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Philosopher's New Clothes: The Theaetetus, the Academy, and Philosophys Turn against Fashion [Kietas viršelis]

(The City University of New York, USA)
  • Formatas: Hardback, 250 pages, aukštis x plotis: 234x156 mm, weight: 498 g
  • Išleidimo metai: 26-Oct-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138929565
  • ISBN-13: 9781138929562
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 250 pages, aukštis x plotis: 234x156 mm, weight: 498 g
  • Išleidimo metai: 26-Oct-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138929565
  • ISBN-13: 9781138929562
Kitos knygos pagal šią temą:

This book takes a new approach to the question, "Is the philosopher to be seen as universal human being or as eccentric ". Through a reading of theTheaetetus, Pappas first considers how we identify philosophers – how do they appear, in particular how do they dress? The book moves to modern philosophical treatments of fashion, and of "anti-fashion". He argues that aspects of the fashion/anti-fashion debate apply to antiquity, indeed that nudity at the gymnasia was an anti-fashion. Thus anti-fashion provides a way of viewing ancient philosophy’s orientation toward a social world in which, for all its true existence elsewhere, philosophy also has to live.

Recenzijos

"Although it may at first appears to be impossible to discuss both Platos thought and the philosophy of fashion in a coherent and philosophically promising way, Pappas book shows that it is a feasible and challenging task ... Pappas reveals a polished expertise on fashion in philosophy and the history of anti-fashion, as well as on some peculiar fashion and anti-fashion articles of clothing, like mens suits, denim jeans, and black clothes. Reading these pages, with their many references to contemporary media, historic style icons (in particular, Beau Brummell) and philosophers who have theorized about fashion and its social and cultural effects, is pleasant and very informative ... Like Socrates, Nickolas Pappas book is somehow atopos, yet able to stimulate reflections and debates. More than anything else, The Philosophers New Clothes is a very original book, one of a kind in Platonic studies."

- Filippo Forcignanņ, Universitą degli Studi di Milano, Italy, Bryn Mawr Classical Review (2018)

"In Nickolas Pappas book, The Philosophers New Clothes: The Theaetetus, the Academy, and Philosophys Turn Against Fashion, one finds a wonderfully unexpected and oddly appropriate connection between the emergence of the Academy as a place in which the philosopher appears wearing that title, philosopher, and philosophys turn against fashion. While historians date the beginning of fashion to around 1300, and a second movement to 1850, Pappas argues that something recognizable as fashion and its antithesis already existed in Greek and Roman antiquity ... Pappas book ends on the shrewd and invaluable note that, even while it paves the way for a brood of philosopher-fashionistas, the Academy arises both then and now as the place where such fashions will nonetheless be able to be critiqueda risky business, to be sure, but perhaps less risky naked in the gym than before a jury of suits. The tension persists, but so too the belief in philosophys beginning."

- Gwenda-lin Grewal, The New School for Social Research, USA, ANCIENT PHILOSOPHY 41 (1): 232-236 (2021).

Preface x
Abbreviations xii
Introduction 1(12)
What philosophers do
1(1)
Philosophy for everyone
2(2)
The philosopher as eccentric
4(1)
Plato on the normal philosopher
5(1)
Socratic legacies
6(3)
How the philosopher appears
9(4)
PART I Socrates in the Theaetetus
13(96)
1 Entering the Theaetetus
15(29)
Plato's Academy
16(5)
The Academy in Plato's Theaetetus
21(4)
The frame of the Theaetetus
25(3)
Enter Theaetetus
28(3)
Socrates as midwife
31(5)
No place for philosophy
36(8)
2 Being a philosopher teaching philosophy
44(30)
The cost of entering the Academy
45(5)
Unwritten teachings
50(5)
The shoemaker
55(2)
Tire Cyrenaics
57(4)
Pigs and dogheads
61(3)
School as institution
64(3)
Conclusion
67(7)
3 Philosophy's first citizen
74(35)
Wrestling and civilization
74(4)
What the wrestling happens
78(4)
Two myths of philosophy's beginning (arche)
82(2)
Wonder and the rainbow
84(3)
Iris the teras
87(1)
Socrates the philosopher
88(2)
A new myth of philosophy's arche
90(2)
Philosopher as headmaster
92(2)
The philosophical gentleman
94(6)
Beyond the Theaetetus
100(9)
PART II Philosophy regarding fashion
109(68)
4 Fashion in philosophy
111(19)
Fashion thinking
112(2)
The emperor's new clothes
114(2)
Philosophy of fashion today
116(2)
Imitation according to the tradition
118(3)
Bean Brummell, beyond imitating
121(3)
The foreigner
124(6)
5 Anti-fashion
130(25)
Alternative to fashion
130(2)
The tradition of anti-fashion
132(4)
Anti-fashion today
136(2)
The suit
138(3)
Denim jeans
141(2)
Body art
143(1)
Black
144(3)
Black and the body
147(8)
6 Fashion in antiquity
155(22)
The threat of anachronism: ancient fashion?
156(2)
Diversity and contingency in dress
158(3)
Change in dress
161(4)
Justifications for change in dress
165(2)
Plato's Republic
167(2)
"Better"
169(8)
PART III The philosopher's new clothes
177(54)
7 There is no outfit like Greek nudity
179(32)
Nudity in modem Europe
181(3)
Nudity for non-Greeks
184(2)
Recent treatments of Greek nudity
186(3)
Pausanias
189(2)
Inspection, sexual and otherwise
191(1)
Chaste nudity
192(4)
Ritual nudity
196(2)
Ritual nudity and athletics
198(1)
Civic nudity
199(4)
Theaetetus
203(8)
8 You can tell a philosopher
211(20)
The Cynic display of withdrawal
211(2)
The limits of philosophical costume
213(4)
Platonic philosophical nudity
217(3)
Platonic anti-fashion
220(2)
Thoreau
222(2)
Kierkegaard
224(7)
Index 231
Nickolas Pappas is Professor of Philosophy at the City College and the Graduate Center, The City University of New York, USA