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The Phantom of the Opera [Minkštas viršelis]

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Introduction by , Edited by ,
  • Formatas: Paperback / softback, 304 pages, aukštis x plotis x storis: 216x140x20 mm, weight: 330 g
  • Serija: Haunted Library Horror Classics
  • Išleidimo metai: 07-Feb-2020
  • Leidėjas: Poisoned Pen Press
  • ISBN-10: 1492699683
  • ISBN-13: 9781492699682
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 304 pages, aukštis x plotis x storis: 216x140x20 mm, weight: 330 g
  • Serija: Haunted Library Horror Classics
  • Išleidimo metai: 07-Feb-2020
  • Leidėjas: Poisoned Pen Press
  • ISBN-10: 1492699683
  • ISBN-13: 9781492699682
Kitos knygos pagal šią temą:
"One of the most famous ghost stories that no one has actually read" (New York Times), The Phantom of the Opera is the first in the Haunted Library Horror Classics series presented by the Horror Writers Association. An unabridged edition of the novel that inspired the famous Andrew Lloyd Webber musical. Deep beneath the Paris Opera House, a masked man lives in silence Every night at the Palais Garnier, hundreds of guests sit on the edge of velvet-covered seats, waiting for prima donna La Carlotta to take the stage. But when her voice fails her, La Carlotta is replaced with unknown understudy Christine Daaé, a young soprano whose vibrant singing fills every corner of the house and wins her a slew of admirers, including an old childhood friend who soon professes his love for her. But unknown to Christine is another man, who lurks out of sight behind the heavy curtains of the opera, who can move about the building undetected, who will do anything to make sure Christine will keep singing just for him This curated edition of The Phantom of the Opera, based on the original 1911 English translation by Alexander Teixeira de Mattos, brings an iconic story of love and obsession to today's readers and illuminates the timeless appeal of Leroux's masterpiece.

Recenzijos

"One of the most powerful Gothic romances ever written." - The New York Times "Horror Writers Association Haunted Library of Horror Classics series will be a revelation...Fans of literate horror, whatever their opinion of Andrew Lloyd Weber, will be gratified." - Publishers Weekly "I found the story to be so compelling, and the characters so powerfully drawn... Is it a classic? Yes. It should be on your shelves." - Classic Mysteries

Introduction ix
Nancy Holder
About Nancy Holder xi
Prologue 1(6)
Gaston Leroux
Chapter I Is it the Ghost?
7(10)
Chapter II The New Margarita
17(10)
Chapter III The Mysterious Reason
27(8)
Chapter IV Box Five
35(13)
Chapter V The Enchanted Violin
48(16)
Chapter VI A Visit to Box Five
64(3)
Chapter VII Faust and What Followed
67(15)
Chapter VIII The Mysterious Brougham
82(9)
Chapter IX At the Masked Ball
91(10)
Chapter X Forget the Name of the Man's Voice
101(6)
Chapter XI Above the Trap-Doors
107(8)
Chapter XII Apollo's Lyre
115(19)
Chapter XIII A Master-Stroke of the Trap-Door Lover
134(11)
Chapter XIV The Singular Attitude of a Safety-Pin
145(7)
Chapter XV Christine! Christine!
152(5)
Chapter XVI Mme. Giry's Revelations
157(12)
Chapter XVII The Safety-Pin Again
169(7)
Chapter XVIII The Commissary, the Viscount and the Persian
176(6)
Chapter XIX The Viscount and the Persian
182(7)
Chapter XX In the Cellars of the Opera
189(15)
Chapter XXI Interesting Vicissitudes of a Persian
204(13)
Chapter XXII In the Torture Chamber
217(7)
Chapter XXIII The Torture Begins
224(7)
Chapter XXIV Barrels! Barrels!
231(10)
Chapter XXV The Scorpion or the Grasshopper: Which?
241(8)
Chapter XXVI The End of the Ghost s Story
249(9)
Epilogue
258(27)
The Paris Opera House
267(6)
Haunted Library Afterword by Lisa Morton
273(2)
About the Author, Gaston Leroux
275(2)
Suggested Discussion Questions for Classroom Use
277(3)
Suggested Further Reading of Fiction
280(5)
About the Series Editors 285
Gaston Louis Alfred Leroux (May 1868-Apr. 1927) was born in Paris, France to a respected and moderately well-to-do family. He turned to writing and became a theatre critic and, later, a highly-respected international newspaper correspondent. In 1907 Leroux suddenly and without explanation quit journalism and began writing fiction, prolifically penning thirty-seven novels and a number of short stories. Leroux's most famous individual work, The Phantom of the Opera, was serialized in 1909 through 1910, and would go on to become one of the most recognized titles in the genre of horror writing.