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Phillis Wheatley and the Romantics [Kietas viršelis]

  • Formatas: Hardback, 277 pages, aukštis x plotis x storis: 235x163x16 mm, weight: 350 g
  • Išleidimo metai: 30-Aug-2010
  • Leidėjas: University of Tennessee Press
  • ISBN-10: 1572337052
  • ISBN-13: 9781572337053
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 277 pages, aukštis x plotis x storis: 235x163x16 mm, weight: 350 g
  • Išleidimo metai: 30-Aug-2010
  • Leidėjas: University of Tennessee Press
  • ISBN-10: 1572337052
  • ISBN-13: 9781572337053
Kitos knygos pagal šią temą:
Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, On the Death of the Rev. Mr. George Whitefield, followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star.

Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers.

In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her Long Poem, consisting of On Recollection, Thoughts on the Works of Providence, and On Imagination, helped shape the face of Romanticism in the late eighteenth and nineteenth centuries.

Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatleys influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood.

Recenzijos

 This book very conclusively debunks the over two-hundred-year-old conventional wisdom that Wheatley owes her poetic sensibilities to Alexander Pope. . . . It will help rejuvenate the study of Wheatley and will be an exciting contribution to scholarly discourse on Wheatleys poetry. Cedrick May, author of Evangelism and Resistance in the Black Atlantic, 17601835

Preface ix
Acknowledgments xi
Chapter 1 Before Wheatley: The Imagination from Plato to Bruno
1(18)
Chapter 2 Before Wheatley: The Imagination from Bruno to William Billings
19(26)
Chapter 3 Wheatley's "Long Poem" and Subsequent Considerations
45(20)
Chapter 4 After Wheatley: In England, France, and Germany, Excluding Kant
65(20)
Chapter 5 Kant and Wheatley
85(12)
Chapter 6 Wheatley and Coleridge
97(18)
Concluding Remarks: Is Wheatley the Progenetrix of Romanticism? 115(6)
Postscript: What Remains to Be Done 121(2)
Chronology 123(2)
Works Cited and Consulted 125(10)
Index 135
John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self (named by Choice as an Outstanding Academic Book and awarded honorable mention in competition for the American Comparative Literature Associations HARRY LEVIN PRIZE) and of Phillis Wheatleys Poetics of Liberation. He is Distinguished Professor of English and director of the Center for Classicism in American Culture at Illinois State University.