The Petersburg Noverre accounts for Marius Petipas ballets produced on the Russian stage between 1847 and 1910. It is organized by year starting from the early 1860s, records details of his life and the action and reception of his ballets, obscure and famous.
The Petersburg Noverre is an account of Marius Petipas career in Russia that focuses on the description and reception of his ballets.
Daugiau informacijos
An account of Marius Petipas ballets produced on the Russian stage between 1847 and 1910.
Introduction Petipa in His Time and Place;
Chapter 1 Petipa Comes to
Russia;
Chapter 2 The State of the Imperial Ballet; Petipas Tour to
Moscow;
Chapter 3 Fanny Elssler in St. Petersburg;
Chapter 4 The 1850s.
Influences on Petipa; His First Compositions;
Chapter 5 Before The
Pharaohs Daughter;
Chapter 6 1862;
Chapter 7 1863;
Chapter 8 1864;
Chapter 9
1865. A Lack Of Novelties; Ballerina Problems;
Chapter 10 1866;
Chapter 11 1867;
Chapter 12 1868;
Chapter 13 1869;
Chapter 14 1870;
Chapter 15 1871;
Chapter 16 1872;
Chapter 17 1873;
Chapter 18 1874;
Chapter 19 1875;
Chapter 20 1876;
Chapter
21. 1877;
Chapter 22 1878;
Chapter 23 1879;
Chapter 24 1880;
Chapter 25 1881;
Chapter 26 1882;
Chapter 27 1883;
Chapter 28 1884;
Chapter 29 1885;
Chapter 30 1886;
Chapter 31 1887;
Chapter 32 1888;
Chapter 33 1889;
Chapter 34 1890;
Chapter 35 189.;
Chapter 36 1892;
Chapter 37 1893;
Chapter 38 1894;
Chapter 39 1895;
Chapter 40 1896;
Chapter 41 1897;
Chapter 42 1898;
Chapter 43 1899;
Chapter 44 1900;
Chapter 45 1901;
Chapter 46 1902;
Chapter 47 1903;
Chapter 48 1904;
Chapter 49 1905;
Chapter 50 1906;
Chapter 51 Petipas Last Years;
Chapter 52 Postscript. A Bakers Dozen
Reminiscences Of Petipa; General Appendices A Calendar Of Petipas Life In
Russia; A Worklist; Individuals Important To Petipa; Bibliography Of Works
Consulted.
Roland John Wiley is Professor Emeritus of Music at the University of Michigan at Ann Arbor.
