Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.
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1 | (30) |
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Part I The Performance of Disability in Everyday Life |
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2 Disability and the Work of Performance in Early Modern England |
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31 | (20) |
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3 "By the Knife and Fire": Conceptions of Surgery and Disability in Early Modern Medical Treatises |
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51 | (26) |
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4 "Turn It to a Crutch": Disability and Swordsmanship in The Little French Lawyer |
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77 | (18) |
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5 Mutism and Feminine Silence: Gender, Performance, and Disability in Epicoene |
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95 | (22) |
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6 Contented Cuckolds: Infertility and Queer Reproductive Practice in Middleton's A Chaste Maid in Cheapside and Machiavelli's Mandragola |
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117 | (24) |
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7 Reading Shakespeare After Neurodiversity |
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141 | (20) |
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Part II Disability as a Metaphor in Dramatic Literature |
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8 Enabling Rabies in King Lear |
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161 | (24) |
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9 Limping and Lameness on the Early Modern Stage |
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185 | (24) |
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10 "Lame Humor" in Beaumont and Fletcher's Love's Pilgrimage |
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209 | (24) |
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11 Syphilis Patches: Form and Dramatic History in The Knight of the Burning Pestle |
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233 | (20) |
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Part III The Work of Disabled Artists |
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12 Sign Gain to Deaf Gain: Deafness in Early Modern Manual Rhetoric and Modern Shakespeare Performances |
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253 | (18) |
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13 "This Is Miching Mallecho. It Means Mischief": Problematizing Representations of Actors with Down's Syndrome in Growing Up Down's |
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271 | (26) |
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14 Shakespearean Disability Theatre |
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297 | (22) |
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| Index |
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319 | |
Leslie C. Dunn is Professor of English at Vassar College, USA, where she also teaches in the Womens Studies, Medieval/Renaissance Studies, and Media Studies programs. She co-edited two interdisciplinary collections, Embodied Voices: Representing Female Vocality in Western Culture (1994) and Gender and Song in Early Modern England (2014). Her research and teaching interests include Shakespeare and early modern drama, gender studies, and disability studies.
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