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El. knyga: Phakama: Making Participatory Performance

(London Metropolitan University, UK), , Illustrated by (Tallaght Community Arts, Ireland), (Queen Mary University of London, London)
  • Formatas: 288 pages
  • Išleidimo metai: 22-Feb-2018
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781474223638
Kitos knygos pagal šią temą:
  • Formatas: 288 pages
  • Išleidimo metai: 22-Feb-2018
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781474223638
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An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally.

Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in.

As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

Recenzijos

Provides a valuable insight into how Phakama's practice builds a collaborative ethos from the ground up ... the book weaves a rich tapestry of experiences from facilitators and participants into a critical context. * New Theatre Quarterly * Phakama has been on a long journey of discovery and creating a space for people to belong. It has and will continue to be a crucial part of many people's lives because governments around the world continue to make life unliveable so sanctuary has to be sought. Phakama holds a million stories and the unpacking of these narratives and exploration of methodology to support and nurture a new way of being needs to be documented and shared. This is a book for anyone who cares about human rights and believes the arts are a fundamental part of who we are and how we engage with the world and no one does this better than Phakama." * Jenny Sealy, Artistic Director of Graeae Theatre Company * Lucy Richardson, Fabio Santos and Caoimhe McAvinchey have skillfully compiled this impressive book about a remarkable set of practices that coalesce around Phakama, not so much an arts organisation as a phenomenon in participatory arts and cultural practices. This important book speaks through a huge variety of voices participants, artists, producers, academics, journalists, to the widest possible audience. Providing a history, methodological insight and detailed account of the artistic, ethical and political underpinnings of Phakamas work since 1996, this is an invaluable resource for anyone with an interest in the ways in which innovative arts practices have intervened in different locations across the world to help young people to explore and improve the conditions in which they live. * Dr. Alison Jeffers, Senior Lecturer in Drama, University of Manchester, UK *

Daugiau informacijos

Phakama is an international arts organisation that works through music, dance, drama and art to create performance with young people from diverse backgrounds. This book offers the first detailed and accessible critical investigation of Phakama's theatre-making methodology.
List of Figures
x
Contributors xi
Foreword xiv
Mandla Mbothwe
Acknowledgements xvi
Introduction 1(28)
A Phakama Book -- Why This One?
4(7)
Phakama Projects (1996--2006)
11(12)
Methodological Challenges
23(1)
The Structure of the Book
24(5)
PART ONE PREPARING THE GROUND
29(100)
Introduction
31(2)
Hosting
33(13)
Introduction
33(1)
Phakama Practice: Cultural Tours
34(4)
The Practical Politics of Care
38(8)
Case Study: The Child I Curry (Lesotho, 2003)
46(8)
Selloane Mokuku
Give and Gain
54(13)
Introduction
54(1)
Phakama Practice: Give and Gain
54(7)
Cultural Contexts
61(6)
Case Study: Bulang Dikgoro/Open the Gates (Benoni, Johannesburg, South Africa, 1996)
67(12)
Tony Fegan
Interview with Mildrett Stevens, Tracey-Lee Gates and Sharon Waverley
79(6)
Cultural Sharing
85(10)
Introduction
85(1)
Working Together
86(1)
Phakama Practice: Mapping the World
87(4)
Difficult Cooperation
91(4)
Case Study: Be Yourself (Phakama South Africa and Phakama UK, Tricycle Theatre, London, 1999)
95(11)
Caroline Calburn
Interview with Maylene Catchpole
106(6)
When Time Is Not (2008): Artistic Exchange between Project Phakama UK and the Creative Arts Team (New York City)
112(17)
Ananda Breed
PART TWO MAKING THE PERFORMANCE
129(66)
Introduction
131(29)
Layered Co-authorship
133(1)
Phakama Practice: Four Corners
134(4)
Phakama Practice: Poetry Cuts
138(2)
Phakama Practice: Drawing the Body
140(8)
Working with Site and Found Materials
148(8)
Audience
156(4)
Interview with James Hadley, Phakama Relationship Manager, Arts Council England (2008--2014)
160(4)
Catalytic Conversations: The Aesthetic Weave and Social Weft of Phakama's Creative Practice
164(20)
Sara Matchett
Case Study: The Phakama Way (Pune, India, 2002)
184(8)
Vidyanidhee Vanarase
The Street Is My Backyard (Buenos Aires, Argentina, 1996)
192(3)
Charlotte Higgins
PART THREE CELEBRATION
195(66)
Introduction
197(3)
Connecting
200(3)
Case Study: The Edible Garden (UK, 2012--16)
203(8)
Corinne Micallef
Becoming
211(2)
Alive to the Music of What Happens
213(15)
Lucy Neal
Stepping Up
228(18)
Stepping Up: An Act of Celebration
229(17)
Performing Risk
246(15)
Shirley Brice Heath
Epilogue 261(4)
Index 265
Lucy Richardson is Senior Lecturer in Performing Arts at London Metropolitan University and one of the early members of Phakama. Her research interest, which includes both traditional and performance research, is in creative processes and the politics of participation. She established The Facility: Research Centre in Creative Practice at London Met to champion practice based research.

Fabio Santos is the former Artistic Director of Phakama and a contributing writer on a collaboratively written handbook of transitional arts practice, led by Lucy Neal.

Caoimhe McAvinchey is Senior Lecturer in Drama, Theatre and Performance Studies at Queen Mary University London and has published research reports, academic articles and books within the field of applied and social theatre.