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1 | (46) |
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Managing Photos Using the Organizer Importing Your Photos |
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2 | (4) |
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Backing Up Your Photos to a Hard Drive |
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6 | (2) |
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Importing Photos from Your Scanner |
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8 | (1) |
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Changing the Size of Your Photo Thumbnails |
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9 | (1) |
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Seeing Full-Screen Previews |
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10 | (2) |
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Sorting Photos by Date and Viewing Filenames |
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12 | (1) |
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Change the Time & Date of Your Photos (Great, If You Travel) |
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13 | (1) |
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Finding Photos Fast by Their Month & Year |
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14 | (1) |
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Smart Tags and Enhanced Searching |
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15 | (2) |
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Tagging Your Photos (with Keyword Tags) |
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17 | (3) |
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20 | (1) |
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Assigning Multiple Tags to One Photo |
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21 | (1) |
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Tagging People in Photos and Videos |
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22 | (3) |
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Albums: It's How You Put Photos in Order One by One |
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25 | (1) |
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Choosing Your Own Icons for Keyword Tags |
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26 | (1) |
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Deleting Keyword Tags or Albums |
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27 | (1) |
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Seeing Your Photo's Metadata (EXIF Info) |
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28 | (1) |
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Adding Your Own Info to Photos |
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29 | (2) |
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31 | (3) |
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34 | (2) |
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36 | (3) |
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Reducing Clutter by Stacking Your Photos |
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39 | (2) |
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Places: Viewing Your Photos on a Map |
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41 | (3) |
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44 | (3) |
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Chapter 2 Raw and Un-Kutt |
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47 | (30) |
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The Essentials of Camera Raw Opening Your Photos into Camera Raw |
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48 | (2) |
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My Camera Raw Editing Cheat Sheet |
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50 | (2) |
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If You Shoot in RAW, You Need to Start Here |
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52 | (5) |
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Setting the White Balance |
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57 | (4) |
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Seeing a Before/After in Camera Raw |
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61 | (2) |
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Letting Camera Raw Auto-Correct Your Photos |
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63 | (2) |
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Expanding Your Tonal Range by Setting Your White and Black Points |
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65 | (2) |
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Controlling Overall Brightness (Exposure) |
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67 | (1) |
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My Power Trio: Combining Whites + Blacks + Exposure |
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68 | (1) |
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Adding Contrast (Important Stuff!) |
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69 | (1) |
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Dealing with Highlight Problems (Clipping) |
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70 | (2) |
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Fixing Backlit Photos and Opening Up Dark Areas |
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72 | (1) |
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Clarity: Camera Raw's Detail Enhancer |
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73 | (1) |
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Making Your Colors More Vibrant |
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74 | (1) |
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Putting It All Together (Here's the Order I Use for My Own Editing) |
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75 | (2) |
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Chapter 3 Beyond the Reach |
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77 | (30) |
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Camera Raw---Beyond the Basics Editing Multiple Photos at Once |
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78 | (2) |
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80 | (5) |
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Reducing Noise in Noisy Photos |
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85 | (3) |
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Removing Red Eye in Camera Raw |
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88 | (2) |
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The Trick for Expanding the Range of Your Photos |
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90 | (5) |
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Black & White Conversions in Camera Raw |
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95 | (5) |
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Cropping and Straightening |
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100 | (4) |
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Converting RAW Photos to the Adobe DNG Format |
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104 | (3) |
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Chapter 4 Scream of the Crop |
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107 | (32) |
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How to Resize and Crop Photos Basic Cropping |
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108 | (4) |
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Auto-Cropping to Standard Sizes |
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112 | (2) |
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Cropping to an Exact Custom Size |
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114 | (3) |
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117 | (3) |
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Fixing Problems with Perspective Crop |
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120 | (2) |
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Using the Crop Tool to Add More Canvas Area |
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122 | (2) |
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Auto-Cropping Gang-Scanned Photos |
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124 | (1) |
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Straightening Photos with the Straighten Tool |
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125 | (2) |
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127 | (3) |
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Resizing and How to Reach Those Hidden Free Transform Handles |
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130 | (1) |
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Making Your Photos Smaller (Downsizing) |
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131 | (2) |
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Automated Saving and Resizing |
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133 | (2) |
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Resizing Just Parts of Your Image Using the Recompose Tool |
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135 | (4) |
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139 | (16) |
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Which Mode Do I Use: Quick, Guided, or Expert? Using Instant Fix to Quickly Edit Your Photos |
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140 | (2) |
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Photo Quick Fix in Quick Mode |
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142 | (4) |
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Let Guided Mode Walk You Through It |
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146 | (4) |
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A Quick Look at Expert Mode (It's Not Just for Experts!) |
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150 | (5) |
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Chapter 6 Layers of Light |
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155 | (36) |
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Working with Layers Layer Basics |
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156 | (6) |
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162 | (6) |
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Everything Else About Layers |
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168 | (11) |
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Layer Blend Modes for Photographers |
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179 | (5) |
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184 | (7) |
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191 | (44) |
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Fixing Common Problems Adjusting Flesh Tones |
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192 | (2) |
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Smoothing Skin Like a Pro |
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194 | (2) |
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Using the Smart Brush Tool to Select and Enhance Skies at the Same Time |
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196 | (5) |
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Adding Contrast and Drama to Cloudy Skies |
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201 | (2) |
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203 | (2) |
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Focusing Light with Dodging and Burning |
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205 | (5) |
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Removing Haze from Your Photos |
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210 | (2) |
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Opening Up Shadow Areas That Are Too Dark |
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212 | (2) |
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Fixing Areas That Are Too Bright |
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214 | (2) |
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When Your Subject Is Too Dark |
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216 | (3) |
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Automatic Red-Eye Removal |
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219 | (2) |
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221 | (2) |
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Fixing Problems Caused by Your Camera's Lens |
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223 | (3) |
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Saving Blurry Photos Using the Shake Reduction Filter |
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226 | (4) |
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230 | (5) |
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Chapter 8 Natural Selection |
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235 | (28) |
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Selection Techniques Selecting Square, Rectangular, or Round Areas |
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236 | (5) |
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Auto Selecting Things in Your Image |
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241 | (2) |
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243 | (1) |
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Softening Those Harsh Edges |
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244 | (2) |
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Easier Selections with the Quick Selection Tool |
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246 | (3) |
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Making Really Tricky Selections, Like Hair (and Some Cool Compositing Tricks, Too!) |
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249 | (9) |
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Putting Your Subject on a New Background in Guided Mode |
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258 | (5) |
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263 | (18) |
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Removing Unwanted Objects Removing Spots and Other Artifacts |
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264 | (2) |
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The Amazing (and Easiest) Way to Remove Distracting Stuff from Your Photos |
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266 | (6) |
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Moving Things Without Leaving a Hole Using Content-Aware Move |
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272 | (3) |
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Automatically Cleaning Up Your Scenes (a.k.a. The Tourist Remover) |
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275 | (6) |
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Chapter 10 Special Edition |
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281 | (52) |
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Special Effects for Photographers Effects and Presets Galore in Quick Edit Mode |
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282 | (2) |
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Creating a Picture Stack Effect |
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284 | (3) |
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Putting a Photo Inside Text |
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287 | (2) |
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Creating an Effects Collage |
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289 | (2) |
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Enhancing Depth of Field (or Faking That 85mm f/1.4 Look) |
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291 | (4) |
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Trendy Desaturated Skin Look |
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295 | (2) |
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High-Contrast Portrait Look |
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297 | (4) |
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Converting to Black and White |
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301 | (7) |
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Panoramas Made Crazy Easy |
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308 | (4) |
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Burned-In Edge Effect (Vignetting) |
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312 | (2) |
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Creating the Selective Color Effect |
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314 | (3) |
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Neutral Density Gradient Filter |
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317 | (3) |
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Getting the Instagram Look |
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320 | (4) |
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324 | (2) |
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Double Exposure Special Effect |
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326 | (4) |
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330 | (3) |
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333 | (20) |
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Sharpening Techniques Basic Sharpening |
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334 | (7) |
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Creating Extraordinary Sharpening |
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341 | (3) |
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Edge Sharpening Technique |
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344 | (3) |
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The Most Advanced Sharpening in Elements |
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347 | (2) |
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Advanced Sharpening Using Adjust Sharpness |
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349 | (4) |
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353 | (23) |
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Printing, Color Management, and My Elements 2020 Workflow Setting Up Your Color Management |
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354 | (1) |
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You Have to Calibrate Your Monitor Before You Go Any Further |
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355 | (3) |
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Getting Pro-Quality Prints that Match Your Screen |
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358 | (4) |
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362 | (1) |
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363 | (5) |
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What to Do If the Print Still Doesn't Match Your Screen |
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368 | (2) |
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My Elements 2020 Photography Workflow |
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370 | (6) |
| Index |
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376 | |
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