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El. knyga: Pottery in Archaeology

3.80/5 (66 ratings by Goodreads)
(British Museum, London), (University College London)
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"This revised edition provides an up-to-date account of the many different kinds of information that can be obtained through the archaeological study of pottery. It describes the scientific and quantitative techniques that are now available to the archaeologist, and assesses their value for answering a range of archaeological questions. It provides a manual for the basic handling and archiving of excavated pottery so that it can be used as a basis for further studies. The whole is set in the historical context of the ways in which archaeologists have sought to gain evidence from pottery and continue to do so. There are case studies of several approaches and techniques, backed up by an extensive bibliography"--

Recenzijos

' its aspiration [ is] to enthuse and inspire Remarkably, and despite the great breadth of its content, it does both of these things and should entice hordes into the pot shed and keep them effectively employed there. This is how textbooks should be written.' Antiquity ' the organization of a volume of this scope is a daunting task. Readers can pick and mix relevant chapters. Allowing such flexibility in use without losing consistency is probably Pottery in Archaeology's biggest feat. In its second edition, [ it] is still one of the most accessible and authoritative pottery manuals [ and] will be of interest to any scholar of the Roman period who finds herself faced with a table of potsherds or [ trying] to get to grips with the value of pottery evidence.' Astrid Van Oyen, The Journal of Roman Studies

Daugiau informacijos

This is an up-to-date account of the different kinds of information that can be obtained through the archaeological study of pottery.
List of Figures
xiii
List of Tables
xv
Preface xvii
Acknowledgments xix
Part I History And Potential
1 History of Pottery Studies
3(21)
Introduction
3(2)
The Art-Historical Phase
5(2)
The Typological Phase
7(5)
The Contextual Phase
12(2)
Parallel Themes - Ethnography
14(1)
Parallel Themes - Production and Technology
15(2)
Parallel Themes - Scientific Methods
17(4)
Parallel Themes - Quantification
21(1)
The Way Ahead
22(2)
2 The Potential of Pottery as Archaeological Evidence
24(17)
Aims
24(1)
Foundational Data
25(8)
Integrated Data
33(2)
Interpreting Data
35(1)
Implications for Practice
36(5)
Part II Practicalities: A Guide To Pottery Processing And Recording
3 Integration with Research Designs
41(5)
4 Life in the Pot Shed
46(25)
Introduction
46(1)
Setting up Base
47(1)
Collection Policy and Practice
48(2)
Initial Processing
50(1)
Equipment
51(1)
Retrieval Procedures
52(2)
Cleaning and Drying
54(1)
Initial Recording and Processing
55(2)
Initial Viewing and Spot-Dating
57(1)
Sorting
58(1)
Physical Reconstruction
59(1)
Cataloguing
60(5)
Computers in Pottery Research
65(4)
To Keep or Not to Keep
69(2)
5 Fabric Analysis
71(10)
Introduction
71(1)
Equipment
71(1)
Firing Characteristics
72(3)
Inclusions
75(1)
The Matrix
76(1)
Creating and Using a Fabric Type-Series
77(4)
6 Classification of Form and Decoration
81(12)
Introduction
81(1)
Uses of Form Data
81(1)
Creating and Using a Form Type-Series
82(3)
Describing Shapes
85(1)
Vessels and Sherds
85(1)
Decoration
86(4)
Decoration Type-Series
90(3)
7 Illustration
93(11)
Introduction
93(1)
The Purpose of Illustrations
93(2)
Drawing Pottery
95(5)
Photography
100(4)
8 Pottery Archives
104(9)
Introduction
104(1)
Uses of Archives
104(1)
Practical Issues
105(8)
9 Publication
113(8)
Introduction
113(1)
Purpose of Report
114(1)
Layout of Report
115(1)
Indexing and Correlation
115(1)
Minimum Standards of Publication
115(1)
Computer Media
116(1)
Pottery Specialists Do It on Their Own
117(1)
Summary
117(4)
Part III Themes In Ceramic Studies
10 Making Pottery
121(19)
Introduction
121(1)
Raw Materials for Pottery Manufacture
122(3)
Clay Preparation
125(1)
Forming
125(8)
Surface Treatments
133(1)
Drying
134(1)
Firing
134(6)
11 Archaeology by Experiment
140(4)
Introduction
140(1)
Questions about Production
140(3)
Questions about Use
143(1)
12 Craft Specialisation and Standardisation of Production
144(6)
Introduction
144(1)
Archaeological Evidence
145(3)
Discussion
148(1)
Implications for Theory
149(1)
13 Pottery Fabrics
150(40)
Why Look at Fabrics?
151(4)
Visual Examination
155(5)
Archaeometric (Scientific) Techniques: Introduction
160(2)
Archaeometric Techniques: Petrological Analysis
162(6)
Archaeometric Techniques: Compositional Analysis
168(14)
Archaeometric Techniques: Scanning Electron Microscopy (SEM) and Materials Science Approaches
182(4)
Integration of Scientific and Archaeological Evidence
186(4)
14 Form
190(13)
Introduction
190(1)
Approaches to the Classification of Shape
191(1)
The Type-Series Approach
191(1)
Formal Classification Systems
192(1)
Measurement-Based Classification
192(4)
Geometric Shapes
196(1)
Mathematical Curves as Descriptions of Shape
197(1)
Automatic Capture of Shapes
198(2)
Classification of Manufacturing Stages
200(3)
15 Quantification
203(16)
Introduction
203(1)
The Sampling Basis
204(1)
Uses of Comparisons of Assemblages
205(1)
Assessment of Measures
206(2)
Practicalities
208(2)
Are the Assemblages Really Different?
210(2)
How Big Should an Assemblage be?
212(1)
Case-Studies
213(2)
Spin-offs
215(3)
Discussion
218(1)
16 Chronology
219(16)
Introduction
219(1)
Pinning Down Dates
220(5)
Bringing the Evidence Together
225(1)
Seriation
226(6)
A Case Study
232(1)
Polemic
233(2)
17 Production and Distribution
235(11)
Information Content of Distribution
236(2)
Distribution of Artefact Types
238(3)
Sources of Supply to a Site
241(3)
The Identification of Source from Distribution
244(2)
18 Pottery and Function
246(16)
Individual Vessel Function
246(13)
Function, Production and Distribution
259(1)
Symbolic Meaning
260(2)
19 Assemblages and Sites
262(11)
Pottery Life Expectancy
262(2)
Sherd-Links
264(3)
Field Survey Data
267(2)
Sherds after Burial
269(2)
The Role of Quantification
271(2)
Conclusion: The Future of Pottery Studies 273(2)
Appendix 1 Suggested Recording Systems for Pottery from Archaeological Sites 275(11)
Appendix 2 Scientific Databases and Other Resources for Archaeometry 286(5)
Bibliography 291(38)
Index 329
Clive Orton is Emeritus Professor of Quantitative Archaeology at the University College London Institute of Archaeology. He has won the London and Middlesex Archaeological Society Ralph Merrifield Award for service to London Archaeology and the British Archaeological Awards Lifetime Achievement Award. He is a member of the Archaeology Data Service Management Committee, a member of the advisory board for the Journal of Quantitative Archaeology, the editor of London Archaeologist, a member of the editorial board for Archaeologia e Calcolatori, chairman of Southwark and Lambeth Archaeological Excavation Committee and chair of Gresham Ship Steering Committee. His most recent books include The Pottery from Medieval Novgorod and its Region (2006) and Sampling in Archaeology (2000). Michael Hughes was Principal Scientific Officer at The British Museum, Department of Conservation and Scientific Research and Senior Lecturer in Forensic Science and Bioscience at the University of East London. His work has been published in Archaeometry, the Journal of Archaeological Science, Studies in Conservation, Medieval Archaeology, Medieval Ceramics and the Oxford Journal of Archaeology, among others.
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