
Belittling collectors' motives |
|
|
|
Conspicuous consumption of a leisure class |
|
|
Chapter 3: Collecting as an Elite Preoccupation |
|
31 | |
|
Vulgar versus cultivated leisure |
|
|
|
Objects withdrawn from economic circuits |
|
|
|
Curiosity about nature and culture |
|
|
|
Economic boom and the explosion of art works |
|
|
Chapter 4: Maybe both Pleasure and Work |
|
43 | |
|
Production and reproduction of texts |
|
|
|
Books as a means to an end |
|
|
|
The collector, not the painter |
|
|
|
Raw meat if not expressed in art |
|
|
|
Like the study of an archeologist |
|
|
|
Liberation from the drudgery of usefulness |
|
|
|
Simple life and obvious motives |
|
|
Chapter 5: Time, Labor and Leisure |
|
67 | |
|
Time available for consumption |
|
|
|
Typically male leisure pastimes |
|
|
|
Work, hobbies and collecting |
|
|
Chapter 6: Public Houses of the Muses |
|
81 | |
|
Private and public collections |
|
|
|
An industrialist's museum of Asian arts |
|
|
|
Assistant to the founder of American anthropology |
|
|
|
The transition from artifact to art |
|
|
|
A combination of private and public collecting |
|
|
|
A dealer in the British collecting scene |
|
|
|
Historical and cultural discourse on authenticity |
|
|
Chapter 7: Contemporary Art Markets |
|
105 | |
|
An American fine art market |
|
|
|
Art dealers, artists and collectors |
|
|
|
|
|
Some visitors are scared of my pieces |
|
|
|
Profiles of tribal art collectors |
|
|
Chapter 8: A Polynesian Art Traffic Network |
|
125 | |
|
|
|
Inventory of original Polynesian art |
|
|
|
A Polynesian paddle at auction |
|
|
Chapter 9: Tricky Business at the Auction |
|
137 | |
|
The auction as social process |
|
|
|
|
|
|
|
The role of the auction catalogue |
|
|
|
Tournaments of value and deception |
|
|
|
|
Chapter 10: Old papers and Bottles of Wine |
|
161 | |
|
Transmission of old family documents |
|
|
|
Dumps, archives, and accidental discoveries |
|
|
|
|
Chapter 11: A Gendered Collecting Field |
|
173 | |
|
Industrial products as significant tokens of the past |
|
|
|
The many faces of philately |
|
|
|
Gender and the model of science |
|
|
|
Stamps and the art metaphor |
|
|
|
Social status and the cognitive drive |
|
|
|
The rationale of economic investment |
|
|
|
Less strict rules and quicker recognition |
|
|
Chapter 12: The Smallest of Artifacts |
|
199 | |
|
Origins of philately: two competing versions |
|
|
|
The historical precedence of fiscal stamps over postage stamps |
|
|
|
Embodiments of an encyclopedic ideal |
|
|
|
Examples of contemporary philatelic collectors |
|
|
|
A democratized form of collecting |
|
|
Chapter 13: A World of Amateur Traders |
|
219 | |
|
An anthropology of underground economies |
|
|
|
Case studies of amateur dealers |
|
|
|
The practical organization of amateur trade |
|
|
|
The intricacies of selling at bourses |
|
|
|
|
|
What moves amateur traders |
|
|
|
Professionalization in amateurism |
|
|
|
A model of production and business |
|
|
|
Differences between professional and amateur dealers |
|
|
Chapter 14: Paintings in Wood and Leaves |
|
253 | |
|
Globalization and the bent for the exotic |
|
|
|
Signs of a checkered life |
|
|
|
Cultural backgrounds of bonsai in China |
|
|
|
Japanese and Vietnamese connections |
|
|
|
Transmission from the Orient to the West |
|
|
|
An olive tree from Tuscany |
|
|
|
|
|
|
Chapter 15: Conclusion |
|
281 | |
|
|
|
|
|
Unequal access to knowledge and markets |
|
|
Bibliography |
|
289 | |
Index |
|
317 | |