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El. knyga: Perfect Meal - The Multisensory Science of Food and Dining: The Multisensory Science of Food and Dining [Wiley Online]

  • Formatas: 432 pages
  • Išleidimo metai: 03-Oct-2014
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1118491009
  • ISBN-13: 9781118491003
  • Wiley Online
  • Kaina: 44,35 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Formatas: 432 pages
  • Išleidimo metai: 03-Oct-2014
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1118491009
  • ISBN-13: 9781118491003
" The authors of The Perfect Meal examine all of the elements that contribute to the diner's experience of a meal (primarily at a restaurant) and investigate how each of the diner's senses contributes to their overall multisensory experience. The principal focus of the book is not on flavor perception, but on all of the non-food and beverage factors that have been shown to influence the diner's overall experience.Examples are: the colour of the plate (visual) the shape of the glass (visual/tactile) the names used to describe the dishes (cognitive) the background music playing inside the restaurant (aural)Novel approaches to understanding the diner's experience in the restaurant setting are explored from the perspectives of decision neuroscience, marketing, design, and psychology"--

"The first book dedicated to the sensory science behind "eating out", considering every sensation involved in the dining experience"--

"Nowadays a great many chefs are realising that science also has a place at the table; that a dining experience is made up of far more than just good food. By understanding how we use our senses to interact with and appreciate food we may be able to further enhance our guests' dining experiences. This book looks at many topics which will become increasingly relevant to both chefs and our food culture as a whole in the coming years."-Jozef Youseff, chef and author of Molecular Gastronomy at Home (www.kitchen-theory.com)

"The Perfect Meal goes beyond the exotic ingredients and creative insights of the chef and into the realm of the diner's psychology. Using an accessible writing style that neither talks down to the reader nor dumbs down the science, the authors take us into the relatively unexplored world of the dining context: the gastrophysics of the visual, acoustic, tactile influences - not to mention taste and smell - that we are exposed to in every dining experience."-John Prescott, Ph.D, author of Taste Matters: Why We Eat the Foods We Do

"Focussing on the brain's interpretation of our eating experience, pioneers Spence and Piqueras-Fiszman acknowledge the interdisciplinary nature of gastronomy, rendering a complex area of study both digestible and applicable. This input furthers the development of co-evolving disciplines - the scientific study of our brains, and the relentless creativity, experimentation and intuition so important in producing a truly great meal."-Ben Reade, Gastronome and Head of Culinary Research and Development at Nordic Food Lab

"Not many people are as ready to realise the importance of the senses, not only in cooking but in eating, as Charles Spence and Betina Piqueras-Fiszman. This book demonstrates beyond doubt that gastronomy is the most complex creative discipline that exists."-Ferran Adria, elBullifoundation

"The Perfect Meal can't tail to entertain, inform and ultimately to dazzle"

Heston Blumenthal, chef and owner of The Fat Duck

"Nowadays a great many chefs are realising that science also has a place at the table; that a dining experience is made up of far more than just good food. By understanding how we use our senses to interact with and appreciate food we may be able to further enhance our guests' dining experiences. This book, looks at many topics which will become increasingly relevant to both chefs and our food culture as a whole in the coming years"

Jozef Youseff, chef and author of Molecular Gastronomy at Home (www.kitchen-theory.com)

"The Perfect Meal goes beyond the exotic ingredients and creative insights of the chef and into the realm of the diner's psychology. Using an accessible writing style that neither talks down to the reader nor dumbs down the science, the authors take us into the relatively unexplored world of the dining context: the gastrophysics of the visual, acoustic, tactile influences -- not to mention taste and smell -- that we are exposed to in every dining experience"

John Prescott, Ph.D, author of Taste Matters: Why We Eat the Foods We Do

"Focussing on the brain's interpretation of our eating experience, pioneers Spence and Piqueras-Fiszman acknowledge the Interdisciplinary nature of gastronomy, rendering a complex area of study both digestible and applicable. This valuable input furthers the development of co-evolving disciplines -- the scientific study of our brains, and the relentless creativity, experimentation and intuition so important in producing a truly great meal"

Ben Reade, Gastronome and Head of Culinary Research and Development at Nordic Food Lab

"Not many people are as ready to realise the importance of the senses, not only in cooking but in eating, as Charles Spence and Betina Piqueras-Fiszman. This book demonstrates beyond doubt that gastronomy is the most complex creative discipline that exists"

Ferran Adria, elBullifoundation

Daugiau informacijos

Winner of PROSE (Pop. Science/Math) 2015.
Foreword xiii
Preface xvii
1 Introducing the Perfect Meal 1(36)
1.1 Introduction
1(1)
1.2 A brief history of culinary movements
2(6)
1.2.1 Nouvelle Cuisine
2(1)
1.2.2 The rise of molecular gastronomy
3(2)
1.2.3 Molecular gastronomy or modernist cuisine?
5(2)
1.2.4 On the rise of the celebrity chef
7(1)
1.3 The search for novelty and surprise
8(4)
1.3.1 The taste of expectation
10(1)
1.3.2 Food as theatre: the multisensory experience economy meets cuisine
11(1)
1.4 The brain on flavour
12(4)
1.4.1 Neurogastronomy
12(2)
1.4.2 Do neurogastronomists make great-tasting food?
14(2)
1.5 Food and the perception of everything else
16(2)
1.6 Gastrophysics: the new science of the table
18(3)
1.7 Food perception is fundamentally multisensory
21(1)
1.8 Isn't modernist cuisine only for the lucky few?
22(3)
1.9 Amuse bouche
25(2)
References
27(10)
2 Let the Show Commence: On the Start of the Perfect Meal 37(34)
2.1 Introduction
37(5)
2.1.1 Mood food
38(4)
2.2 On the social aspects of dining
42(5)
2.2.1 Waiting staff
42(2)
2.2.2 The company
44(3)
2.3 On the design of the menu
47(15)
2.3.1 Scanning the menu: 'Oysters, steak frites, field greens, oysters...'
48(2)
2.3.2 'This dessert is literally calling me'
50(2)
2.3.3 Images on the menu
52(2)
2.3.4 On a diet? Does nutritional information help?
54(1)
2.3.5 Price and behaviour
55(4)
2.3.6 On the format of the menu
59(3)
2.4 Conclusions
62(1)
References
62(9)
3 Tastes Great, But What do We Call It? The Art and Science of Food Description 71(38)
3.1 Introduction
71(2)
3.2 Snail porridge
73(4)
3.3 Can labelling enhance the taste and/or flavour of food?
77(4)
3.4 Interim summary
81(1)
3.5 On the neuroscience of naming food
81(3)
3.6 Naming names
84(1)
3.7 Does food labelling influence the perceived ethnicity of a dish?
85(2)
3.8 Natural and organic labels
87(1)
3.9 Health/ingredient labels
88(2)
3.10 Local labels
90(1)
3.11 Descriptive food labelling
91(1)
3.12 Labelling culinary techniques
92(3)
3.13 Surprise!
95(1)
3.14 Expectations and reactions
96(2)
3.15 Conclusions
98(2)
References
100(9)
4 Plating and Plateware: On the Multisensory Presentation of Food 109(42)
4.1 Introduction
109(2)
4.2 A potted history of food presentation
111(4)
4.3 The plate: the essential element of our everyday meal
115(13)
4.3.1 On the colour of the plate
115(4)
4.3.2 The shape of the plate
119(2)
4.3.3 The size of the plate
121(1)
4.3.4 On the haptic aspects of the plateware
122(6)
4.4 Interim summary
128(1)
4.5 The plate that is not a plate
128(7)
4.5.1 Reaching new heights
129(1)
4.5.2 On the smell and sound of the plateware
130(2)
4.5.3 Camouflage
132(1)
4.5.4 Improvised plateware
133(1)
4.5.5 Purpose-made plateware
134(1)
4.6 On the multiple contributions of the visual appearance of a dish
135(6)
4.6.1 On the importance of harmony on the plate
136(5)
4.7 Individual diner responses to the visual presentation of food
141(2)
4.8 Conclusions
143(1)
References
143(8)
5 Getting Your Hands on the Food: Cutlery 151(32)
5.1 Introduction
151(2)
5.2 The story of cutlery
153(6)
5.3 The material qualities of the cutlery
159(6)
5.3.1 The quality of the cutlery
160(1)
5.3.2 Tasting the cutlery
161(4)
5.4 Size matters
165(1)
5.5 On the texture/feel of the cutlery
166(2)
5.6 Colourful cutlery
168(1)
5.7 Cutlery that is not
169(5)
5.8 Finger food
174(1)
5.9 Eating without hands
175(2)
5.10 Conclusions
177(1)
References
177(6)
6 The Multisensory Perception of Flavour 183(32)
6.1 Introduction
183(1)
6.2 Perceiving flavours
183(3)
6.3 Taste
186(2)
6.3.1 Are you a supertaster?
187(1)
6.4 Olfactory-gustatory interactions
188(3)
6.4.1 Cross-cultural differences in multisensory flavour perception
190(1)
6.5 Oral-somatosensory contributions to multisensory flavour perception
191(2)
6.5.1 Are you a thermal taster?
193(1)
6.6 Interim summary
193(1)
6.7 The sound of food
194(2)
6.8 Visual flavour
196(4)
6.8.1 How does colour influence flavour perception?
196(4)
6.8.2 Summary of research on visual flavour
200(1)
6.9 The cognitive neuroscience of multisensory flavour perception
200(2)
6.10 Conclusions
202(2)
References
204(11)
7 Using Surprise and Sensory Incongruity in a Meal 215(34)
7.1 Introduction
215(1)
7.2 How did sensory incongruity become so popular and why is it so exciting?
216(2)
7.2.1 The search for novelty
216(1)
7.2.2 The rise of molecular gastronomy/modernist cuisine
216(1)
7.2.3 The rise of sensory marketing and multisensory design
217(1)
7.2.4 Globalization
217(1)
7.3 Defining sensory incongruity
218(1)
7.4 Noticing sensory incongruity
219(5)
7.4.1 Disconfirmed expectations
221(1)
7.4.2 Hidden and visible incongruity
222(2)
7.5 A brief history of sensory incongruity at the dinner table
224(2)
7.6 Colour-flavour incongruity
226(1)
7.7 Format-flavour incongruity
227(3)
7.8 Smell-flavour incongruity
230(1)
7.9 Interim summary
231(1)
7.10 The diner's response to sensory incongruity
232(1)
7.10.1 Attentional capture
232(1)
7.10.2 Surprise
232(1)
7.10.3 Memorability
232(1)
7.11 Molecular gastronomy and surprise
233(3)
7.12 Sensory incongruity and the concept of 'naturalness'
236(3)
7.13 Individual differences in the response of diners to sensory incongruity
239(2)
7.14 Conclusions
241(1)
References
242(7)
8 Looking for Your Perfect Meal in the Dark 249(22)
8.1 Introduction
249(2)
8.2 The social aspects of dining in the dark
251(1)
8.3 Why are dining in the dark restaurants so popular nowadays?
252(3)
8.4 Seeing or not seeing (correctly) the food
255(9)
8.4.1 The importance of colour to food
255(5)
8.4.2 Do our other senses really become more acute in the dark?
260(4)
8.5 Does dining in the dark really capture how the blind experience food?
264(1)
8.6 Cooking in the dark
265(1)
8.7 Conclusions
265(1)
References
266(5)
9 How Important is Atmosphere to the Perfect Meal? 271(40)
9.1 Introduction
271(4)
9.2 Atmospherics and the experience economy
275(3)
9.3 The Provencal Rose paradox
278(2)
9.4 Does the atmosphere really influence our appraisal of the meal?
280(1)
9.5 On the ethnicity of the meal
280(2)
9.6 Tuning up how much money and time we spend at the restaurant
282(4)
9.6.1 The style and volume of the music
282(2)
9.6.2 The tempo of the music
284(1)
9.6.3 "Pardon?"
285(1)
9.7 Context and expectation
286(1)
9.8 The lighting
287(1)
9.9 The olfactory atmosphere
288(3)
9.10 On the feel of the restaurant
291(3)
9.11 Atmospheric contributions to taste and flavour perception
294(4)
9.12 Multisensory atmospherics
298(1)
9.13 Conclusions
299(2)
References
301(10)
10 Technology at the Dining Table 311(28)
10.1 Introduction
311(1)
10.2 Technology on the dining table
312(3)
10.3 Transforming the dining experience by means of technology
315(2)
10.4 Augmented Reality (AR) food: A case of technology for technology's sake?
317(2)
10.5 Using QR codes to change our interaction with food
319(1)
10.6 Fostering healthy eating through the incorporation of technology
320(2)
10.7 Technology and distraction
322(1)
10.8 Using technology to control the multisensory atmosphere
323(1)
10.9 On the neuroscience of matching sound to food (and how technology might help)
324(2)
10.10 On the future of technology at the table: digital artefacts
326(2)
10.11 The SmartPlate
328(1)
10.12 Anyone for a 'Gin & Sonic'?
328(1)
10.13 The tablet as twenty-first century plateware?
329(2)
10.14 Tips from the chef at the tips of your fingers
331(1)
10.15 Conclusions
331(2)
References
333(6)
11 On the Future of the Perfect Meal 339(44)
11.1 Introduction
339(2)
11.2 On the history of predicting the future of food
341(10)
11.2.1 A meal (or even a day's food) in a single dose
341(4)
11.2.2 On the mechanization of feeding
345(1)
11.2.3 Air 'food'
346(2)
11.2.4 Artificial flavours
348(3)
11.3 From the past to the future of food
351(12)
11.3.1 Sous vide as the twenty-first century microwave
351(2)
11.3.2 3D printed food: an astronomical idea
353(2)
11.3.3 On the future of cultured meat
355(1)
11.3.4 Note-by-note cuisine
356(2)
11.3.5 Eating insects for pleasure: bug burger with insect paste, anyone?
358(4)
11.3.6 The new algal cuisine
362(1)
11.4 Anyone for a spot of neo-Futurist cuisine?
363(3)
11.4.1 Food theatre: food as entertainment
364(1)
11.4.2 Plating art
365(1)
11.5 Interim summary
366(1)
11.6 Acknowledging our differences
367(1)
11.7 The meal as catalyst for social exchange
367(2)
11.8 Is it a restaurant or is it a science laboratory?
369(2)
11.9 Pop-up dining, story telling and the joys of situated eating
371(1)
11.10 Conclusions
372(2)
References
374(9)
Index 383
Charles Spence is Professor of Experimental Psychology and Head of the Crossmodal Research Laboratory in the Department of Experimental Psychology at Oxford University.

Betina Piqueras-Fiszman was Consumer and Sensory Researcher at the Crossmodal Research Laboratory in the Department of Experimental Psychology at Oxford University and is currently Assistant Professor in the Department of Marketing and Consumer Behaviour at Wageningen UR.