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El. knyga: Postdramatic Theatre and Form

Series edited by (University of Leeds, UK), Edited by (Ohio University, USA), Edited by (New York University, USA), Series edited by (University of Michigan, USA), Edited by (Queen Mary University of London, UK)
  • Formatas: 280 pages
  • Serija: Methuen Drama Engage
  • Išleidimo metai: 21-Mar-2019
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350043183
Kitos knygos pagal šią temą:
  • Formatas: 280 pages
  • Serija: Methuen Drama Engage
  • Išleidimo metai: 21-Mar-2019
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350043183
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Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form.

Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare.

A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.

Daugiau informacijos

This collection of essays investigates the aesthetics and politics of contemporary performance, exploring the category of the postdramatic to improve our understanding of theatrical form.
List of Illustrations
vii
Notes on Contributors viii
Acknowledgements xii
1 Introduction: Form and Postdramatic Theatre
1(19)
Michael Shane Boyle
Matt Cornish
Brandon Woolf
2 Drama: The Szondi Connection
20(13)
Elinor Fuchs
Part One Formal Aspects
3 Text: The Director's Notebook
33(15)
Edith Cassiers
Timmy De Laet
Luk Van den Dries
4 Space: Postdramatic Geography in Post-Collapse Seattle
48(18)
Jasmine Mahmoud
5 Time: Unsettling the Present
66(15)
Philip Watkinson
6 Body: Tadeusz Kantor and the Posthuman Stage
81(15)
Magda Romanska
7 Media: Intermission
96(19)
Nicholas Ridout
Part Two Social Formations
8 Festivals: Conventional Disruption, or, Why Ann Liv Young Ruined Rebecca Patek's Show
115(16)
Andrew Friedman
9 Galleries: Resituating the Postdramatic Real
131(16)
Ryan Anthony Hatch
10 Process: `Set Writing' in Contemporary French Theatre
147(16)
Kate Bredeson
11 Choreography: Performative Dance Histories
163(16)
Yvonne Hardt
12 Migration: Common and Uncommon Grounds at Berlin's
179(17)
Gorki Theater Matt Cornish
13 Elder Care: Performing Dementia - Toward a Postdramatic Subjectivity
196(15)
Stanton B. Garner Jr.
Notes 211(42)
Index 253
Michael Shane Boyle is a Lecturer in Drama, Theatre and Performance at Queen Mary University of London, UK.

Matt Cornish is Assistant Professor of Theater History at Ohio University, USA. He is the author of Performing Unification: History and Nation in German Theatre after 1989.

Brandon Woolf is a theatre artist and Visiting Assistant Professor of Theatre at New York University, USA, where he also serves as Director of the Program in Dramatic Literature.