Power and Perspective: Early Photography in China [Kietas viršelis]

"Power and Perspective: Early Photography in China seeks to rethink the global history of photography by recognizing the centrality of photography at the margins. Whereas histories of nineteenth century photography are often told through the story of a single, usually Euro-American, male hero photographer, the premise of Power and Perspective is that making a photograph is a social process. Each of the book's authors focuses on a different aspect of early photography in China, bringing together recent scholarship in the global history of photography and Chinese studies to reframe photography as a set of practices that emerged out of the colonial encounter and evolved to suit the needs of international trade, travel, and the desire to know an unfamiliar territory"--

A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China

A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China

Photography’s development as a new form of art and technology coincided with profound changes in the way China engaged with the world in the nineteenth century. The medium evolved in response to war, trade, travel, and a desire for knowledge about an unfamiliar place. Power and Perspective provides a rich account of the exchanges among photographers, artists, patrons, and subjects in the treaty port cities that connected China and the West. Drawing primarily from the Peabody Essex Museum’s historic and largely unpublished collection of photographs, this generously illustrated volume examines the confrontations and collaborations that shaped the adoption and practice of photography in China. Offering an original reassessment of the colonial legacy of the medium, Power and Perspective addresses photography’s representations of racial hierarchy and its entanglement with histories of European imperialism in nineteenth-century China.