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Politics in the Monuments of Pompey the Great and Julius Caesar [Kietas viršelis]

(University of Padua, Italy.)
  • Formatas: Hardback, 210 pages, aukštis x plotis: 234x156 mm, weight: 453 g, 1 Tables, black and white; 32 Halftones, black and white; 32 Illustrations, black and white
  • Serija: Routledge Monographs in Classical Studies
  • Išleidimo metai: 21-Oct-2022
  • Leidėjas: Routledge
  • ISBN-10: 0367521563
  • ISBN-13: 9780367521561
  • Formatas: Hardback, 210 pages, aukštis x plotis: 234x156 mm, weight: 453 g, 1 Tables, black and white; 32 Halftones, black and white; 32 Illustrations, black and white
  • Serija: Routledge Monographs in Classical Studies
  • Išleidimo metai: 21-Oct-2022
  • Leidėjas: Routledge
  • ISBN-10: 0367521563
  • ISBN-13: 9780367521561
This book explores the diachronic development of the ideological content of Pompey and Caesars monuments in Rome, emphasising the importance of the late Republican period as a precursor to imperial propaganda through architecture.

In the final years of the Roman Republic, individuals such as Pompey the Great and Julius Caesar exploited the communicative power of architecture. The former promoted the first and largest stone theatre in Rome; the latter started comprehensive town-planning projects that arguably verged on the utopian. Yet the study of the politics expressed by these monuments and how complex late Republican politics shaped the monuments themselves has attracted less attention than that of subsequent imperial architecture. Zampieri addresses this imbalance, exploring the ideological meaning of late Republican monuments and highlighting that monuments were fluid, adaptable entities, even in the lifespan of a single individual. Accompanied by detailed maps and images, this volume shows how late Republican architecture should be considered an important source for understanding politics of this period.

Politics in the Monuments of Pompey the Great and Julius Caesar will be of use to anyone working on the politics and social world of the late Roman Republic, and on Roman architecture and patronage.

Recenzijos

'A comprehensive, thought-provoking, and innovative account of the competition between Pompey and Caesar in the sphere of monumental building.' - Tom Stevenson, University of Queensland, Australia

List of figures
xiii
Preface xvii
List of abbreviations
xix
Introduction 1(7)
1 Pompey and Caesar
2(2)
2 Pompeian and Caesarian monuments in Rome
4(4)
1 The Protagonists and Their Ideas
8(45)
1.1 Foreword: Propaganda in Antiquity
9(4)
1.2 `Ita sullaturit animus eius et proscripturit iam diu' (Cic, Att., 9, 10, 6): Pompey
13(14)
1.2.1 Sulla
13(2)
1.2.2 Alexander the Great
15(1)
1.2.3 The Gods: Venus Victrix
16(2)
1.2.4 The Gods: Hercules
18(2)
1.2.5 The Gods: Minerva
20(3)
1.2.6 The Gods: Dionysus
23(1)
1.2.7 Felicitas
23(1)
1.2.8 Scipio Aemilianus (and Africanus)?
24(3)
1.3 `[ ...] Nam Caesari multos Marios inesse' (Suet., Iul, I, 1): Caesar
27(14)
1.3.1 Marius
27(3)
1.3.2 The Gracchi Brothers
30(1)
1.3.3 Scipio Aemilianus (and Africanus)
31(1)
1.3.4 Furius Camillus
32(2)
1.3.5 Romulus
34(1)
1.3.6 Servius Tullius
35(1)
1.3.7 Other Models: Ancus Marcius and Numa Pompilius
35(2)
1.3.8 The Gods: Venus
37(1)
1.3.9 The Gods: Veiovis -- Iuppiter
38(1)
1.3.10 The Gods: Quirinus
39(1)
1.3.11 Clementia et Concordia
39(2)
1.3.12 Felicitas
41(1)
1.4 Final Remarks
41(12)
2 The Rising Sun: Pompey's Monuments and His Three Triumphs
53(40)
2.1 Imago Alexandria The Hercules Pompeianus
53(2)
2.2 Pompey's Temple of Minerva
55(2)
2.3 Theatrum Lapideum
57(26)
2.3.1 The Temple of Venus Victrix
58(4)
2.3.2 The Presence (or not) of a Scaenae Frons
62(1)
2.3.3 The Decorative Programme
63(9)
2.3.4 A Place for a Hero?
72(1)
2.3.5 A Gymnasium for Promenades and Otium
73(1)
2.3.6 Further Interpretations -- A Statesman's Project
74(7)
2.3.7 Different Levels of Messages
81(2)
2.4 Preliminary Conclusions
83(10)
3 Pacata Gallia? Caesar keeps an eye on Rome
93(17)
3.1 The `Enlargement of the Roman Forum' (Forum of Caesar)
95(2)
3.1.1 A `new' Caesarian phase
96(1)
3.2 The Atrium Libertatis
97(2)
3.3 A New Building for the Comitia: The Saepta
99(2)
3.4 Basilica Aemilia, Basilica Iulia
101(3)
3.5 Preliminary Conclusions
104(6)
4 After the war, a new Rome
110(14)
4.1 The Temple of Felicitas
111(5)
4.2 The Temple of Quirinus on the Quirinal Hill
116(4)
4.3 Preliminary Conclusions
120(4)
5 The building affairs of Mr. Julius Caesar
124(41)
5.1 The Forum of Caesar
124(23)
5.1.1 Decoration: Griffins
125(3)
5.1.2 Decoration: The Meander
128(7)
5.1.3 Aedes Veneris Genetricis
135(1)
5.1.4 Works of Art in the Temple: Statues and Gems
136(2)
5.1.5 Works of Art in the Temple: The Pinakes of Ajax and Medea
138(3)
5.1.6 Works of Art in the Forum: Statues
141(3)
5.1.7 Changing Propaganda
144(3)
5.2 Caesar's Temporary Stadium and Naumachia
147(2)
5.3 The Circus Maximus
149(1)
5.4 A Plan for the City: The Lex Iulia de Urbe augenda, ornanda et instruenda
150(2)
5.5 Jupiter or Apollo? The Theatre of Caesar
152(2)
5.6 The Temple of Vesta and a New Platform for the Tribunes
154(2)
5.7 Preliminary Conclusions
156(9)
6 Conclusions: Let the City Speak
165(14)
6.1 `[ ...] Urbis o putissimei, / socer generque [ ...]' (Catull., 29, 23--24)
165(7)
6.1.1 Pompey, Successful General, and Primus Inter Pares
165(2)
6.1.2 Caesar, Moderate Popularis, and Civil War Victor
167(5)
6.2 The Power Of Architecture
172(3)
6.2.1 A `Caesarian' Forum
172(2)
6.2.2 A `Triumph' for Propaganda
174(1)
6.3 Final Remarks
175(1)
6.4 Conclusions: Rome as a Forum for Propaganda
176(3)
Appendix A Maps 179(2)
Appendix B Chronology Table 181(8)
Bibliography 189(18)
Index 207
Eleonora Zampieri is Marie Skodowska-Curie Fellow in Roman History at the Department of Historical, Geographical and Antiquity Studies of the University of Padua (Italy). Her research interests focus on Roman late Republican politics, elections, and institutions, as well as on provincial governance during the Roman Republic.