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El. knyga: Politics of Transparency in Modern American Fiction: Fear, Secrecy, and Exposure

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Explores modern and contemporary American literature's contribution to and critique of the newly emerging field of transparency studies

In the twenty-first century, transparency has become an ambiguous buzzword both in the public and the private realms (e.g., Wikileaks and the Snowden affair; social media). This volume takes its cue from the emerging field of transparency studies, recent scholarly work in sociology, political theory, and cultural studies that identifies a hegemonic rhetoric of transparency in public and political life. While scholars in this new field routinely gesture toward literature as the realm where secrecy may be productive, they rarely engage with literature directly, and literary studies itself remains notably absent from their debates. This collection of essays seeks to redress that state of affairs by focusing on literary texts written in an American cultural tradition steeped in the interplay between transparency and exposure, fear and secrecy, security and surveillance, and information and disinformation. The essays draw on authors ranging from Whitman, James, and Ellison to Pynchon, Morrison, and Eggers to argue that American literature complicates theoretical assumptions about transparency made in other disciplines. They question the field's strong theoretical emphasis on present-day technopolitical practices and discourses as the location of hegemonic discourse on transparency, and instead historicize such phenomena and extend them to discursive spheres that have so far been neglected (such as issues of sexuality and race).

Edited by Paula Martķn-Salvįn and Sascha Pöhlmann. Contributors: Tomasz Basiuk, Jesśs Blanco Hidalga, Cristina Cheverean, Michel Feith, Juliįn Jiménez Heffernan, Tiina Käkelä, Juan L. Pérez-de-Luque, Umberto Rossi, Jelena esni, Toon Staes, Julia Straub, Alice Sundman.
Acknowledgments
Introduction: The Politics of Transparency - Paula Martķn-Salvįn
1. Walt Whitman's Poetry of Intimacy - Sascha Pöhlmann
2. The Lives and Times of Henry James and F.O. Matthiessen: The Neoliberal
Transparent Society and Its Liberal Enemies - Juliįn Jiménez Heffernan
3. The Intelligibility of Coming Out as Gay - Tomasz Basiuk
4. Invisibility and Exposure in Ralph Ellison's Invisible Man (1952) and
George Schuyler's Black No More (1931) - Michel Feith
5. The Transparency of the Scanner, The Opacity of the Simulacra: The
Politics of Vision in Philip K. Dick's Oeuvre - Umberto Rossi
6. "Angrier than thou": Secrecy vs. Exposure in Philip Roth's I Married a
Communist - Cristina Cheverean
7. Political Secrets in William Gibson's Sprawl Trilogy - Juan L.
Pérez-de-Luque
8. Secrecy and Exposure in Toni Morrison's Paradise - Alice Sundman
9. Something Big and Invisible: Thomas Pynchon's Bleeding Edge and the Limits
of Transparency - Tiina Käkelä
10. Narrating the Community in Karen Tei Yamashita's I Hotel: Story, History,
System - Toon Staes
11. Literary Imagination at the Digital Frontier: Dave Eggers's Recent
Technological Dystopian Novels - Jelena esni
12. "The Joy of Confession": Narratives of Disclosure in Jonathan Franzen's
Crossroads - Jesśs Blanco Hidalga
13. Celebrity 2.0: Female Influencer Figures in Contemporary American Fiction
- Julia Straub
Notes on Contributors
Index
PAULA MARTĶN-SALVĮN is Professor of English and American Literature at the University of Córdoba, Spain. SASCHA PÖHLMANN is Professor of North American Literature and Culture at TU Dortmund University, Germany.