The third volume in an authoritative and comprehensive series, The Photobook: A History volume III provides a unique perspective on the story of contemporary photography through the genre of the photobook. Continuing in the vein of the first two volumes, Volume III is a study of the major trends and movements that have shaped the photobook genre globally since the birth of photography in the early nineteenth century. Volume III pays particular attention to photobooks published after World War II, covering contemporary themes of modern life, from diaristic photography of place and people to twentieth-century propaganda books and some of the finest works to emerge from the recent self-publishing boom. The Photobook volumes represent a valuable catalogue of rare and important photobooks, and since Phaidon published Volume I in 2004, are now regarded by academics, students and photobook bibliophiles as the definitive works on this subject.
Recenzijos
"For those who have enjoyed volumes I and II, volume III comes as a delightful, and unexpected surprise. Highly readable and entertaining, an historical resource. An absolute must for anyone interested in or anyone intending making photo books."Black and White Photography
| Preface |
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4 | (2) |
| Introduction |
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6 | (4) |
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The Flourishing of the Propaganda Photobook |
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10 | (32) |
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2 Documents of Anger and Sadness |
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Protest and the Photobook |
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42 | (32) |
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Desire and the Postwar Photobook |
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74 | (30) |
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4 Monuments to our Moment |
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Modern Life and the Photobook |
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104 | (42) |
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146 | (38) |
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Conflict and the Photobook |
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184 | (28) |
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The Photobook and Identity |
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212 | (30) |
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The Photographic Book and Memory |
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242 | (36) |
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9 Cannibalizing Photography |
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Representing and Re-Presenting the Medium |
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278 | (35) |
| Notes |
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313 | (2) |
| Select Bibliography |
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315 | (1) |
| Index |
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316 | |
The work of Martin Parr bridges the divide between art and documentary photography. His studies of the idiosyncrasies of mass culture and consumerism around the world, his innovative imagery and his prolific output have placed him firmly at the forefront of contemporary art. His recent publications include Luxury (2008) and Life Is a Beach (2012). A member of the international photo agency Magnum, Parr is an avid collector of books and a world authority on the photobook.
Gerry Badger is a photo historian, architect and critic. He regularly writes and lectures on photography and has curated a number of exhibitions. His published books include Collecting Photography (2003) and monographs on John Gossage and Stephen Shore, as well as Phaidons 55s on Chris Killip (2001) and Eugene Atget (2001). In 2007 he published The Genius of Photography, the book of the BBC television series of the same name, and in 2010 The Pleasures of Good Photographs, an anthology of essays that was awarded the 2011 Infinity Writers' Award from the International Center of Photography, New York.
