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El. knyga: Pathologies of Motion: Historical Thinking in Medicine, Aesthetics, and Poetics

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An original study of late Enlightenment aesthetics, poetics, and environmental medicine as overlapping ways of comprehending the dislocations of historical existence lodged in the movements of bodies and minds

An original study of late Enlightenment aesthetics, poetics, and environmental medicine as overlapping ways of comprehending the dislocations of historical existence lodged in the movements of bodies and minds
 
This book studies later eighteenth-century medicine, aesthetics, and poetics as overlapping forms of knowledge increasingly concerned about the relationship between the geographical movements of persons displaced from home and the physiological or nervous “motions” within their bodies and minds. Looking beyond familiar narratives about medicine and art’s shared therapeutic and harmonizing ideals, this book explores Enlightenment and Romantic-era aesthetics and poetics in relation to a central but less well known area of eighteenth-century environmental medicine: pathology.
 
No mere system of diagnosis or classification, philosophical pathology was an art of interpretation, offering sophisticated ways of reading the multiple conditions and causes of disease, however absent from perception, in their palpable, embodied effects. For medical, anthropological, environmental, and literary authors alike, it helped to locate the dislocations of modern mobility when a full view of their causes and conditions remained imperfectly understood or still unfolding. Goodman traces the surprising afterlife of the period’s exemplary but unexplained pathology of motion, medical nostalgia, within aesthetic theory and poetics, arguing that nostalgia persisted there not as a named condition but as a set of formal principles and practices, perturbing claims about the harmony, freedom, and free play of the mind.

Recenzijos

Winner of the 2022 Jean-Pierre Barricelli Prize, sponsored by the International Conference on Romanticism

Shortlisted for the Marilyn Gaull Award from The Wordsworth Circle

Shortlisted for the Kenshur Prize, sponsored by The Indiana U Center for Eighteenth-Century Studies

Honorable Mention from the Michelle Kendrick Memorial Book Prize, sponsored by The Society for Literature, Science, and the Arts

In tracing how eighteenth-century pathology and aesthetics registered causal forces beyond our immediate ken, Kevis Goodman offers an electrifying account of the way poetics made abstract historical processes visible at a pivotal moment in global modernity.Lynn Festa, author of Fiction Without Humanity

Goodman provides a new way of thinking about human freedom, the imagination, volition, and mobility. This is a richly erudite and theoretically lucid book that anyone working in this period will want to read and reread.Alan Bewell, University of Toronto

By bringing together aesthetics and medicine, Goodman offers a new and enthralling description of modernity. Pathologies of Motion also brilliantly vindicates, as it demonstrates, the practice of symptomatic reading.Deidre Lynch, Harvard University

Goodmans elegant, learned work is the entering wedge in a radical rethinking of Romanticism and its predecessors. It reveals a pathological counter-current in tension with the ages dominant aesthetic quest for harmony.Marjorie Levinson, author of Thinking through Poetry   Goodman rediscovers eighteenth-century pathology as a synoptic discipline projecting the material body and the imagination as mutually involved and evolving agents of human behavior and consciousness. Her book thereby offers exciting new readings of reading itselfof the physiological functions of organized soundas well as of Schiller and the Scottish doctors, of the newly privileged phenomenon of nostalgia, and of some of the best-known Romantic poems.David Simpson, author of Engaging Violence

Introduction 1(34)
The Problem and Argument: Overview
1(12)
Motion's Pathology; Pathology's Motions: The Case of Nostalgia
13(3)
Some Problems of Determination, Mediation, Materialism, and Realism
16(10)
Questions of Method
26(9)
1 "A Multitude Of Causes": The Mediation Of The Nerves And Medical Semiotics
35(39)
Introduction
35(5)
Edinburgh Medicine and the "Connecting Medium" of the Nerves
40(7)
"Happy Adjustment" and the Dream of Bibliotherapy in Medicine and Criticism
47(9)
Unhappy Adjustments: Medical Semiotics and Symptomatic Reading
56(10)
"A Multitude of Causes": Toward a Bibliopathology
66(8)
2 "An Uncertain Disease": The Matter Of Nostalgia
74(39)
Introduction
74(8)
Motion Sickness
82(11)
"What's the Matter?": Hofer, Scheuchzer, Du Bos, Falconer, and Others
93(16)
Coda: "Nostalgia, under Another Name"
109(4)
3 Nostalgia's Counteraesthetic Force In Eighteenth-Century Aesthetic Theory
113(35)
Introduction
113(2)
Friedrich Schiller, Medical Student and Regimental Doctor
115(4)
"False Appetite" in a Culture of Taste: Shaftesbury, Addison, Kant, and Others
119(12)
Schiller's Scales: From "Middle Force" to "Middle State"
131(13)
Coda: Coleridge's Reader as "Free Spirit"
144(4)
4 Reading Motions: Poetry And Pathologies Of Volition Around 1800
148(57)
Introduction, with Recollection
148(8)
Volition and Its Discontents: Darwin's Zoonomia and the Lyrical Ballads
156(18)
The Reading Condition: Tautology and Nostalgia
174(15)
Pathology of Motion, or "The Passion of the Metre Merely": Thelwall and Wordsworth
189(16)
Conclusion: "I Was Moved"---Coleridge's "Free Spirit" Redux and Wordsworth's Fettered Feet 205(4)
Notes 209(52)
Works Cited 261(24)
Acknowledgments 285(4)
Index 289
Kevis Goodman is professor of English at the University of California, Berkeley. In addition to published essays and edited collections, she is the author of Georgic Modernity and British Romanticism: Poetry and the Mediation of History.
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