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Play As Symbol of the World: And Other Writings [Kietas viršelis]

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Translated by , Translated by ,
  • Formatas: Hardback, 362 pages, aukštis x plotis: 229x152 mm, weight: 635 g
  • Serija: Studies in Continental Thought
  • Išleidimo metai: 06-Jun-2016
  • Leidėjas: Indiana University Press
  • ISBN-10: 0253021057
  • ISBN-13: 9780253021052
Kitos knygos pagal šią temą:
Play As Symbol of the World: And Other WritingsDidesnis paveikslėlis
  • Formatas: Hardback, 362 pages, aukštis x plotis: 229x152 mm, weight: 635 g
  • Serija: Studies in Continental Thought
  • Išleidimo metai: 06-Jun-2016
  • Leidėjas: Indiana University Press
  • ISBN-10: 0253021057
  • ISBN-13: 9780253021052
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780253021052.html
Raktažodžiai:

Eugen Fink is considered one of the clearest interpreters of phenomenology and was the preferred conversational partner of Edmund Husserl and Martin Heidegger. In Play as Symbol of the World, Fink offers an original phenomenology of play as he attempts to understand the world through the experience of play. He affirms the philosophical significance of play, why it is more than idle amusement, and reflects on the movement from "child's play" to "cosmic play." Well-known for its non-technical, literary style, this skillful translation by Ian Alexander Moore and Christopher Turner invites engagement with Fink's philosophy of play and related writings on sports, festivals, and ancient cult practices.

Recenzijos

This is a complex and challenging text, perhaps an essential primary source in the history of phenomenology. It is certainly noteworthy for exemplifying a unique crossroads in the legacies of Husserl and Heidegger.

(Phenomenological Reviews) Compared to Husserl and Heidegger, Fink is a much more readable writer, and the translators have done an excellent job of rendering his words into fluid English prose.

(Notre Dame Philosophical Reviews) Ian Alexander Moore and Christopher Turner do more than simply translate the words that are in this book. They convey the spirit that lives in those words, in its distinctiveness among other writings with its unique, kindly scholarship-in-depth for which Eugen Fink was highly praised.

- Ronald Bruzina (University of Kentucky)

Translators' Introduction 1(13)
Oasis of Happiness: Thoughts toward an Ontology of Play {1957}
14(19)
Play as Symbol of the World {1960}
33(194)
Chapter One Play as a Philosophical Problem
35(45)
1 Play as a Possible and Worthy Topic for Philosophy
35(8)
2 The World-Significance of Human Play
43(9)
3 Methodological Considerations
52(9)
4 The Position of the Human Being in the Centauresque Metaphysics of the West
61(9)
5 The World as Play? An Approach in the Appearance of the Playworld
70(10)
Chapter Two The Metaphysical Interpretation of Play
80(45)
6 The Non-Actual Character of Play
80(8)
7 Play and the Other Regions of Human Life. Plato's Blending of Being and Nothing
88(9)
8 Plato's Interpretation of Play by Way of the Mirror. His Critique of the Poets
97(9)
9 The Lens of the Disenchanted. Critique of the Platonic Model of the Mirror
106(9)
10 The Ontological Devaluation of Play at the Beginning of Metaphysics. The Problem of the Symbol
115(10)
Chapter Three The Interpretation of Play in Myth
125(63)
11 Basic Features of Mythical Cult-Play
125(8)
12 The Cultic Sense-Image and Its Veiled World-Reference. Association with Daemons
133(9)
13 Cosmic Status of the Symbolism of Play---Ancient Belief in Daemons. The Enchantment of Masks
142(9)
14 Sacred Technique, Cosmic Metaphor, Initiatory Enchantment. Transition to Cult-Play
151(9)
15 Cult-Play as a Dissembling of the World-Relation. Play of the Gods and Play of the World
160(9)
16 Play and Consecration---Cult-Play and Religion. The Play of the Gods Is Not Itself Cult-Play
169(9)
17 Nature "Full of Gods" in Myth, Empty of Gods in Late Culture. Critique of Religion on the Model of "Self-Alienation." The Question Concerning the Worldliness of Play Is neither Sacred nor Profane
178(10)
Chapter Four The Worldliness of Human Play
188(39)
18 Polysemy of the Concept "Worldly"
188(9)
19 The Worldliness of Play---In Contrast to the Metaphysical and Mythological Interpretation
197(9)
20 Play as the Ecstase of the Human Being toward the World and as the Proof of the Shining Back of the World into the Being That Is Open to the World. The World as a Game without a Player
206(21)
Play and Celebration {1975}
216(11)
Additional Texts
Child's Play {1959}
227(2)
Play and Philosophy {1966}
229(5)
The World-Significance of Play {1973}
234(15)
Play and Cult {1972--1973?}
249(4)
Fink's Notes on Play
The Philosophical-Pedagogical Problem of Play, 1954
253(20)
Sport Seminar on February 24, 1961
273(2)
Play and Sport {1962}
275(4)
Notes on "Play and Philosophy" {1966}
279(4)
Notes on "The World-Significance of Play" {1973}
283(12)
Appendices
1 The Layout of the Volume and Description of the Texts
295(8)
2 German Editors' Afterword
303(18)
3 Bibliography of Fink's Works Available in English
321(2)
4 Secondary Literature on Fink in English
323(4)
Notes 327(20)
Name Index 347
Eugen Fink (19051975) was a student and colleague of Edmund Husserl and Martin Heidegger. Spiel als Weltsymbol was published in 1960. This is the first English translation.

Ian Alexander Moore and Christopher Turner are Ph.D. students in Continental Philosophy at DePaul University. They are translators of Peter Trawny's Freedom to Fail: Heidegger's Anarchy.