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Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario [Minkštas viršelis]

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  • Formatas: Paperback / softback, 250 pages, aukštis x plotis x storis: 232x155x18 mm, weight: 381 g
  • Išleidimo metai: 27-Apr-2010
  • Leidėjas: Lexington Books
  • ISBN-10: 0739118226
  • ISBN-13: 9780739118221
Kitos knygos pagal šią temą:
Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioDidesnis paveikslėlis
  • Formatas: Paperback / softback, 250 pages, aukštis x plotis x storis: 232x155x18 mm, weight: 381 g
  • Išleidimo metai: 27-Apr-2010
  • Leidėjas: Lexington Books
  • ISBN-10: 0739118226
  • ISBN-13: 9780739118221
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780739118221.html
Raktažodžiai:
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.

Recenzijos

Postnational Musical Identities offers diverse scholarly interpretations of music in relation to globalization through varied musical examples.Contribute to knowledge of particular musics, illustrate varied processes of musical production and explicate the interpretive frameworks these musics both engender and by which they are engendered.The book offers a variety of methodological and conceptual approaches to the study of music production and meaning in the complicated "globalized" world in which we all live. * Current Musicology, Number 89, Spring 2010 * Postnational Musical Identities is a remarkable collection of essays that brings together scholars from several disciplinary and regional specializations to reflect critically and innovatively on the production, distribution, performance and consumption of music in a globalized context. These essays bear witness to Stuart Hall's famous remark that cultural identity is not so much about ancient 'roots' as it is about jagged 'routes' that traverse multiple borders. Combining keen theoretical insights with feet-on-the-ground analysis, this volume is a most welcome and timely contribution to music scholarship. -- Christopher Dunn, Tulane University The editors of this volume do a laudable job balancing historical essays with more ethnographic ones and although the essays complement each other well, ten of twelve focus on Latino or Latin American case studies.....Overall, Postnational Musical Identities makes a valuable and fascinating contribution to studies dealing with borderlands, migration, and identities. * Project Muse * This book is a welcome addition to the growing corpus of work that seeks to re-situate new configurations of the national amidst a reductive debate in musicology which has too often become unhelpfully polarized between the global and the local. * Twentieth-Century Music *

Preface ix
Part I Postnational Perspectives in Music Scholarship
Chapter 1 Introduction: The Postnational Turn in Music Scholarship and Music Marketing
3(20)
Ignacio Corona
Alejandro L. Madrid
Chapter 2 Nationalist and Postnationalist Perspectives in American Musicology
23(22)
Arved Ashby
Chapter 3 Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967
45(20)
Barry Shank
Part II A Transnational Caribbean
Chapter 4 The Miamization of Latin-American Pop Music
65(16)
Daniel Party
Chapter 5 Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry
81(18)
Vanessa Knights
Part III Across the U.S.-Mexico Border
Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tec Music
99(20)
Ignacio Corona
Alejandro L. Madrid
Chapter 7 Quest for the Local: Building Musical Ties between Mexico and the United States
119(18)
Helena Simonett
Chapter 8 Assimilation, Reclamation, and Rejection of the Nation-State Chicano Musicians
137(14)
Steven Loza
Chapter 9 Rockln' la Frontera: Mexican Rock, Globalization, and National Identity
151(22)
Greg Schelonka
Part IV South-American Connections
Chapter 10 Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century
173(12)
Cristina Magaldi
Chapter 11 The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity
185(24)
Christopher Dennis
Chapter 12 Transnational Soundscapes: Ambient Music and Bossatronica
209(10)
Denilson Lopes
Selected Discography 219(2)
Selected Bibliography 221(8)
Index 229(8)
Notes on Contributors 237
Ignacio Corona is associate professor in the departments of Spanish and Portuguese and comparative studies at Ohio State University. Alejandro L. Madrid is assistant professor in the Latin American and Latino Studies Program, University of Illinois at Chicago.