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xiii | |
Preface |
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xvii | |
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xix | |
Introduction |
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1 | (7) |
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2 | (2) |
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2 Pompeian and Caesarian monuments in Rome |
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4 | (4) |
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1 The Protagonists and Their Ideas |
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8 | (45) |
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1.1 Foreword: Propaganda in Antiquity |
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9 | (4) |
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1.2 `Ita sullaturit animus eius et proscripturit iam diu' (Cic, Att., 9, 10, 6): Pompey |
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13 | (14) |
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13 | (2) |
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1.2.2 Alexander the Great |
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15 | (1) |
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1.2.3 The Gods: Venus Victrix |
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16 | (2) |
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18 | (2) |
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20 | (3) |
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23 | (1) |
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23 | (1) |
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1.2.8 Scipio Aemilianus (and Africanus)? |
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24 | (3) |
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1.3 `[ ...] Nam Caesari multos Marios inesse' (Suet., Iul, I, 1): Caesar |
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27 | (14) |
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27 | (3) |
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1.3.2 The Gracchi Brothers |
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30 | (1) |
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1.3.3 Scipio Aemilianus (and Africanus) |
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31 | (1) |
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32 | (2) |
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34 | (1) |
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35 | (1) |
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1.3.7 Other Models: Ancus Marcius and Numa Pompilius |
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35 | (2) |
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37 | (1) |
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1.3.9 The Gods: Veiovis -- Iuppiter |
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38 | (1) |
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1.3.10 The Gods: Quirinus |
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39 | (1) |
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1.3.11 Clementia et Concordia |
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39 | (2) |
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41 | (1) |
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41 | (12) |
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2 The Rising Sun: Pompey's Monuments and His Three Triumphs |
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53 | (40) |
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2.1 Imago Alexandria The Hercules Pompeianus |
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53 | (2) |
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2.2 Pompey's Temple of Minerva |
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55 | (2) |
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57 | (26) |
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2.3.1 The Temple of Venus Victrix |
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58 | (4) |
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2.3.2 The Presence (or not) of a Scaenae Frons |
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62 | (1) |
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2.3.3 The Decorative Programme |
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63 | (9) |
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2.3.4 A Place for a Hero? |
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72 | (1) |
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2.3.5 A Gymnasium for Promenades and Otium |
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73 | (1) |
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2.3.6 Further Interpretations -- A Statesman's Project |
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74 | (7) |
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2.3.7 Different Levels of Messages |
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81 | (2) |
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2.4 Preliminary Conclusions |
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83 | (10) |
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3 Pacata Gallia? Caesar keeps an eye on Rome |
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93 | (17) |
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3.1 The `Enlargement of the Roman Forum' (Forum of Caesar) |
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95 | (2) |
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3.1.1 A `new' Caesarian phase |
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96 | (1) |
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3.2 The Atrium Libertatis |
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97 | (2) |
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3.3 A New Building for the Comitia: The Saepta |
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99 | (2) |
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3.4 Basilica Aemilia, Basilica Iulia |
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101 | (3) |
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3.5 Preliminary Conclusions |
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104 | (6) |
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4 After the war, a new Rome |
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110 | (14) |
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4.1 The Temple of Felicitas |
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111 | (5) |
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4.2 The Temple of Quirinus on the Quirinal Hill |
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116 | (4) |
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4.3 Preliminary Conclusions |
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120 | (4) |
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5 The building affairs of Mr. Julius Caesar |
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124 | (41) |
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124 | (23) |
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5.1.1 Decoration: Griffins |
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125 | (3) |
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5.1.2 Decoration: The Meander |
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128 | (7) |
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5.1.3 Aedes Veneris Genetricis |
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135 | (1) |
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5.1.4 Works of Art in the Temple: Statues and Gems |
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136 | (2) |
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5.1.5 Works of Art in the Temple: The Pinakes of Ajax and Medea |
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138 | (3) |
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5.1.6 Works of Art in the Forum: Statues |
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141 | (3) |
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5.1.7 Changing Propaganda |
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144 | (3) |
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5.2 Caesar's Temporary Stadium and Naumachia |
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147 | (2) |
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149 | (1) |
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5.4 A Plan for the City: The Lex Iulia de Urbe augenda, ornanda et instruenda |
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150 | (2) |
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5.5 Jupiter or Apollo? The Theatre of Caesar |
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152 | (2) |
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5.6 The Temple of Vesta and a New Platform for the Tribunes |
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154 | (2) |
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5.7 Preliminary Conclusions |
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156 | (9) |
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6 Conclusions: Let the City Speak |
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165 | (14) |
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6.1 `[ ...] Urbis o putissimei, / socer generque [ ...]' (Catull., 29, 23--24) |
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165 | (7) |
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6.1.1 Pompey, Successful General, and Primus Inter Pares |
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165 | (2) |
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6.1.2 Caesar, Moderate Popularis, and Civil War Victor |
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167 | (5) |
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6.2 The Power Of Architecture |
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172 | (3) |
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6.2.1 A `Caesarian' Forum |
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172 | (2) |
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6.2.2 A `Triumph' for Propaganda |
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174 | (1) |
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175 | (1) |
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6.4 Conclusions: Rome as a Forum for Propaganda |
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176 | (3) |
Appendix A Maps |
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179 | (2) |
Appendix B Chronology Table |
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181 | (8) |
Bibliography |
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189 | (18) |
Index |
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207 | |