Foreword |
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xiii | |
Preface |
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xvii | |
1 Introducing the Perfect Meal |
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1 | (36) |
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1 | (1) |
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1.2 A brief history of culinary movements |
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2 | (6) |
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2 | (1) |
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1.2.2 The rise of molecular gastronomy |
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3 | (2) |
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1.2.3 Molecular gastronomy or modernist cuisine? |
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5 | (2) |
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1.2.4 On the rise of the celebrity chef |
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7 | (1) |
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1.3 The search for novelty and surprise |
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8 | (4) |
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1.3.1 The taste of expectation |
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10 | (1) |
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1.3.2 Food as theatre: the multisensory experience economy meets cuisine |
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11 | (1) |
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12 | (4) |
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12 | (2) |
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1.4.2 Do neurogastronomists make great-tasting food? |
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14 | (2) |
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1.5 Food and the perception of everything else |
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16 | (2) |
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1.6 Gastrophysics: the new science of the table |
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18 | (3) |
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1.7 Food perception is fundamentally multisensory |
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21 | (1) |
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1.8 Isn't modernist cuisine only for the lucky few? |
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22 | (3) |
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25 | (2) |
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27 | (10) |
2 Let the Show Commence: On the Start of the Perfect Meal |
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37 | (34) |
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37 | (5) |
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38 | (4) |
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2.2 On the social aspects of dining |
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42 | (5) |
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42 | (2) |
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44 | (3) |
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2.3 On the design of the menu |
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47 | (15) |
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2.3.1 Scanning the menu: 'Oysters, steak frites, field greens, oysters...' |
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48 | (2) |
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2.3.2 'This dessert is literally calling me' |
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50 | (2) |
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52 | (2) |
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2.3.4 On a diet? Does nutritional information help? |
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54 | (1) |
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2.3.5 Price and behaviour |
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55 | (4) |
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2.3.6 On the format of the menu |
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59 | (3) |
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62 | (1) |
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62 | (9) |
3 Tastes Great, But What do We Call It? The Art and Science of Food Description |
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71 | (38) |
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71 | (2) |
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73 | (4) |
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3.3 Can labelling enhance the taste and/or flavour of food? |
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77 | (4) |
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81 | (1) |
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3.5 On the neuroscience of naming food |
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81 | (3) |
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84 | (1) |
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3.7 Does food labelling influence the perceived ethnicity of a dish? |
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85 | (2) |
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3.8 Natural and organic labels |
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87 | (1) |
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3.9 Health/ingredient labels |
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88 | (2) |
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90 | (1) |
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3.11 Descriptive food labelling |
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91 | (1) |
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3.12 Labelling culinary techniques |
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92 | (3) |
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95 | (1) |
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3.14 Expectations and reactions |
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96 | (2) |
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98 | (2) |
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100 | (9) |
4 Plating and Plateware: On the Multisensory Presentation of Food |
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109 | (42) |
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109 | (2) |
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4.2 A potted history of food presentation |
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111 | (4) |
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4.3 The plate: the essential element of our everyday meal |
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115 | (13) |
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4.3.1 On the colour of the plate |
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115 | (4) |
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4.3.2 The shape of the plate |
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119 | (2) |
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4.3.3 The size of the plate |
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121 | (1) |
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4.3.4 On the haptic aspects of the plateware |
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122 | (6) |
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128 | (1) |
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4.5 The plate that is not a plate |
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128 | (7) |
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4.5.1 Reaching new heights |
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129 | (1) |
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4.5.2 On the smell and sound of the plateware |
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130 | (2) |
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132 | (1) |
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4.5.4 Improvised plateware |
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133 | (1) |
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4.5.5 Purpose-made plateware |
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134 | (1) |
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4.6 On the multiple contributions of the visual appearance of a dish |
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135 | (6) |
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4.6.1 On the importance of harmony on the plate |
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136 | (5) |
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4.7 Individual diner responses to the visual presentation of food |
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141 | (2) |
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143 | (1) |
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143 | (8) |
5 Getting Your Hands on the Food: Cutlery |
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151 | (32) |
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151 | (2) |
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153 | (6) |
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5.3 The material qualities of the cutlery |
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159 | (6) |
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5.3.1 The quality of the cutlery |
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160 | (1) |
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5.3.2 Tasting the cutlery |
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161 | (4) |
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165 | (1) |
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5.5 On the texture/feel of the cutlery |
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166 | (2) |
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168 | (1) |
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169 | (5) |
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174 | (1) |
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175 | (2) |
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177 | (1) |
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177 | (6) |
6 The Multisensory Perception of Flavour |
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183 | (32) |
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183 | (1) |
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183 | (3) |
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186 | (2) |
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6.3.1 Are you a supertaster? |
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187 | (1) |
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6.4 Olfactory-gustatory interactions |
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188 | (3) |
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6.4.1 Cross-cultural differences in multisensory flavour perception |
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190 | (1) |
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6.5 Oral-somatosensory contributions to multisensory flavour perception |
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191 | (2) |
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6.5.1 Are you a thermal taster? |
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193 | (1) |
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193 | (1) |
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194 | (2) |
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196 | (4) |
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6.8.1 How does colour influence flavour perception? |
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196 | (4) |
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6.8.2 Summary of research on visual flavour |
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200 | (1) |
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6.9 The cognitive neuroscience of multisensory flavour perception |
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200 | (2) |
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202 | (2) |
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204 | (11) |
7 Using Surprise and Sensory Incongruity in a Meal |
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215 | (34) |
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215 | (1) |
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7.2 How did sensory incongruity become so popular and why is it so exciting? |
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216 | (2) |
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7.2.1 The search for novelty |
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216 | (1) |
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7.2.2 The rise of molecular gastronomy/modernist cuisine |
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216 | (1) |
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7.2.3 The rise of sensory marketing and multisensory design |
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217 | (1) |
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217 | (1) |
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7.3 Defining sensory incongruity |
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218 | (1) |
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7.4 Noticing sensory incongruity |
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219 | (5) |
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7.4.1 Disconfirmed expectations |
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221 | (1) |
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7.4.2 Hidden and visible incongruity |
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222 | (2) |
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7.5 A brief history of sensory incongruity at the dinner table |
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224 | (2) |
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7.6 Colour-flavour incongruity |
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226 | (1) |
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7.7 Format-flavour incongruity |
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227 | (3) |
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7.8 Smell-flavour incongruity |
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230 | (1) |
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231 | (1) |
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7.10 The diner's response to sensory incongruity |
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232 | (1) |
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7.10.1 Attentional capture |
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232 | (1) |
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232 | (1) |
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232 | (1) |
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7.11 Molecular gastronomy and surprise |
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233 | (3) |
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7.12 Sensory incongruity and the concept of 'naturalness' |
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236 | (3) |
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7.13 Individual differences in the response of diners to sensory incongruity |
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239 | (2) |
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241 | (1) |
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242 | (7) |
8 Looking for Your Perfect Meal in the Dark |
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249 | (22) |
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249 | (2) |
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8.2 The social aspects of dining in the dark |
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251 | (1) |
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8.3 Why are dining in the dark restaurants so popular nowadays? |
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252 | (3) |
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8.4 Seeing or not seeing (correctly) the food |
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255 | (9) |
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8.4.1 The importance of colour to food |
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255 | (5) |
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8.4.2 Do our other senses really become more acute in the dark? |
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260 | (4) |
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8.5 Does dining in the dark really capture how the blind experience food? |
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264 | (1) |
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265 | (1) |
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265 | (1) |
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266 | (5) |
9 How Important is Atmosphere to the Perfect Meal? |
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271 | (40) |
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271 | (4) |
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9.2 Atmospherics and the experience economy |
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275 | (3) |
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9.3 The Provencal Rose paradox |
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278 | (2) |
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9.4 Does the atmosphere really influence our appraisal of the meal? |
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280 | (1) |
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9.5 On the ethnicity of the meal |
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280 | (2) |
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9.6 Tuning up how much money and time we spend at the restaurant |
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282 | (4) |
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9.6.1 The style and volume of the music |
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282 | (2) |
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9.6.2 The tempo of the music |
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284 | (1) |
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285 | (1) |
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9.7 Context and expectation |
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286 | (1) |
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287 | (1) |
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9.9 The olfactory atmosphere |
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288 | (3) |
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9.10 On the feel of the restaurant |
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291 | (3) |
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9.11 Atmospheric contributions to taste and flavour perception |
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294 | (4) |
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9.12 Multisensory atmospherics |
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298 | (1) |
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299 | (2) |
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301 | (10) |
10 Technology at the Dining Table |
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311 | (28) |
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311 | (1) |
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10.2 Technology on the dining table |
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312 | (3) |
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10.3 Transforming the dining experience by means of technology |
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315 | (2) |
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10.4 Augmented Reality (AR) food: A case of technology for technology's sake? |
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317 | (2) |
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10.5 Using QR codes to change our interaction with food |
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319 | (1) |
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10.6 Fostering healthy eating through the incorporation of technology |
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320 | (2) |
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10.7 Technology and distraction |
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322 | (1) |
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10.8 Using technology to control the multisensory atmosphere |
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323 | (1) |
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10.9 On the neuroscience of matching sound to food (and how technology might help) |
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324 | (2) |
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10.10 On the future of technology at the table: digital artefacts |
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326 | (2) |
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328 | (1) |
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10.12 Anyone for a 'Gin & Sonic'? |
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328 | (1) |
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10.13 The tablet as twenty-first century plateware? |
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329 | (2) |
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10.14 Tips from the chef at the tips of your fingers |
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331 | (1) |
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331 | (2) |
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333 | (6) |
11 On the Future of the Perfect Meal |
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339 | (44) |
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339 | (2) |
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11.2 On the history of predicting the future of food |
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341 | (10) |
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11.2.1 A meal (or even a day's food) in a single dose |
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341 | (4) |
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11.2.2 On the mechanization of feeding |
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345 | (1) |
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346 | (2) |
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11.2.4 Artificial flavours |
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348 | (3) |
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11.3 From the past to the future of food |
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351 | (12) |
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11.3.1 Sous vide as the twenty-first century microwave |
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351 | (2) |
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11.3.2 3D printed food: an astronomical idea |
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353 | (2) |
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11.3.3 On the future of cultured meat |
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355 | (1) |
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11.3.4 Note-by-note cuisine |
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356 | (2) |
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11.3.5 Eating insects for pleasure: bug burger with insect paste, anyone? |
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358 | (4) |
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11.3.6 The new algal cuisine |
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362 | (1) |
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11.4 Anyone for a spot of neo-Futurist cuisine? |
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363 | (3) |
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11.4.1 Food theatre: food as entertainment |
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364 | (1) |
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365 | (1) |
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366 | (1) |
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11.6 Acknowledging our differences |
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367 | (1) |
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11.7 The meal as catalyst for social exchange |
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367 | (2) |
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11.8 Is it a restaurant or is it a science laboratory? |
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369 | (2) |
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11.9 Pop-up dining, story telling and the joys of situated eating |
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371 | (1) |
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372 | (2) |
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374 | (9) |
Index |
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383 | |