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Primary Stein: Returning to the Writing of Gertrude Stein [Kietas viršelis]

Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by , Contributions by , Edited by , Contributions by , Contributions by
  • Formatas: Hardback, 320 pages, aukštis x plotis x storis: 239x162x29 mm, weight: 603 g
  • Išleidimo metai: 16-Oct-2014
  • Leidėjas: Lexington Books
  • ISBN-10: 0739183192
  • ISBN-13: 9780739183199
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 320 pages, aukštis x plotis x storis: 239x162x29 mm, weight: 603 g
  • Išleidimo metai: 16-Oct-2014
  • Leidėjas: Lexington Books
  • ISBN-10: 0739183192
  • ISBN-13: 9780739183199
Kitos knygos pagal šią temą:
Recent scholarly trends and controversies in Gertrude Stein scholarship have focused on her politics and her friendships as well as on Stein the collector, the celebrity, the visual icon. Clearly, these recent examinations not only deepen our understanding of Stein but also attest to her staying power. Yet Steins writing itself too often remains secondary. The central premise of Primary Stein is that an extraordinary amount of textual scholarship remains to be done on Steins work, whether the well-known, the little-known, or yet unpublished. The essays in Primary Stein draw on recent interdisciplinary examinations, using cultural and historical contexts to enrich and complicate how we might read, understand, and teach Steins writing. Following Steins own efforts throughout her lifetime to shift the focus from her personality to her writing, these innovative essays turn the lens back to a wide range of her texts, including novels, plays, lectures and poetry. Each essay takes Steins primary works as its core interpretive focus, returning scholarly conversations to the challenges and pleasures of working with Steins texts.

Recenzijos

These 14 essays contribute to growing scholarship about Stein as a modernist. Boyd and Kirsch aim to shift focus from Steins biography, celebrity, art collecting, and salon to her writing, especially her experimental pieces, and her method of composition. Some contributors examine little-known pieces, such as the play For the Country Entirely and the narratives 'Subject Cases: The Background of a Detective Story' and 'Why Are There Whites to Console'; others take a fresh look at better-known pieces, such as Wars I Have Seen and Doctor Faustus Lights the Lights. Neil Schmitz offers a witty take on Tender Buttons, reading the work in the context of Steins falling out with her brother Leo. Steven Gould Axelrod argues against claims that Stein was a Nazi sympathizer by reading her novel Mrs. Reynolds as 'a hate letter to Hitler.' Curator Gabrielle Dean traces the history of Plain Editions, the publishing venture that enabled Stein to publish her early works. Several writers consider themes of time, space, and movement. Two appendixes illuminate Yales Stein archive. A wide-ranging collection that includes works not usually given scholarly attention. Summing Up: Recommended. Graduate students, researchers, faculty. * CHOICE * Primary Stein heralds a return to where the impetus of literary critical should lay: with the writing itself, rather than with a character assassination of a nearly 70 year-old Jewish lesbian who was just trying to save her life (as well as the life of her also Jewish lesbian partner, Alice B. Toklas) during World War II. With this collection of essays, Boyd and Kirsch remind us about the scope and sophistication  as well as the playfulness and sensuality  of Steins writing. * Lambda Literary * Janet Boyd and Sharon J. Kirschs Primary Stein: Returning to the Writing of Gertrude Stein fulfils its titular ambitions of sparking a revaluation and rethinking of Steins accomplishments through greater reference to her texts in published and archival forms while lessening the privileged position often accorded to her personality and coterie. The attention here to the Stein archives, primarily at Yale but also important collections at the Harry Ransom Center at the University of Texas at Austin and the Donald Gallup Collection at the Southern Methodist University, is rich. The individual contributions should have a significant impact on studies of Stein. * Year's Work in English Studies * Primary Stein will become a primary source for our reading of Gertrude Stein, among the greatest of modern writers, among the most incessantly challenging. I am grateful for this smart, original book. -- Catharine R. Stimpson, New York University It is great to have an anthology that returns to the writing of Gertrude Stein, since her interesting life and times have often diverted attention from actually reading her work. Steins work is unlike any other writingfunny, challenging, almost physical in its rhythms, rhymes, and patterns of repetition, and it covers many genres and modes of writing. Sharon J. Kirsch and Janet Boyds volume Primary Stein: Returning to the Writing of Gertrude Stein is an inspiration to anyone who wants to read Gertrude Steins work, whether that one is a practiced reader or just beginning to read Stein. And anyone who teaches Steins writing will find the essays on a selection of works as well as on publication history and the poetics of Stein very useful. -- Tania Ųrum, University of Copenhagen This is a terrific collectionlucid, wide ranging, and rich. Boyd and Kirsch have assembled a wonderful group of essays on a variety of Stein texts, representing a range of approaches to Steins work. This collection is an exciting contribution to Stein scholarship and will also appeal to scholars in feminist and gender studies, modernist studies, and other areas. -- Deborah Mix, Ball State University

Acknowledgments vii
Introduction: A Primer for Primary Stein 1(12)
Sharon J. Kirsch
Janet Boyd
1 Make It Plain: Stein and Toklas Publish the Plain Edition
13(24)
Gabrielle Dean
2 Woolfenstein, the Sequel
37(20)
Rachel Blau DuPlessis
3 "Come Too": 1920s Erotic Rights Discourse and Gertrude Stein's "Patriarchal Poetry"
57(20)
Jody Cardinal
4 Long Dull Poems: Stein's Stanzas in Meditation and Wordsworth's The Prelude
77(20)
Rebecca Ariel Porte
5 Tender Buttons, "notwithstanding"
97(12)
Neil Schmitz
6 How to Read How to Write: Bothering with Gertrude Stein
109(16)
Sharon J. Kirsch
7 Framing Devices: Reading Background in the Sequence of Gertrude Stein's Composition
125(20)
Linda Voris
8 Radio Free Stein: Rendering Queen and Country
145(18)
Adam Frank
9 "A Spare American Emotion"
163(20)
E. L. McCallum
10 "More Light!---Electric Light": Stein in Dialogue with the Romantic Paradigm in Doctor Faustus Lights the Lights
183(16)
Sarah Posman
11 Gertrude Stein's Geographical History of Literature
199(16)
Janet Boyd
12 Modernist and Future Ex-Modernist
215(20)
Kristin Bergen
13 History, Narrative, and "Daily Living" in Wars I Have Seen
235(24)
Phoebe Stein
14 Mrs. Reynolds: Stein's Anti-Nazi Novel
259(18)
Steven Gould Axelrod
Appendix A A Note on the Gertrude Stein and Alice B. Toklas Papers in the Twenty First Century 277(4)
Nancy Kuhl
Appendix B The Gertrude Stein Collection 281(10)
Donald Gallup
Index 291(16)
Contributors 307
Janet Boyd is assistant professor of English at Fairleigh Dickinson University.

Sharon J. Kirsch is an assistant professor of English and rhetorical studies at Arizona State University.