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El. knyga: Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century

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  • Formatas: 352 pages
  • Išleidimo metai: 27-Feb-2014
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781408184134
Kitos knygos pagal šią temą:
  • Formatas: 352 pages
  • Išleidimo metai: 27-Feb-2014
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781408184134
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Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline.

Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences.

Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.

Recenzijos

Stimulated by the pioneering work of Richard Schechner, this book does, as the saying goes, exactly what it says on the tin ... [ It] should appeal to a wide audience of under -graduate and postgraduate readers, particularly researchers and teachers of performance studies, whose academic palate savours the varied taste of international research cuisine, captured in a stimulating menu of real world case studies. The power of the book is to be found in the creative and contemporary insights captured in the versatility of these case studies and the attention to detail paid to the dynamic relations between topics in both the social and pure sciences as well as the humanities. -- Deborah Newton * New Theatre Quarterly * As well as providing a platform for practitioners and scholars working at the bleeding edge of performance, adapting theory to real world contexts and reflecting on issues raised by practice, the editors have collated truly international perspectives. * Platform * Performance Studies in Motion offers a heterogeneous ensemble of case studies of performances in their concrete contexts ... The question of the normative, dark, even dangerous dimensions of performance that the anthology raises are certainly a challenge for the generally rather optimistic stance of Schechnerian PS. It is from here that exciting impulses for the next moves of Performance Studies promise to come. -- Vivien Aehlig, Freie Universitat, Berlin * Theater Forschung * Performance Studies in Motion marks an increasing diversification of cultural representation and frameworks for analysis in publications about performance studies. This makes it an invaluable resource. * TDR: The Drama Review *

Daugiau informacijos

Performance Studies in Motion explores the latest phase in the evolution of the field with essays from leading scholars and practitioners from around the world.
Acknowledgements viii
List of Illustrations
x
Introduction 1(16)
Atay Citron
Sharon Aronson-Lehavi
David Zerbib
Motion I Performance Studies: Perspectives and Prospectives
1 Dionysus in 1966: The Force of Performative Circumstances David Zerbib
17(13)
2 Performance Studies 3.0 Henry Bial
30(12)
3 Can We Be the (New) Third World? Richard Schechner
42(19)
Motion II Beyond Experimental Theatre
4 Table on Stage: The Rise of the Messenger Carol Martin
61(14)
5 Performing History, Performing Memory with the Theâtre du Soleil Judith G. Miller
75(11)
6 Textual Dramaturgy and Dramaturg-as-Text: Traditional versus New Dramaturgy in the Era of German Post-Dramatic Theatre Gad Kaynar
86(19)
Motion III Performance in/of Social Spaces
7 Re: Location Sharon Aronson-Lehavi
105(13)
8 Critically Civic: Public Movement's Performative Activism Daphna Ben-Shaul
118(13)
9 Rising from the Rubble: Creating the Museum of the History of Polish Jews An Interview with Barbara Kirshenblatt-Gimblett
131(16)
Motion IV Into the Political Arena
10 The Impossible Disappearance of Belgium: Notes on Politics, Dramaturgy and Performance Klaas Tindemans
147(12)
11 National Street Theatre: Large-scale Performances in Poland after the Crash of the Presidential Plane Dariusz Kosinski
159(13)
12 'Social Transformance': In Defence of Political Performance/Art Eva Brenner
172(15)
Motion V At War
13 Beyond the Boundary of the Agora: The Hilltop Performance at the Western Front, 1915 Annabelle Winograd
187(7)
14 Dismantling Road Blocks: Non-Violent Resistance of the Palestinian-Israeli Group 'Combatants for Peace' Chen Alon
194(12)
15 Theatre as Metaphor: Isôko Rwanda's Trilogy of Time Jennifer Herszman Capraru
206(17)
Motion VI Contemporary Rituals: Challenges and Changes
16 At the Site of the Void: Inaesthetics of Performance in the Bicol Dotoc Jazmin Badong Llana
223(10)
17 New Technologies in Korean Shamanism: Cultural Innovation and Preservation of Tradition Liora Sarfati
233(13)
18 Performing Jewish Prayer on Stage: From Rituality to Theatricality and Back Sarit Cofman-Simhon
246(15)
Motion VII Applied Performance Studies: Therapy, Activism and Education
19 Audacity and Insane Courage: Dream Doctors' Secret Remedies Atay Citron
261(15)
20 Performing the World: The Performance Turn in Social Activism Dan Friedman and Lois Holzman
276(12)
21 Social Performance Studies: A New PS School with Chinese Characteristics William H. Sun and Faye C. Fei
288(15)
Motion VIII Performance Studies and Life Sciences
22 What Is Performance Anyway? A Cognitive Approach Tomasz Kubikowski
303(15)
23 The Mirror Game: A Natural Science Study of Togetherness Lior Noy
318(10)
24 Performing Science Uri Alon
328(13)
Notes 341(42)
About the Contributors 383(10)
Index 393
Atay Citron is Associate Professor, Department of Theatre, University of Haifa, Israel.

Sharon Aronson-Lehavi is Senior Lecturer of theatre and performance studies, Department of Comparative Literature, Bar-Ilan University, Israel.

David Zerbib is Professor in the Philosophy of Art, Geneva University of Art and Design, Switzerland; Lecturer, University of Paris 1 Panthéon-Sorbonne, France.