Atnaujinkite slapukų nuostatas

El. knyga: Photo Archives and the Place of Photography

Edited by (Regent's University, UK), Edited by (University of Oxford, UK)
Kitos knygos pagal šią temą:
Photo Archives and the Place of PhotographyDidesnis paveikslėlis
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

"This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue. The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with essays drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context. This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive"--

This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.



This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.

The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.

This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive.

Part 1 Archival Processes and Places
1. Photographs in Place in Archives
and the Writing of Photographys History
2. The Place of Photographs in an
Archive and the Place of German Wissenschaft in Italy
3. Transports of
Vision: Geopiety and Frederic Edwin Churchs Photographic Collection of the
Mediterranean and Middle East
4. Translating the Work of Art: Photo Archives
and Institutional Memory in Oxford Part 2 Positioning the Photographic Object
5. Archiving Royal Heirlooms in the Age of Mass Reproduction: The Publication
of the Crown Treasures of the Galerie dApollon at the Louvre and Early Color
Photography
6. "The Days Before Railways and Photographs": Berensons
Photographic Archive and the Displacements of Art History
7. The Archive in
Transition: Reframing Josef Sudeks Photographic Reproductions of Art
8. The
Family of Man as Archive and Place
9. Reciprocating Place: Photo Archives and
Bedouin in the Naqab Desert Part 3 Dislocating and Dematerializing
Photographic Archives
10. Displacing the Photograph: The Photographic Image
11. Out of Place in Cyberspace: Living Digital Archives in Contemporary
Iranian Pasts
12. Places of Photography and Phases of Digitization
Geraldine A. Johnson is Head of the Department of History of Art at the University of Oxford and a College Fellow of Christ Church, Oxford.

Deborah Schultz is Senior Lecturer in Art History at Regents University, London.
Daugiau apie elektronines knygas Daugiau apie elektronines knygas
Pastovi nuoroda: https://www.kriso.lt/db/97810001824606e.html
Raktažodžiai: