| Foreword |
|
13 | (2) |
|
|
| How to Celebrate a Century |
|
15 | (5) |
|
|
| Prelude |
|
|
|
|
20 | (6) |
|
100 Years (version 2, p.s.l., nov 2009) |
|
|
26 | (5) |
|
Chapter One Provoking The Future: Performa Commissions |
|
|
31 | (80) |
|
Opening Night: Jennifer Rubell, Creation |
|
|
32 | (6) |
|
|
|
38 | (4) |
|
|
|
|
|
42 | (4) |
|
|
|
|
|
46 | (6) |
|
|
|
|
|
|
|
52 | (10) |
|
|
|
Interview: William Ayers, Omer Fast, and Lili Taylor |
|
|
56 | (6) |
|
|
|
62 | (10) |
|
|
|
Interview: Candice Breitz |
|
|
66 | (6) |
|
Music for 16 Futurist Noise Intoners |
|
|
72 | (12) |
|
Interview: Luciano Chessa |
|
|
78 | (6) |
|
|
|
84 | (4) |
|
|
|
Extracurricular Activity Projective Reconstruction #32, Plus |
|
|
88 | (6) |
|
|
|
|
|
94 | (4) |
|
|
|
98 | (6) |
|
Dominique Gonzalez-Foerster |
|
|
|
|
|
|
104 | (7) |
|
|
|
Chapter Two Exalting The Crowds: Performance As Spectacle |
|
|
111 | (28) |
|
Yog Raj Chitrakar: Memory Drawings IX |
|
|
112 | (4) |
|
|
|
|
|
116 | (2) |
|
|
|
|
|
118 | (2) |
|
|
|
|
|
SAAQIOU, Lecture, and Silent March |
|
|
120 | (2) |
|
|
|
Ecks Ecks Ecks - AKA - Sacred Band of Thebes - AKA - In Memory of Robert Isabell - AKA - Any Fag Could Do That |
|
|
122 | (2) |
|
|
|
Honor Among Thieves (Chapter 1: The Tower and the Star) |
|
|
124 | (1) |
|
|
|
|
|
The Ants Struggle on the Snow (Le formiche fanno fatica sulla neve) |
|
|
125 | (1) |
|
|
|
|
|
126 | (2) |
|
|
|
|
|
Stuart Sherman: Nothing Up My Sleeve |
|
|
128 | (2) |
|
The Endless Pace (Variation for 60 Dancers) |
|
|
130 | (2) |
|
|
|
|
|
132 | (1) |
|
|
|
No Place: A Ritual of the Empathics |
|
|
133 | (1) |
|
|
|
The Snorks, a Concert for Creatures [ Trailer] |
|
|
134 | (2) |
|
|
|
|
|
136 | (3) |
|
|
|
Chapter Three The Illuminating Stage: Performance At The Edge Of Theater |
|
|
139 | (26) |
|
|
|
140 | (4) |
|
|
|
|
|
|
|
144 | (2) |
|
|
|
|
|
|
|
146 | (2) |
|
|
|
Rabih Mroue's Gift to New York |
|
|
148 | (2) |
|
|
|
Everything, Nothing, Something, Always (Walla!) |
|
|
150 | (2) |
|
|
|
F for Faith, Lectures / performances |
|
|
152 | (2) |
|
|
|
Desire Caught by the Tail |
|
|
154 | (2) |
|
|
|
|
|
Theater Societaet (Bernd Krauss and Michael Thomas), American Soldier |
|
|
156 | (2) |
|
|
|
158 | (2) |
|
|
|
The Prompt (a night club) |
|
|
160 | (2) |
|
The Quote Generator, Phase Two |
|
|
162 | (1) |
|
|
|
|
|
163 | (2) |
|
|
|
Chapter Four Simultaneous Awareness: Performance Between Screens |
|
|
165 | (32) |
|
I Am Not Me, the Horse Is Not Mine |
|
|
166 | (6) |
|
|
|
|
|
172 | (6) |
|
|
|
History in the Making, or the Secret Diaries of Linda Schultz |
|
|
178 | (2) |
|
|
|
|
|
180 | (2) |
|
|
|
|
|
|
|
182 | (4) |
|
|
|
|
|
186 | (2) |
|
|
|
|
|
188 | (2) |
|
|
|
|
|
190 | (1) |
|
|
|
Postgravityart:: Syntapiens |
|
|
191 | (1) |
|
|
|
|
|
|
|
|
|
192 | (1) |
|
|
|
|
|
|
|
|
|
193 | (1) |
|
|
|
|
|
|
|
Aka 0100101110101101.Org, Pseudo-Futurist Video Game Improvisation Extravaganza |
|
|
194 | (3) |
|
|
|
|
|
Chapter Five The Art Of Noises: Music, Radio, Sound |
|
|
197 | (32) |
|
A Fantastic World Superimposed on Reality: A Select History of Experimental Music and Not For Sale: Noise Panel |
|
|
198 | (12) |
|
Interview: Mike Kelley and Lee Ranaldo |
|
|
204 | (6) |
|
Nummer Elf: The King's Gambit Accepted, the Number of Stars in the Sky & Waiting for an Earthquake |
|
|
210 | (2) |
|
|
|
|
|
212 | (4) |
|
|
|
|
|
|
|
|
|
|
|
|
|
216 | (2) |
|
|
|
|
|
218 | (2) |
|
|
|
|
|
220 | (2) |
|
|
|
Jonas Mekas and Now We Are Here |
|
|
222 | (1) |
|
|
|
223 | (1) |
|
|
|
White Noise III: Pandora's Sound Box |
|
|
224 | (2) |
|
AIR (Art International Radio) |
|
|
226 | (1) |
|
|
|
227 | (2) |
|
|
|
Chapter Six Lust Is A Force: The Lust Weekend |
|
|
229 | (38) |
|
|
|
230 | (6) |
|
|
|
236 | (4) |
|
|
|
Reading from Those Who Suffer Love and Strangeland |
|
|
240 | (4) |
|
|
|
|
|
244 | (2) |
|
|
|
246 | (2) |
|
|
|
The Present Doesn't Exist In My Mind, and The Future Is Already Far Behind |
|
|
248 | (2) |
|
Lilibeth Cuenca Rasmussen |
|
|
|
|
250 | (2) |
|
|
|
|
|
252 | (4) |
|
|
|
256 | (1) |
|
|
|
|
|
|
|
Discoteca Flaming Star, Ingrid (Inzwischen) |
|
|
257 | (1) |
|
Yemenwed, Bedroom w TV and Woman Lays w Aide |
|
|
258 | (2) |
|
|
|
260 | (1) |
|
|
|
|
|
|
|
261 | (1) |
|
|
|
|
|
262 | (2) |
|
|
|
|
|
264 | (1) |
|
|
|
|
|
|
|
264 | (1) |
|
|
|
Broadside, Radio Broadcast |
|
|
265 | (2) |
|
Chapter Seven The Universe Will Be Our Vocabulary: On Language |
|
|
267 | (26) |
|
The First / Last Newspaper |
|
|
268 | (4) |
|
|
|
The Pigeon-Like Unease of My Inner Spirit |
|
|
272 | (2) |
|
|
|
Uqbar Foundation (Mariana Castillo Deball and Irene Kopelman), Zeno Reminder |
|
|
274 | (2) |
|
Barefoot in the Head: Futurological Poetry Reading |
|
|
276 | (2) |
|
3 Lectures + 1 Story = 4 Evenings |
|
|
278 | (4) |
|
|
|
|
|
282 | (2) |
|
|
|
|
|
284 | (2) |
|
|
|
|
|
286 | (2) |
|
Bright Futures at the Michelson Theater |
|
|
288 | (1) |
|
|
|
The Futurisms of American Poetry: A Reading by Charles Bernstein and John Yau |
|
|
288 | (1) |
|
CORO Collective, Vocabulary Lesson |
|
|
289 | (1) |
|
|
|
290 | (1) |
|
Futuriste: Women in Art and Literature and Futurism and Women at Casa Italiana Zerilli-Marimo |
|
|
290 | (1) |
|
Beyond Futurism: F. T. Marinetti, Writer |
|
|
291 | (1) |
|
Futurismo/Futurizm: Futurist Avant-Garde in Italy and Russia |
|
|
291 | (2) |
|
Chapter Eight The Polyexpressive Symphony: Captured On Film |
|
|
293 | (32) |
|
Tacita Dean, Craneway Event |
|
|
294 | (4) |
|
Text of Light, City Symphonies Out of Doors |
|
|
298 | (4) |
|
Futurist Film Funeral (fff !!!) |
|
|
302 | (4) |
|
|
|
|
|
306 | (4) |
|
The Polyexpressive Symphony: Futurism on Film |
|
|
310 | (4) |
|
|
|
314 | (1) |
|
|
|
|
|
Entanglements for Four Projectors |
|
|
315 | (1) |
|
|
|
|
|
|
|
The Futurist Impulse After Futurism |
|
|
316 | (2) |
|
Nuts and Bolts: Machine Made Man in Films From the Collection |
|
|
318 | (2) |
|
|
|
320 | (2) |
|
Vital Signals: Japanese and American Video Art from the 1960s and `70s |
|
|
322 | (1) |
|
Museum Futures: Distributed |
|
|
323 | (2) |
|
|
|
|
|
Chapter Nine A Slap In The Face Of Public Taste: Pushing The Audience |
|
|
325 | (28) |
|
Shock and Awe: The Troubling Legacy of the Futurist Cult of War |
|
|
326 | (2) |
|
|
|
328 | (4) |
|
|
|
|
|
|
|
|
|
|
|
|
332 | (2) |
|
|
|
Parades & Changes, Reenactment |
|
|
334 | (4) |
|
|
|
|
|
|
|
Auf den Tisch! (At the Table!), an improvisation project curated |
|
|
338 | (2) |
|
|
|
|
|
340 | (2) |
|
|
|
|
|
342 | (4) |
|
|
|
The Bruce High Quality Foundation, Art History with Benefits |
|
|
346 | (2) |
|
|
|
348 | (1) |
|
|
|
Family Dinner in a Parallel Universe |
|
|
349 | (1) |
|
|
|
|
|
350 | (3) |
|
Chapter Ten Every Generation Must Build Its Own City: The Performa Hub And Urban Activism |
|
|
353 | (37) |
|
|
|
354 | (8) |
|
Interview: Markus Miessen and Magnus Nilsson |
|
|
356 | (6) |
|
Proef (Marije Vogelzang), Pasta Sauna |
|
|
362 | (4) |
|
|
|
366 | (4) |
|
|
|
An Architektur, Ten Days for Oppositional Architecture: Towards Post-Capitalist Spaces |
|
|
370 | (4) |
|
Art Must Move: A Collaboration with Khatt Foundation |
|
|
374 | (2) |
|
|
|
376 | (1) |
|
|
|
The Public School (for Architecture) New York |
|
|
377 | (1) |
|
|
|
378 | (1) |
|
|
|
379 | (1) |
|
Viva Futurism! Revolution, Vanguardia, and the Modern Metropolis |
|
|
380 | (2) |
|
|
|
Not For Sale: Ideal Performance Space |
|
|
382 | (2) |
|
The Universe Will Be Our Vocabulary: Futurist Film, Music, and Literature |
|
|
384 | (1) |
|
|
|
385 | (1) |
|
|
|
|
|
|
|
|
|
386 | (1) |
|
|
|
386 | (1) |
|
|
|
The Future in Five Senses: Echoes of Italian Futurism in New York Architecture and Design |
|
|
387 | (3) |
|
|
|
|
|
|
390 | (1) |
|
|
|
391 | (1) |
|
|
|
392 | (4) |
|
|
|
396 | (1) |
|
|
|
397 | (3) |
|
|
|
400 | |
