This volume explores violent perpetration in diverse forms from an interdisciplinary and transnational perspective. From National Socialist perpetration in the museum, through post-terrorist life writing to embodied performances of perpetration in cosplay, the collection draws upon a series of historical and geographical case studies, seen through the lens of a variety of texts, with a particular focus on the locus of the museum as a technology of sense making. In addition to its authored chapters, the volume includes three contributed interviews which offer a practice-led perspective on the topic.
Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as perpetration. With a focus on perpetrator subjectivity or the perpetrator self, it proposes that we approach perpetration as a form of doing; and a doing that is bound up with the doing of ones gendered identity more broadly. The work will be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Womens and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.
Recenzijos
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1 Perpetrating Selves: An Introduction |
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1 | (16) |
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Part I Enactments and Bodily Performances |
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2 Leading Men a Merry Dance?: Girls as Sex Crime Perpetrators in Contemporary Pop Culture and Media |
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17 | (22) |
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3 Embodying a Perpetrator: Myths, Monsters and Magic |
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39 | (22) |
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4 The Making of a Dangerous Individual: Performing the Perpetrating Self--An Interview with Steve Pratt |
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61 | (24) |
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Part II Narration and Textual Performances |
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5 Scripting the Perpetrating Self: Masculinity, Class and Violence in German Post-terrorist Autobiography |
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85 | (28) |
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6 Innocent Superspy: Contradictory Narratives as Exculpation in a Woman Apartheid Perpetrator Story |
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113 | (20) |
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7 `It's My Destiny': Narrating Prison Violence and Masculinity in the Shaun Attwood Trilogy |
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133 | (22) |
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8 Intimate Enemies: Representations of Perpetrators in Literary Responses to the 1994 Genocide in Rwanda |
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155 | (22) |
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9 `By Any Means Necessary': Interviews and Narrative Analysis with Torturers---A Conversation with Dr. John Tsukayama |
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177 | (22) |
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Part III Perpetration in the Museum |
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10 Selective Empathy in the Re-designed Imperial War Museum London: Heroes and Perpetrators |
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199 | (24) |
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11 Identifying with Mass Murderers? Representing Male Perpetrators in Museum Exhibitions of the Holocaust |
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223 | (24) |
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12 Managing Perpetrator Affect: Hie Female Guard Exhibition at Ravensbruck |
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247 | (24) |
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13 Curating Violence: Display and Representation---An Interview with Jonathan Ferguson and Lisa Traynor (Royal Armouries Museum, Leeds) |
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271 | (20) |
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| Index |
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291 | |
Clare Bielby is Senior Lecturer in Womens Studies at the Centre for Womens Studies, University of York. She is the author of Violent Women in Print: Representations in the West German Print Media of the 1960s and 1970s (Camden House, 2012) and co-editor (with Anna Richards) of Women and Death 3: Womens Representations of Death in German Culture since 1500 (Camden House, 2010).
Jeffrey Stevenson Murer is Senior Lecturer on Collective Violence in the School of International Relations and Research Fellow in the Centre for the Study of Terrorism and Political Violence at the University of St Andrews. His articles have appeared, among elsewhere, in the International Journal of Politics, Culture and Society; Terrorism and Political Violence; and the Journal of Psychoanalysis, Culture, and Society, where he is an Associate Editor.
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