At this critical moment, The Plays of Samuel Beckett by Katherine Weiss seeks to re-evaluate Becketts playwriting As Weisss volume makes clear, drama departments and practitioners of Becketts theatre may have dominated the first generation of Beckett scholars, but have been noticeably thin on the ground [ in recent years]. The Plays of Samuel Beckett attempts to redress the balance, by showing that Godot comprises only one part in Becketts ongoing development as a writer and also by emphasizing the value of discussing Becketts work in terms of drama and performance. -- James Moran * Times Literary Supplement * Weiss's new book concisely analyses twenty of the Irish writer's dramatic works while also providing clarity in interpretation both for those intimately familiar with and newcomers to Beckett. Weiss effectively opens important dialogues with established critics and also contributes new perspectives -- Nelson Barre, National University of Galway, Ireland * Theatre Research International, vol. 39 * Weiss's project entails a rather complex weave of ideas [ she] welcomingly bears the philosophical weight of not just Herren's but of all the contributors perspectives, engaging each in her own heavy take on Beckett's drama. -- Doug Phillips * Text and Presentation * The utility of Weisss book therefore is in its exhaustive coverage of the plays and the collection of critical essays and interviews featuring distinguished Beckett scholars and performers What this review cannot properly convey is Weisss deft navigation of theory and philosophy Weiss leads us on a tour of Beckett, surveying many major works, key criticism, and dramaturgy. The book is a manual for judicious practices in Beckett criticism, proffering an entry point into Becketts oeuvre. -- Rivky Mondal * Mondal *
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