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Phantom of the Opera [Minkštas viršelis]

3.96/5 (268056 ratings by Goodreads)
, Translated by (Emeritus Professor of French, University of Leeds)
  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 197x129x15 mm, weight: 224 g
  • Serija: Oxford World's Classics
  • Išleidimo metai: 08-Mar-2012
  • Leidėjas: Oxford University Press
  • ISBN-10: 0199694575
  • ISBN-13: 9780199694570
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 197x129x15 mm, weight: 224 g
  • Serija: Oxford World's Classics
  • Išleidimo metai: 08-Mar-2012
  • Leidėjas: Oxford University Press
  • ISBN-10: 0199694575
  • ISBN-13: 9780199694570
Kitos knygos pagal šią temą:
'I am not an angel nor a genie nor a ghost...I am Erik!'

A mysterious Phantom haunts the depths of the Paris Opera House where he has fallen passionately in love with the beautiful singer Christine Daaé. Under his guidance her singing rises to new heights and she is triumphantly acclaimed. But Christine is also loved by Raoul de Chagny, and by returning his love she makes the fiend she knows as the Angel of Music mad with jealousy. When the Phantom is finally unmasked, will Christine see beyond his hideous disfigurement? The twists and turns of Leroux's thrilling story have captivated readers since its very first appearance in 1910, and its outlines are known to many more who have seen it on stage or film. This new translation is as full-blooded and sensational as the original.

David Coward's introduction tells the fascinating story of the novel's genesis, and his thorough notes further illuminate details of the narrative. Christine's plight, the fate of Erik, and the redemptive power of love make an unforgettable novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Foreword In which the author of this strange tale tells the reader how he came to be absolutely convinced that there truly was a Phantom of the Opera 5(6)
1 Was it the Ghost?
11(10)
2 The New Marguerite
21(10)
3 In which Messrs Debienne and Poligny, for the first time, secretly make the Opera's new Directors, Messrs Armand Moncharmin and Firmin Richard, party to their real, hidden reason for resigning from the National Academy of Music
31(8)
4 Box 5
39(8)
5 Box 5 (Continued)
47(6)
6 The Magic Violin
53(17)
7 A Visit to Box 5
70(3)
8 In which Messrs Firmin Richard and Armand Moncharmin have the audacity to stage Faust in an ill-fated theatre with catastrophic results
73(16)
9 The Mysterious Carriage
89(8)
10 The Masked Ball
97(11)
11 Forget the Name of the Man with the Voice
108(5)
12 Above the Traps
113(9)
13 Apollo's Lyre
122(23)
14 A Masterstroke from the King of Traps
145(12)
15 A Strange Request for a Safety Pin
157(6)
16 `Christine! Christine!'
163(4)
17 Mme Giry's amazing revelations of her personal dealings with the Phantom of the Opera
167(11)
18 More about the Strange Request for a Safety Pin
178(6)
19 The Police Inspector, the Viscount and the Persian
184(6)
20 The Viscount and the Persian
190(7)
21 In the Belly of the Opera
197(17)
22 Concerning the interesting and instructive ordeals undergone by the Persian in the belly of the Opera
214(14)
23 Inside the Torture Chamber
228(7)
24 The Torture Begins
235(6)
25 `Any old barrels!... Barrels! Any old barrels for sale?'
241(11)
26 Scorpion or Grasshopper? Which is it to be?
252(9)
27 The End of the Phantom's Love Story
261(9)
Epilogue 270
David Coward writes widely on the history, literature, and culture of France. A regular contributor to the Times Literary Supplement, London Review of Books, and national newspapers, he won the Scott-Moncrieff Prize for Translation in 1996. He is the author of A History of French Literature (Blackwell, 2002), and for Oxford World's Classics has translated and edited works by Dumas, Diderot, Sade, and Beaumarchais.