This Element considers pregnant women and their costumes in the staging of Shakespeare's plays. It examines the connections between a character's costume and the changing social conventions of pregnancy. It questions mid twentieth century productions' reduction and elimination of well-established visible pregnancy costumes. It considers the role played by the sexual revolution in the sixties in visible pregnancy's reinstatement. The Element focusses on the varied significance of its presence to actors and directors and explores the archives to chart this previously under-examined interaction between social conventions, costumes, and the actors who wear them.
Daugiau informacijos
This Element explores the influence of social and political attitudes toward the pregnant body on stage costumes.
Introduction;
1. 'Big-bellied' women: Shakespeare, pregnancy and
dressing the pregnant character;
2. The gravid body: Juliet, measure for
measure;
3. Choosing visibility: Helena, all's well that ends well;
4. Case
study: Hermione, the winter's tale:;
5. When pregnancy is visible;
6. The
comedy of errors 2021 a conversation with Phillip Breen and Hedydd Dylan;
Epilogue; References.
