Atnaujinkite slapukų nuostatas

El. knyga: In Performance: Contemporary Monologues for Teens

  • Formatas: EPUB+DRM
  • Serija: Applause Acting Series
  • Išleidimo metai: 01-Nov-2015
  • Leidėjas: Applause Theatre Book Publishers
  • Kalba: eng
  • ISBN-13: 9781495063589
  • Formatas: EPUB+DRM
  • Serija: Applause Acting Series
  • Išleidimo metai: 01-Nov-2015
  • Leidėjas: Applause Theatre Book Publishers
  • Kalba: eng
  • ISBN-13: 9781495063589

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

(Applause Acting Series). In this thoughtfully curated collection, teen actors preparing for an audition or searching for quality scenes to hone their chops will find a wealth of contemporary material from American and British plays. Almost all of the works are from the year 2000 to the recent 2014 Broadway production of The Curious Incident of the Dog in Night-Time , chosen from the point of view of a professional acting teacher, director, and casting director. Along with covering the basics of how to match the best monologue to the actor and how to approach the rehearsal and performance of the piece, the book provides a synopsis of each play, a character description, and a list of questions specific to each monologue that will direct the actor toward shaping a complex, honest, and thoughtful performance that has a strong emotional connection, a clear arc, and playable actions. There is also a brief lesson on appropriate rehearsal behavior and preparation.
Preface xiii
Introduction 1(26)
Etiquette for Scene Study, Rehearsal, and Beyond 27(6)
MEN'S MONOLOGUES
A Hard Rain
33(3)
Jon Bradfield
Martin Hooper
Sondra
36(4)
Laura Cahill
The Day I Stood Still
40(4)
Kevin Elyot
Burnt Orange
44(4)
Lila Feinberg
Baby Girl
48(4)
Edith Freni
How We Got On
52(4)
Idris Goodwin
How We Got On
56(4)
Idris Goodwin
How We Got On
60(4)
Idris Goodwin
The Tutor
64(4)
Allan Havis
The Tutor
68(4)
Allan Havis
The Greatest Show on Earth
72(4)
Michael Kimmel
Henry's Law
76(4)
Stacie Lents
Snow Angel
80(4)
David Lindsay-Abaire
Peddling
84(5)
Harry Melling
Apocalypse Apartments
89(3)
Allison Moore
Apocalypse Apartments
92(3)
Allison Moore
girl
95(4)
Megan Mostyn-Brown
The Connector
99(4)
Tim Murray
Madame Melville
103(4)
Richard Nelson
Edith Can Shoot Things and Hit Them
107(4)
A. Rey Pamatmat
Edith Can Shoot Things and Hit Them
111(4)
A. Rey Pamatmat
Edith Can Shoot Things and Hit Them
115(4)
A. Rey Pamatmat
Edith Can Shoot Things and Hit Them
119(4)
A. Rey Pamatmat
Lessons from an Abandoned Work
123(4)
Mona Pirnot
3:59AM: a drag race for two actors
127(4)
Marco Ramirez
Four
131(4)
Christopher Shinn
Four
135(4)
Christopher Shinn
The Curious Incident of the Dog in the Night-Time
139(4)
Simon Stephens
Exit Exam
143(6)
Mara Wilson
WOMEN'S MONOLOGUES
Dig Dig Dig
149(4)
Nikole Beckwith
Untitled Matriarch Play (Or Seven Sisters)
153(4)
Nikole Beckwith
Great Falls
157(4)
Lee Blessing
Sondra
161(4)
Laura Cahill
Perched
165(4)
Lila Feinberg
Burnt Orange
169(4)
Lila Feinberg
Baby Girl
173(4)
Edith Freni
Cutting
177(3)
Kathleen Germann
How We Got On
180(4)
Idris Goodwin
Strike-Slip
184(4)
Naomi Iizuka
Appropriate
188(4)
Branden Jacobs-Jenkins
Don't Talk, Don't See
192(3)
Julie Jensen
Chronicles Simpkins Will Cut Your Ass
195(3)
Rolin Jones
Unlikely Jihadist
198(4)
Michael Kimmel
Henry's Law
202(4)
Stacie Lents
All Hail Hurricane Gordo
206(4)
Carly Mensch
girl
210(4)
Megan Mostyn-Brown
girl
214(4)
Megan Mostyn-Brown
Franny's Way
218(4)
Richard Nelson
Franny's Way
222(4)
Richard Nelson
Edith Can Shoot Things and Hit Them
226(4)
A. Rey Pamatmat
Edith Can Shoot Things and Hit Them
230(4)
A. Rey Pamatmat
Playing with Grown Ups
234(4)
Hannah Patterson
Lessons from an Abandoned Work
238(4)
Mona Pirnot
Lessons from an Abandoned Work
242(4)
Mona Pirnot
A Numbers Game
246(3)
Tanya Saracho
Port
249(4)
Simon Stephens
Ancient Gods of the Backwoods
253(4)
Kathryn Walat
Exit Exam
257(4)
Mara Wilson
Acknowledgments 261(2)
Play Sources and Acknowledgments 263
JV Mercanti (New York City) is currently the director of acting for the musical theater program at Pace University's School of the Arts. He served as the casting and associate director on the recent Broadway revival of Romeo and Juliet with Orlando Bloom. He also cast the Kevin Kline revival of Cyrano de Bergerac, co-starring Jennifer Garner. Prior to that, he spent many years as a casting associate for Roundabout Theatre Company, working on numerous Broadway, Off-Broadway, and West End productions. Most recently, he directed the premier of World Famous at Theater for the New City. JV is currently developing a new country-and-western adaptation of The Seagull, titled Songbird, with book by Michael Kimmel and music/lyrics by Lauren Pritchard. His MFA is from Rutgers University, BA from NYU's Gallatin School of Individualized Studies. JV spent two years teaching acting and directing at the University of Miami. His monologue book series, In Performance, is published by Applause Books. He is currently the artistic director of Apothecary Theatre Company. Visit: www.jvmercanti.com