One of MacMillans earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore received with greatexcitement at its premiere in 2014 by Colin Currie and the Netherlands Radio Philharmonic. Like its predecessor, the second concerto is formed in a single, c25-minute span, albeit with contrasting sections, but with full orchestrascoring. The significant array of solo percussion is complemented by two orchestral percussion sections
