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Photography Theory in Historical Perspective [Kietas viršelis]

4.37/5 (19 ratings by Goodreads)
(University of Leiden, the Netherlands), (Katholieke Universiteit Leuven, Belgium)
  • Formatas: Hardback, 280 pages, aukštis x plotis x storis: 236x160x20 mm, weight: 644 g
  • Išleidimo metai: 05-Apr-2011
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1405191619
  • ISBN-13: 9781405191616
Kitos knygos pagal šią temą:
Photography Theory in Historical PerspectiveDidesnis paveikslėlis
  • Formatas: Hardback, 280 pages, aukštis x plotis x storis: 236x160x20 mm, weight: 644 g
  • Išleidimo metai: 05-Apr-2011
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1405191619
  • ISBN-13: 9781405191616
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781405191616.html
Raktažodžiai:
Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception.
  • uses case studies to explain photographic practices in contemporary art and place them in the context of theory
  • presents current debates on theory of photography through comparisons to research of other visual media
  • appicable to vernacular and documentary photography as well as art photography

Recenzijos

"Extensive bibliography. Recommended. Upper-level undergraduates through researchers/faculty." (Choice, 1 November 2011)

Acknowledgments vii
Introduction 1(13)
Structure of the Book
3(2)
What is a "Medium"?
5(1)
Framing the Focus of the Book
6(1)
Analog Versus Digital
7(2)
The Overlap of Themes
9(5)
1 Representation in Photography: The Competition with Painting
14(50)
Photography, Objectivity, and Representation
15(8)
Straight and Composed Photography: The Impact of the Digital
23(10)
Photographs as Iconic Index of the Reality Represented
33(7)
Aura, Authenticity, and Reproducibility in Photography
40(6)
Painting-like Photographs Versus Photo-like Paintings as Multimediating Pictures: The Question of Color
46(8)
Sharp and Blurred Photographs: Transparency and Hypermediacy
54(10)
2 Time in Photography: The Rivalry with Time-Based Arts
64(48)
Barthes's That-has-Been and Punctum
65(4)
Time Exposure and Instantaneity in Photographs
69(15)
Serial Documentation and the Decisive Moment
84(10)
Presence and Absence in Photography: Replaced Images Versus Objects of Contemplation
94(18)
3 Place and Space in Photography: Positioning Toward Virtual Places and Spatial Objects
112(40)
Constructed Places in Relation to Places That Exist(ed)
115(12)
Monocular Perspective Investigated Through Divergent and Poly-ocular Perspectives
127(15)
Spatial Photographs as Extension of the Photo as Two-dimensional Image
142(10)
4 Photography's Social Function: The Documentary Legacy
152(38)
"Photography Against the Grain"
153(11)
Photography, Text, and Context
164(11)
(Post-)Documentary Photographs as Art. Color, and the Politics of (Re) Presentation
175(10)
Critical Approaches of Advertising and Fashion Photography
185(5)
5 Self-reflective Photography
190(37)
Photography as Record of the Reflection of Light
191(6)
Reflections on Taking Photographs: Photograph-Camera-Photographer
197(8)
The Photograph as Product of a Process of Reflection
205(9)
Psychoanalytic Theories Projected in Photography
214(8)
From Self-reflective Digital Photography Back to Classical Mirror Mythologies
222(5)
Glossary 227(6)
References 233(23)
Credits and sources 256(3)
Index 259
Hilde Van Gelder is editor of the Lieven Gevaert Series. She has co-edited several books inthe series, including Photography Between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art (2008).  

Helen Westgeest is editor and one of the authors of Take Place: Photography and Place from Multiple Perspectives (2009).